78 RPM - Sexteto Occidente - Tu me dijiste - 1930
$
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Description
78 RPM - Sexteto Occidente - Tu me dijiste - 1930
Please see Foto below!
Recorded New York, in about 1930
Sexteto Occidente was one of the early typical Son Sextetos. Formed in 1926 by María Teresa Vera and Miguel García. Later they went to New York and recorded there several numbers.
The Band seemed to be active between 1926 and 1933
Band Members: Maria Teresa Vera (guitar), Ignacio Piñeiro (double bass), Julio Torres Biart (tres). Front row: Miguelito Garcia (clavé), Manuel Reinoso (bongó) and Francisco Sánchez (maracas).
Good Stuff!
No .E 678 - More about condition/ grading see below
Side 1: Tu me dijiste - Son +
Side 2: Si Mueres lloraré - Son +
Columbia 2771-X, American Copy, Condition 2-- / 2 (Optic / accoustic)
Condition 2-- / 2 (Optic / accoustic)
Good Condition with good Sound. Minimal signs of use. Plays better then it looks, Good!
Zustand 2-- / 2 (Optisch / akustisch)
Das heißt Zustand gut. Spielt besser wie sie aussieht, nämlich Top! Schwerlich besser zu finden.
More 78 - Records you´ ll find in my private webside. Please ask for the adress. Send me an E-mail to the adress you´ll find at the Bottom of the article description! / Mehr Platten zu günstigen Festpreisen gibt es auf meiner Internetseite. Bei Interesse senden Sie mir eine E-mail. Die Adresse finden Sie unten im Kleingedruckten!
Kostenlose XXL Bilder bei TRIXUM.DE
Shipping:
Germany 6 Euro / Europe 10 Euro / Rest of the World 10 Euro
Worldwide shipping!
Condition:
Like in School. Note 1-6. 1 = very good 6 = extremely worse. My best Number normally is 2 cause 1 would be new and that´s nearly impossible at 78´s!
For every record you will find two numbers the first for optic and the second for acoustic condition. In the case the acoustic Number is more bad, the sound is not so good like we can see . For example a record is 2- / 3+ that means good conditions but it makes a bit background sound.The Size of Scratches and Needleholes will be marked by how often you can hear an Sound for Example NL 4x All Records 10 Inch ore told otherwise. Country of Pressing by Car -Number, for Example D for Deutschland Germany. US - United States.
Optical
+ 2 - Not used only one ore two times the pleasure of every Collector
+ 3 - Normal used not grey normally
+ 4 - Very often used Grey
+ 5 - For Documentation but it runs
6 For Documentation do not run
Acoustic
+ 2 - No Background-Sound
+ 3 - Background-Sound but good to hear
+ 4 - All sorts of Background Sound but all to understand
+ 5 - terrible Sound
Abbreviations:
+ with Singing, for Example. F+ F - Foxtrot sF - Slowfox Ser - Serenade Be - Beguine Cha - Chanson T - Tango Bl - Blues W - Waltz Sa - Samba Ch - Charleston R - Rumba Psd - Pasodoble P - Polka Ml - Marschlied - March Ts -Twostep Os - Onestep Qs - Quickstep L - Lied Sh - Shimmy Boo - Boogie Woogie Rs - Randschaden nicht in Rille - Edgedamage not in groove Ls - Labelschaden groІ oder klein - Labeldamage big or little Nlf - NadellКufer -nicht hЪrbar - Needlerunner not to hear Scr - Scratch - to hear lscr - light scratch not to hear hcr - haircrack Lam-Hcr Laminatetd
haircrack for Example at american Columbias, normaly no Problem Int Hcr - in the middle of Record normally no Problem cr - Crack Nl - Needlehole kl - klein - little gr - GroІ - big Fst - Fehlstelle z.B. Dreck in Rille - little dirty point or something like that Bl - Blase - bubble Vsch - Verschmutzung dirt / mud hrb - hЪrbar - to hear O.H.- OriginalhЯlle / Original Sleeve 4x how often you hear a little soundor clix for example in a Needlehole Nl o. scr Nk - Nachkrieg - Afterwar pressing from a postwar recording especcially in German Dancemusik. Start - rough Start at the beginning *** - Stars, Rareness of a Record - * = often bis ****** = extremly rare 105 - Better Sound with a needle of 105 my ( normal 63 my) bl Pr. - blistery Pressing Sol – Sticker on Label Wol – Writing on Label
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