A Tribe Called Quest ?– Midnight Marauders

Label: Jive ?– 01241-41490-1 Format: Vinyl, LP, Album, Green Frame 
Country: US Released: 09 Nov 1993 Genre: Hip Hop Style: Jazzy Hip-Hop

Tracklist

A1 Midnight Marauders Tour Guide Written-By – A. Muhammad*, J. Davis*, M. Taylor* 0:45 A2 Steve Biko (Stir It Up) Written-By – A. Muhammad*, J. Davis*, M. Taylor* 3:11 A3 Award Tour Featuring – Trugoy, The Dove*Written-By – A. Muhammad*, J. Davis*, M. Taylor* 3:46 A4 8 Million Stories Producer – Skeff AnselmWritten-By – A. Muhammad*, J. Davis*, M. Taylor*, S. Anselm* 4:21 A5 Sucka Nigga Written-By – A. Muhammad*, F. Hubbard*, J. Davis*, M. Taylor* 4:05 A6 Midnight Featuring – Raphael WigginsWritten-By – A. Muhammad*, J. Davis*, M. Taylor* 4:25 A7 We Can Get Down Written-By – A. Muhammad*, J. Davis*, M. Taylor* 4:19 B1 Electric Relaxation Written-By – A. Muhammad*, J. Davis*, M. Taylor* 4:04 B2 Clap Your Hands Written-By – A. Muhammad*, B. James*, Neville*, Porter*, J. Davis*, Modeliste*, Norcentelli*, M. Taylor* 3:16 B3 Oh My God Featuring – Busta RhymesWritten-By – A. Muhammad*, J. Davis*, M. Taylor* 3:29 B4 Keep It Rollin' Featuring – Large ProfessorProducer – Large ProfessorWritten-By – A. Muhammad*, J. Davis*, M. Taylor*, W. Mitchell* 3:05 B5 The Chase, Part II Written-By – A. Muhammad*, B. Hankerson*, J. Davis*, M. Taylor*, S. Arrington*, V. Godsey* 4:02 B6 Lyrics To Go Written-By – A. Muhammad*, J. Davis*, M. Taylor* 4:09 B7 God Lives Through Recorded By, Mixed By – Tim LathamWritten-By – A. Muhammad*, J. Davis*, M. Taylor* 4:15

Companies, etc.

• Produced For – Skeffington Productions, Inc.
• Produced For – Paul Sea Productions, Inc.
• Mixed At – Battery Studios, New York
• Recorded At – Battery Studios, New York
• Recorded At – Platinum Island/Mastermix
• Recorded At – Sorcerer Sound
• Mastered At – The Hit Factory
• Made By – Zomba Recording Corporation
• Phonographic Copyright (p) – Zomba Recording Corporation
• Copyright (c) – Zomba Recording Corporation
• Manufactured By – Zomba Recording Corporation
• Published By – Zomba Enterprises, Inc.
• Published By – Jazz Merchant Music
• Published By – Music Carb Music
• Published By – Warner/Chappell
• Published By – Hubtones Music
• Published By – RemididMusic
• Published By – Rhinelander Music
• Published By – The Large Professor Music
• Published By – EMI Blackwood Music Inc.
• Published By – Konglather Music Co.
• Published By – GlobeArt Publishing
• Published By – Boyz Club

Credits

• Engineer [Additional Engineering] – Tim Latham
• Engineer [Assistant] – Brad Schmidt, Chris Flam, Eric Gast, George Spatta, Gerard Julien, Hoover Le,Patrick Derivaz, Pete Christensen
• Management – Chris Lighty, Rush Management
• Mastered By – Tom Coyne
• Producer – A Tribe Called Quest (tracks: A1 to A3, A5 to B3, B5 to B7)
• Recorded By, Mixed By – A Tribe Called Quest, Bob Power (tracks: A1 to B6)
• Voice [Tour Guide] – Laurel Dann

Notes

The original pressing of the LP was available with green, red and black frames. The characters in the background are different on each of these versions. The black frame version is considered the rarest of them whereas the red frame version has the same characters that appear on the cover of the CD version. The single vinyl repress from the early 2000s was only released with the green frame. 

A4 produced for Skeffington Productions, Inc. 
B4 produced for Paul Sea Productions, Inc. 

Mixed at Battery Studios 
Recorded at Battery Studios, Platinum Island/Mastermix and Sorcerer Sound 
Mastered at the Hit Factory, NYC 
Direct Metal Mastering (DMM) 

All songs published by Zomba Enterprises Inc./Jazz Merchant Music (admin. by Zomba Enterprises Inc.) (ASCAP) except: 
A4: Zomba Enterprises Inc./Jazz Merchant Music (admin. by Zomba Enterprises Inc.)/Music Carb Music/Warner Chappell (ASCAP)
A5: Zomba Enterprises Inc./Jazz Merchant Music (admin. by Zomba Enterprises Inc.)(ASCAP)/Hub-Tones Music (BMI) 
B2: Zomba Enterprises Inc./Jazz Merchant Music (admin. by Zomba Enterprises Inc.)/RemididMusic (ASCAP)/Rhinelander Music (BMI) 
B4: Zomba Enterprises Inc./Jazz Merchant Music (admin. by Zomba Enterprises Inc.)/The Large Professor Music/EMI Blackwood Music, Inc. (ASCAP) 
B5: Zomba Enterprises Inc./Jazz Merchant Music (admin. by Zomba Enterprises Inc.) (ASCAP)/Konglather Music Co./GlobeArt Publishing/obo Boyz Club (BMI) 

A3 contains a sample of "We Gettin Down" written and performed by Weldon Irvine, courtesy of Nodlew Music (admin. byUnichappell Music (BMI) and BMG Music. 
A5 contains a sample of "Red Clay" written by F. Hubbard and performed by Jack Wilkins, courtesy of Hub-Tones Music (BMI) andSony Music Entertainment Inc. 
A7 contains a sample of "Martin's Funeral" written by B. Cosby and performed by Bad Foot Brown & The Budions Bradford Funeral & Marching Band courtesy of Turtle Head Pub. Co. (BMI). All rights administered by Warner Tamerlane Corp. (BMI). 
B2 contains samples of "Hand Clapping Song" written by Norcelli, Porter, Neville and Modeliste and performed by The Meters, courtesy of Rhinelander Music (BMI) and Rhinelander Music and "Nautilus" written and performed by Bob James, courtesy ofRemidid Music (ASCAP) and Tappan Zee Records. 
B3 contains samples of "Who's Gonna Take The Weight" written by Bell, Bell, Mickens, Smith, Brown, Handy, Thomas andWestfield and performed by Kool & The Gang, courtesy of Warner Tamerlane Corp. (BMI) and PolyGram Special Markets and "Absolutions" performed by Lee Morgan courtesy of Capitol Records. 
B4 contains a sample of "Feel Like Makin' Love" written by E. McDaniels and performed by Roy Ayers, courtesy of Skyforest Music(BMI) and PolyGram Special Markets. 
B5 contains samples of "Nobody Beats The Biz" written by B. Markie and M. Marl and performed by Biz Markie, courtesy of Cold Chillin' Music (admin. by WB Music Corp.) (ASCAP) and Cold Chillin' Records by arrangement with Warner Special Products and "Beddie Bey" written by S. Arrington, V. Godsey and B. Hankerson and performed by Steve Arrington, courtesy of Konglather Music Co./GlobeArt Publishing obo Boyz Club (BMI) and Atlantic Recording Corp. by arrangement with Warner Special Products. 
B6 contains a sample of "Inside My Love" written by L. Ware, M. Ripperton and R. Rudolph and performed by Minnie Ripperton, courtesy of Dickiebird Music & Pub. Co. (BMI)/Jobete Music (ASCAP) and Capitol Records. 
The "Interlude" music contains a sample of "Aquarius" written by J. Donadu and performed by Cal Tjader, courtesy of Unichappell Music/Tijuca Music Co. All rights administered by Unichappell Music and PolyGram Special Markets.

Barcode and Other Identifiers

• Barcode (Text): 0 1241-41490-1 5
• Barcode (Scanned): 012414149015
• Rights Society: ASCAP
• Rights Society: BMI
• Matrix / Runout (Side A etched in runout): 01241-41490-1-A DMM SP1-1
• Matrix / Runout (Side B etched in runout): 01241-41490-1-B DMM SP1-1

MEDIA CONDITION: VERY GOOD VG
SLEEVE COVER CONDITION: EXCELLENT EX-
INNER SLEEVE CONDITION: VERY GOOD VG+
ITEM CONDITION: VERY GOOD VG+
SEE PICTURES FOR FURTHER DETAILS
THIS IS AN ORIGINAL US EXTREMELY RARE LP....   THE MEDIA HAS BEEN PLAYED A LOT AND HAS SURFACE MARKS WHICH ARE VISIBLE WITH SOME LIGHT SCRATCH ON ONE SIDE PLAYS WELL AND HAS SOME STATIC SOUND DUE TO AGE ....
THE COVER IS IN VERY GOOD CONDITION AND HAS SIGNS OF AGE WITH SOME BASIC WEAR DUE TO AGE AND SHELF STORAGE OTHER WISE THIS ITEM IS IN VERY GOOD CONDITION CONSIDERING IT WAS MY ORIGINAL LP AND I PLAYED THIS A LOT.

FROM A SMOKE FREE AND PET FREE ENVIRONMENT

PAYMENT VIA PAYPAL ONLY

PAYMENT WITHIN 24 HRS OF BID ENDING

UK P/P FOR SINGLE 1 RECORD IS £3.99 DOUBLE OR 2 SET LP IS £4.50 ANY ADDITIONAL RECORDS ADD £1.00 EACH  PER RECORD FOR MULTI PACKAGE COMBINED DELIVERY

ADDITIONAL £1.00 FOR RECORDED DELIVERY WITH TRACKER NUMBER WILL NOT TAKE RESPONSIBILITY IF ITEM IS NOT SENT RECORDED …….I KEEP PROOF OF P/P OF ALL ITEMS NOT SENT AS RECORDED DELIVERY

EUROPE P/P FOR 1 RECORD £6.00 FOR ADDITIONAL LPS ADD £1 PER RECORD….. FOR RECORDED TRACKER DELIVERY REQUEST INVOICE

WILL POST LPS IN PROFESSIONAL CARD MAILER WITH STIFNERS WITHIN 24 HOURS AFTER PAYMENT

ONCE THE ITEM IS RECEIVED PLEASE LEAVE FEEDBACK

FOR FURTHER QUIRIES PLEASE DO NOT HESITATE TO CONTACT ME

PLEASE VIEW MY OTHER ITEMS

I GRADE MY ITEMS MODESTLY

Record Collector Magazine's Grading Guide:

 

"MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.

VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.

FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.

POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

BAD: The record is unplayable or might even be broken, and is only of use as a collection filler."