AIR SUPPLY, Lost In Love Nautilus SuperDisc Half Speed Master USA Excellent- LP

$

43

Air Supply – Lost In Love Label: Nautilus Recordings – NR 31 Series: SuperDiscs Format: Vinyl, LP, Album, Remastered, Half Speed Mastered Country: US Released: 1980 Genre: Rock Style: Soft Rock Tracklist Hide Credits A1 Lost In Love Mixed By – William Wittman Producer – Charles Fisher, Rick Chertoff Written-By – Graham Russell (2) Mixed By – William Wittman Producer – Charles Fisher, Rick Chertoff Written-By – Graham Russell (2) 3:51 A2 All Out Of Love Lyrics By – Clive Davis, Graham Russell (2) Music By – Graham Russell (2) Lyrics By – Clive Davis, Graham Russell (2) Music By – Graham Russell (2) 3:59 A3 Every Woman In The World Arranged By – Barry Fasman, Harry Maslin, Robie Porter Mixed By – Harry Maslin Mixed By [Assistant] – John Van Nest Orchestrated By – Barry Fasman Producer – Harry Maslin Written-By – Dominic Bugatti & Frank Musker Arranged By – Barry Fasman, Harry Maslin, Robie Porter Mixed By – Harry Maslin Mixed By [Assistant] – John Van Nest Orchestrated By – Barry Fasman Producer – Harry Maslin Written-By – Dominic Bugatti & Frank Musker 3:33 A4 Just Another Woman Producer – Charles Fisher Written-By – Graham Russell (2) Producer – Charles Fisher Written-By – Graham Russell (2) 3:51 A5 Having You Near Me Lyrics By – Clive Davis, Graham Russell (2) Music By – Graham Russell (2) Lyrics By – Clive Davis, Graham Russell (2) Music By – Graham Russell (2) 4:03 B1 American Hearts Arranged By – Barry Fasman, Harry Maslin, Robie Porter Mixed By – Harry Maslin Mixed By [Assistant] – John Van Nest Orchestrated By – Barry Fasman Producer – Harry Maslin Written-By – Dominic Bugatti & Frank Musker Arranged By – Barry Fasman, Harry Maslin, Robie Porter Mixed By – Harry Maslin Mixed By [Assistant] – John Van Nest Orchestrated By – Barry Fasman Producer – Harry Maslin Written-By – Dominic Bugatti & Frank Musker 3:13 B2 Chances Written-By – Graham Russell (2) Written-By – Graham Russell (2) 3:31 B3 Old Habits Die Hard Written-By – Criston Barker, David moyse Written-By – Criston Barker, David moyse 3:03 B4 I Can't Get Excited Written-By – Graham Russell (2) Written-By – Graham Russell (2) 5:01 B5 My Best Friend Written-By – Graham Russell (2) Written-By – Graham Russell (2) 2:32 Companies, etc. Recorded At – Trafalgar Studios Recorded At – Paradise Studios (2) Recorded At – EMI Studios 301 Recorded At – Allen Zentz Recording Mixed At – Allen Zentz Recording Mixed At – Larrabee Sound Studios Mixed At – Soundmixers, New York City Mastered At – Kendun Recorders Pressed By – KM Records Inc. – KM-6508 Mastered At – International Automated Media Credits Arranged By – Air Supply, Robie Porter Bass – Criston Barker Design – Howard Fritzson Drums – Ralph Cooper Engineer – Martin Harrington (2), Peter Walker, Richard Lush Executive-Producer – Clive Davis Guitar [Additional] – Tommy Emmanuel Keyboards – Frank Esler-Smith, Sam McNally Lead Guitar, Bass, Backing Vocals – David Moyse Lead Vocals – Russell Hitchcock Lead Vocals, Rhythm Guitar – Graham Russell (2) Mastered By [Half Speed] – Bruce Leek, Richard Donaldson Mastered By [Original] – John Golden Mixed By – Jim Hilton Mixed By [Assistant] – Linda Corbin Orchestrated By – Frank Esler-Smith, Robie Porter Photography By – Patrick Jones (4) Producer – Robie Porter Notes Mixed at Larrabee Sound. "Lost In Love" mixed at Soundmixers, New York. "Every Woman In The World" and "American Hearts" recorded and mixed at Allen Zentz. Recorded at Paradise/Studios 301/Trafalgar, Sydney, Australia. Mastered at Kendun. Photography for Patrick Jones Studios.  

USA NAUTILUS SUPERDISC HALF SPEED MASTER VINYL ALBUM WITH INSERT AND ORIGINAL COMPANY INNER SLEEVE.

SLEEVE: VERY GOOD+, JUST LIGHT SHELF, CORNER, EDGE AND RING WEAR.  INSERT AND INNER SLEEVE VERY GOOD+ WITH NO SEAM SPLITS.

DISC: EXCELLENT MINUS. NO SCRATCHES, JUST A FEW LIGHT HAIRLINES. CLEAN LABELS.

Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?

First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.

First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are clearer, the music tends to sound more ‘alive’ and vibrant and you 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.  

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