ALAN PARSONS PROJECT MYSTERY EYE I ROBOT TURN EVE PYRAMID 180 GRAM 18 LP SET
  $   572

 


$ 572 Sold For
Jun 3, 2020 Sold Date
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Description

THE ALAN PARSONS PROJECT COLLECTION OF 14 AUDIOPHILE LIMITED EDITIONS WITH 18 SIDES OF VINYL  –

 

THIS ALAN PARSONS COLLECTION STARTS WITH THESE TWO TREMENDOUSLY RARE COLLECTORS AUDIOPHILE CLASSIC RECORDS PRESSING - I ROBOT & TURN OF A FRIENDLY CARD - THESE TITLES NEVER CAME WITH BAR CODES ON THERE JACKET TO KEEP THEM PRISTINE COLLECTORS ISSUES.


THESE CLASSIC RECORDS PRESSING NEVER CAME WITH BARCODES TO RUIN THE PRISTINE JACKETS FOR COLLECTORS AND WERE MAINLY ONLY SOLD TO AUDIOPHILE VINYL RETAILERS AND DISTRIBUTORS.

CLASSIC RECORDS AUDIOPHILE OUT OF PRINT LIMITED EDITION COLLECTORS TREMENDOUSLY RARE 200 & 180 gram QUIEX SV-P VINYL MASTERPIECES.

“Classic Quiex SV-P Super ON BLACK VINYL" is a new vinyl formulation noticeably superior to all previous vinyl 


formulas used. 


The music on records made using Classic Quiex SV-P is more detailed, has richer 


harmonics and a more precise soundstage presentation Quiex SV-P is used exclusively and will have a sticker that 


identifies them as such.... 


This Heavy Vinyl LP has been critically acclaimed as the finest and 


quietest ever produced. 


It is a new listening experience that will virtually make you feel as if you were in the studio with the band. 



The nicest thing you can do for your stylus and ears. So, sit back, relax, 


enjoy the music, and remember the sound.


THESE TWO 180 GRAM CLASSIC RECORDS AUDIOPHILE SEALED LP'S - THESE 180 GRAM PRESSINGS WERE PROBABLY CLASSIC RECORDS MOST LIMITED PRESSING EVER. WHEN THE COST OF PETROLEUM WENT UP TO $150 A BARREL THE COST OF PRODUCING VINYL IN 200 GRAM WEIGHTS WAS JUST TOO EXPENSIVE . SO FOR A LIMITED RUN CLASSIC RECORDS WENT TO PRESSING VINYL IN 180 GRAM HEAVY VINYL WEIGHTS. THEN WHEN OIL DROPPED TO $50 A BARREL THE 200 GRAM WEIGHTS CAME BACK. THESE 180 GRAM PRESSINGS IF YOU CAN FIND ONE HAD A TREMENDOUSLY SHORT RUN AND MOST WERE ONLY PRESSED IN A FEW HUNDRED PIECES. A COLLECTORS LIMITED EDITION DREAM. ESPECIALLY SINCE CLASSIC RECORDS NOW HAS MOST OF ITS ALL TITLES OUT OF PRINT. 

E-BAY STORE.  FOR YOUR INDIVIDUAL AUDIOPHILE HEAVY VINYL SELECTIONS - INDIVIDUAL TITLE INFORMATION OR INDIVIDUAL PURCHASE JUST HIT THIS STORES TAB >. & TYPE IN  ALAN PARSONS INTO THE SEARCH FIELD WITHIN OUR STORES SECTION AS YOUR PERSONAL CODE AND ALL INDIVIDUAL TITLES + INFORMATION WILL APPEAR

 180 Gram Sealed LP

High definition analog vinyl pressing for superior fidelity.  The nicest thing you can do for your stylus and ears.  The ultimate record – the way music was meant to be heard. 

 You should never pass up the opportunity to upgrade your collection. They're each very limited in their pressings and disappear with extraordinary quickness from the vinyl market. This causes prices to skyrocket because once they are gone, they are gone forever! Don't second-guess yourself with this chance to upgrade your collection  because before you know it, the opportunity will have passed forever.  

 

 

 

I ROBOT & TURN OF A FRIENDLY CARD THESE TWO TREMENDOUSLY RARE COLLECTORS CLASSIC RECORDS PRESSING - PROBABLY THE MOST LIMITED PRESSINGS EVER OF THESE TWO TITLES 180 GRAM CLASSIC RECORDS AUDIOPHILE SEALED LP'S - WHEN THE COST OF PETROLEUM WENT UP TO $150 A BARREL THE COST OF PRODUCING VINYL IN 200 GRAM WEIGHTS WAS JUST TOO EXPENSIVE . SO FOR A LIMITED RUN CLASSIC RECORDS WENT TO PRESSING VINYL IN 180 GRAM HEAVY VINYL WEIGHTS. THEN WHEN OIL DROPPED TO $50 A BARREL THE 200 GRAM WEIGHTS CAME BACK. THESE 180 GRAM PRESSINGS IF YOU CAN FIND ONE HAD A TREMENDOUSLY SHORT RUN AND MOST WERE ONLY PRESSED IN A FEW HUNDRED PIECES. A COLLECTORS LIMITED EDITION DREAM. ESPECIALLY SINCE CLASSIC RECORDS NOW HAS MOST OF ITS ALL TITLES OUT OF PRINT.

COLLECTORS INFO ABOUT Classic Records TITLES  

Classic Records has proven to be an Audiophile Company second to none in the new millennium. But ALL CLASSIC RECORDS TITLES ARE NOW OUT OF PRINT SINCE THE COMPANY WENT OUT OF BUSINESS IN 2010. These Editions have become some of the rarest pressings in the Audiophile Collector's Market. Just try to find them at any Audiophile Retailer after the next few months. They are simply gone from the market and Mymusicfix has seen some these First Editions sell for over $800.

When you take that into consideration, what will this Audiophile Pressing will be worth in the years ahead? It could be one of the most collectible pressings ever especially since Classic records is no longer in business.

How rare and valuable are each one of these titles now still Factory Sealed Priceless!

Mymusicfix has a very limited amount of these now Rare Factory Sealed pressings. We're sure you may not have known about some of these titles existed. Have fun collecting these Masterpieces!

These are tremendous titles and artists that Mymusicfix still has in these LIMITED Edition STICKERS but we have very few pieces left of each title and prices will continue to rise as inventory continues to dwindle

THE ALAN PARSONS PROJECT I ROBOT 180 GRAM CLASSIC RECORDS RARE OUT OF PRINT LP

I Robot - The man behind the recording of "Dark Side of the Moon" is none other than Alan Parsons. If you want to hear what is his definitive recording and a bit of the Dark Side then this is it. I ROBOT was produced and engineered by Alan at Abbey Road Studios and is an audiophile's dream recording. Tranferred on an all-tube cutting system from the original 1/4" analog master tapes at Bernie Grundman Mastering. Pressed on our proprietary 180 gm QUIEX Super Vinyl Profile.

  Selections:

1. I Robot

2. I Wouldn't Want To Be Like You

3. Some Other Time

4. Breakdown

5. Don't Let It Snow

6. The Voice

7. Nucleus

8. Day After Day (The Show Must Go On)

9. Total Eclipse

10. Genesis Ch. 1. V.32

 

THE ALAN PARSONS PROJECT TURN OF A FRIENDLY CARD 180g CLASSIC RECORDS RARE OUT OF PRINT LP

Although numerous doubts abounded that concept albums with thematic focus were not what people wanted to hear, Alan Parsons’ somewhat egomaniacal projects always found a broad public. Of course one can listen to the perfectly styled sound of the music which this man created at the mixing console and concentrate on its programmatic contents or wallow in its esoteric tonal depths. But you don’t have to, for Parsons’ velvety mixture of ballads and rock numbers will get your ears’ nerve endings tingling without lyrics and themes. The album The Turn Of A Friendly Card includes two of Parsons’ very best songs: "Time," with its beautiful harmonies, and the gently swinging "Games People Play" which opens with Empire fanfares. That the instrumental tracks are find favor with almost all rock fans is hardly surprising because the music more often than not emulates the driving sound of Brit Rock rather than bombastic "sonic souffles" (Rolling Stone). But be that as it may, the title certainly holds its promise. The sales figures for this album clearly show that this "friendly card" has definitely turned up trumps for Alan Parsons.

"Alan Parsons’ attention to engineering detail and multi-level instrumentals is captured by the audiophile virgin vinyl. The luxurious tones of the synthesizers are contrasted with the jagged electric guitars. The mix levels are balanced delicately. Whether it’s the power of the string sections or delicacy of the lithe vocalists, the quality is superior. The Turn Of A Friendly Card is a discerning combination of intriguing pop music and eminent studio technology." - Audiophile Audition, audaud, September 2011

                Selections:

1. May Be a Price to Pay

2. Games People Play

3. Time

4. I Don't Wanna Go Home

5. The Gold Bug

6. The Turn of a Friendly Card

I. The Turn of a Friendly Card (part one)

II. Snake Eyes

III. The Ace of Swords

IV. Nothing Left to Lose

V. The Turn of a Friendly Card (part two)


 

NEXT SECTION IS MUSIC ON VINYL AUDIOPHILE SECTION WITH SOME VALUABLE NUMBERED EDITIONS

Alan Parsons On Air INDIVIDUALLY Numbered Limited Edition 180 GRAM AUDIOPHILE Import LP (Blue Vinyl). THIS NUMBERED BLUE VINYL EDITION IS NOW OUT OF PRINT AND RARE - THESE MUSIC ON VINYL UK products have the best collectors DELUXE heavy duty protective packaging of the product in the business. This deluxe REUSABLE packaging allows the owner a tremendous way to store that item once opened so it stays in pristine condition for the life of the product. No other company ever put this much cost into there packaging for collectors.

180 GRAM LIMITED EDITION 1ST Audiophile Vinyl PRESSING! First Numbered Pressing of 1000 Copies on Limited Edition Transparent Blue Vinyl!
Available on Vinyl for the First Time!

On Air is the second solo release by Alan Parsons following the split of The Alan Parsons Project, originally released in 1996. Although On Air might be the most underrated Alan Parsons album, many consider this as one of his best.

One of the creative forces was APP long-time guitarist Ian Bairnson. The concept of the album revolves around the history of airborne exploration. The theme of "Too Close to the Sun" is escaping the labyrinth of the Minotaur. "Brother Up In Heaven" is an emotionally driven song, about the unfortunate death of Ian Bairnson's cousin. "One Day To Fly" is a song about Leonardo da Vinci's search to design a flying machine.

A who's-who of lead vocalists are featured on this album; Christopher Cross, Eric Stewart, Neil Lockwood, Steve Overland and Graham Dye. The amazing artwork was re-created for the Music On Vinyl edition by none other than Peter Curzon of Storm Studios.

This is the very first vinyl issue of On Air, which Music On Vinyl celebrates with a limited pressing of 1000 numbered copies on transparent blue-ish vinyl!

Features:
• Numbered, Limited Edition
• Limited to 1000 copies
• 180g Audiophile Vinyl
• Transparent Blue Vinyl
• Printed Innersleeve
• Gatefold Jacket
• Exclusive artwork created by Peter Curzon, Storm Studios
• Available on vinyl for the first time
• Import

Selections:
Side One:

1. Blue Blue Sky
2. Too Close To The Sun
3. Blown By The Wind
4. Cloudbreak
5. I Can't Look Down
6. Brother Up In Heaven
Side Two:
1. Fall Free
2. Apollo
3. So Far Away
4. One Day To Fly
5. Blue Blue Sky

Alan Parsons TRY ANYTHING ONCE INDIVIDUALLY Numbered Limited Edition DOUBLE COMPLETE LP 180 GRAM AUDIOPHILE Import LP (COLORED VINYL). THIS NUMBERED COLORED VINYL EDITION IS NOW OUT OF PRINT AND RARE - THESE MUSIC ON VINYL UK products have the best collectors DELUXE heavy duty protective packaging of the product in the business. This deluxe REUSABLE packaging allows the owner a tremendous way to store that item once opened so it stays in pristine condition for the life of the product. No other company ever put this much cost into there packaging for collectors.

180 GRAM LIMITED EDITION 1ST Audiophile Vinyl PRESSING! First Numbered Pressing of 1000 Copies on Limited Edition COLORED Vinyl!
Available on Vinyl for the First Time!

Features:
• Numbered, Limited Edition
• Limited to 1000 copies
• 180 GRAM Audiophile Vinyl
• COLORED Vinyl

• Gatefold Jacket
• Exclusive artwork 
• Available on vinyl for the first time
• Import

So why, in 2010, am I writing a review for a disc that is nearly 20 years old and is out-of-print? As a "born-again" Alan Parsons fan having recently purchased this album for the first time, I just feel like more should be said on this apparently criminally over-looked disc.

As you are probably aware, this was the first album by Alan Parsons after the "Project" ceased to be with the departure of Eric Wolfson (R.I.P. Eric!). As it is one of the few Alan Parsons discs currently out of print, one must also assume that it did not perform well commercially, at least relative to most of the rest of his catalog. Based on hearing this for the first time recently, that can not be because of the music. (One must assume that this album was the commercial victim of the on-set of grunge...) After several passes through this album now, this has to be one of his better sets of music overall and certainly one the most satisfying to listen to, as a whole, since at least Ammonia Avenue. (one of my top 3 APP albums)

Rather than go through a song-by-song description of this album, I will hit on a few highlights. The disc, as a whole, is an essay on our search for self-worth, both inside and outside. The album has a slightly dark feel in that, for most of the songs, he highlights our failures in this search, all while you feel that the answer is right outside our grasp, floating along with us. This theme is at once both apparent and yet subtle throughout.

This disc contains four instrumentals, all very good in their own right. Two of them stand out, Jigue and Re-Jigue. These two pieces are a recasting of a basic Scottish or Irish melody (It sounds familiar but, as yet, I have not been able to identify the original.) These two pieces provide for a very interesting study in "Composition 101 - How to develop varients on a theme with in a single composition". It takes this simple melody, casts it at different tempos, changes textures with different instruments and harmonies, and at one point, even throws in a saxophone (in an celtic piece - and this actually seems to work!) to make for a very involving listen. Re-jigue takes that same theme and creates a symphonic version which could have come straight from a good movie score.

The next interesting point of note is the involvement of David Pack on several of these songs. I believe this is the first (and last time?) David performed on a Alan Parsons release. This would seem to be a paring that should have worked together far more often. There are three songs, The Three of Me, I'm Talkin to You, and Oh Life, which he sings on. All three are good songs and David sings as well as I have ever heard him sing on any album. In fact, if you are a David Pack or Ambrosia fan, you absolutely must hear Oh Life (There must be more) all the way through. This is the absolute best song on the disc and may be the best single Alan Parsons piece ever. (No, that is not hyperbole.) It is certainly David Pack at his very best!

Two other songs of note are Mr. Time and Back Against the Wall. Mr. Time includes a female lead singer (I do not have her name with me at this point) who sings a classic female lead vocal similar to those on Eve and Pyramid. Back Against the Wall is a very good song in the same vein as up-tempo pieces from several of the albums in the 80s. This brings me to my final point.

Listening to Try Anything Once, you get a sense that Alan Parsons is both closing out his APP era and starting to look forward. The music is at once both reminiscent of the groups previous out-put while presenting some strong hints at potential future direction. It is clear that Alan does not see his musical identity wrapped up with Alan Parsons Project, while it is also clear that he has a great love for that history as well. As such, this album presents a very compelling colleague of all things APP, from the over-reaching theme, to the music, right down to the (of course) pristeen production. Yet, there is a "new feel", relative to Alan Parsons, that is moving along within this disc as well. This is even further highlighted if you listen to Gaudi and Try Anything Once in order.

For this reason, I recommend getting your hands on a copy and try it again, and again, and again. To paraphrase, "you can't just listen to it once!"

Track listing

 

"The Three of Me" – (Pack, Powell) Lead Vocals by David Pack – 5:52

"Turn It Up" – (Bairnson) Lead Vocals Chris Thompson – 6:13

"Wine From The Water" – (Parsons, Bairnson) Lead Vocals by Eric Stewart – 5:43

"Breakaway" – (Parsons) Instrumental – 4:07

"Mr Time" – (Elliot, Copland, Driscoll) Lead Vocals by Jacqui Copland – 8:17

"Jigue" – (Parsons, Powell) Instrumental – 3:24

"I'm Talkin' To You" – (Pack, Powell) Lead Vocals by David Pack – 4:38

"Siren Song" – (Bairnson, Musker) Lead Vocals by Eric Stewart – 5:01

"Dreamscape" – (Parsons) Instrumental – 3:01

"Back Against The Wall" – (Bairnson) Lead Vocals by Chris Thompson – 4:38

"Re-Jigue" – (Parsons, Powell) Instrumental – 2:28

"Oh Life (There Must Be More)" – (Pack, Parsons) Lead Vocals by David Pack – 6:32

The Alan Parsons Project Gaudi 180 GRAM LIMITED EDITION LP - THESE MUSIC ON VINYL UK products have the best collectors DELUXE heavy duty protective packaging of the product in the business. This deluxe REUSABLE packaging allows the owner a tremendous way to store that item once opened so it stays in pristine condition for the life of the product. No other company ever put this much cost into there packaging for collectors.

180 Gram Vinyl! 10th & Final Studio Album! Includes "Money Talks", "Closer To Heaven", & "Paseo de Gracia"! 

 
As soon as Alan Parsons landed a job at the famous Abbey Road Studios at the age of 19, it became clear that the world of sound recording was to dominate his career.

He was fortunate enough to work as assistant engineer on the last two albums by The Beatles and after he qualified as a fully-fledged recording engineer, he went on to work with Paul McCartney and The Hollies among many others. But it was his contribution as engineer on Pink Floyd's classic Dark Side OF The Moon that really got him world attention. In 1975 he met Eric Woolfson who not only became his manager, but joined forces with Alan as a songwriting and performing partner for what became known as The Alan Parsons Project. 

Gaudi was the tenth and final Alan Parsons Project studio album released in 1987. Inspired as he was by the Catalan architect Antonio Gaudi, Alan Parsons built a truly passionate concept album. "Money Talks" and "Closer To Heaven," which were used in episodes of Miami Vice are, without a doubt, the tracks that sonically define this record. But then there's "Paseo de Gracia", a fully orchestrated track in the typical vein of Alan Parsons Project, which can be counted as an exquisite instrumental masterpiece. The masterfully cut Gaudi album simply is yummy for the ears. 

Features:
• 180g Vinyl
• Import
• Insert

Musicians:
Alan Parsons, synthesizer, programming
Eric Woolfson, piano, keyboards, vocals
Ian Bairnson, guitars
Laurence Cottle, bass
Stuart Elliott, drums, percussion
Richard Cottle, synthesizers, saxophone
John Miles, vocals
Lenny Zakatek, vocals
Geoff Barradale, vocals
Chris Rainbow, vocals
Andrew Powell, orchestral arrangements
John Heley, cello

Selections:
Side 1:
1. La Sagrada Familia
2. Too Late
3. Closer To Heaven
Side 2:
1. Standing On Higher Ground
2. Money Talks
3. Inside Looking Out
4. Paseo De Gracia (Instrumental)


Alan Parsons The Time Machine 180 GRAM Import 2 LP SET (Black Vinyl) - THESE MUSIC ON VINYL UK products have the best collectors DELUXE heavy duty protective packaging of the product in the business. This deluxe REUSABLE packaging allows the owner a tremendous way to store that item once opened so it stays in pristine condition for the life of the product. No other company ever put this much cost into there packaging for collectors.

180 GRAM LIMITED EDITION Audiophile Black Vinyl! Available on Vinyl for the First Time!

The Time Machine (1999) is the third solo release by Alan Parsons and features guest vocals by Tony Hadley (of Spandau Ballet), Colin Blunstone, Máire Brennan (of Clannad) and Beverly Craven. The concept of the album revolves around time travelling and memory of the past.

The album contains a locked groove, after which a bonus track will appear: The Dr. Evil edit of "The Time Machine" features the voice of Mike Myers from the second Austin Powers movie, The Spy Who Shagged Me, in which The Alan Parsons Project is mentioned.

The amazing looking artwork was re-created for this vinyl edition by none other than Peter Curzon of Storm Studios. This is the first vinyl issue of this essential Alan Parsons album!

"...Parsons' best work of the '90s... The Time Machine will definitely please die-hard Parsons fans." -Bret Adams, allmusic

Features:
• 180g Audiophile Vinyl
• Black Vinyl
• Double LP
• Gatefold jacket & printed innersleeves
• Exclusive artwork created by Peter Curzon, Storm Studios
• Available on vinyl for the first time
• Import

Selections:
LP 1 - Side A:

1. The Time Machine (Part 1)
2. Temporalia
3. Out Of The Blue
4. Call Up
LP 1 - Side B:
1. Ignorance Is Bliss
2. Rubber Universe
3. The Call Of The Wild 

LP 2 - Side C:
1. No Future In The Past
2. Press Rewind
3. The Very Last Time 
LP 2 - Side D:
1. Far Ago And Long Away
2. The Time Machine (Part 2)
3. The Time Machine (Dr. Evil Edit)

The Alan Parsons Symphonic Project Live in Colombia 180 GRAM LIMITED EDITION 3 LP SET

Live Performance With Symphony Orchestra On 180 GRAM 3 LP Set!

Alan Parsons was 19 years old when he landed a job at the world famous Abbey Road Studios, an important first step on his journey to becoming a world class engineer, producer and artist. Following his beginnings with George Martin and The Beatles, his contribution to Pink Floyd’s classic ‘The Dark Side Of The Moon’ earned him worldwide attention. As a producer he had many hits with Pilot, John Miles, Ambrosia and Al Stewart. Together with his manager and creative partner at the time, Eric Woolfson, he developed the Alan Parsons Project. 

Following their debut album “Tales Of Mystery And Imagination“ (1976), they released a series of hit albums; namely “I Robot” (1977), “Pyramid” (1978), “The Turn of a Friendly Card” (1980), “Eye in the Sky” (1982), “Ammonia Avenue” (1984), “Vulture Culture” (1985), “Stereotomy” (1986) and “Gaudi” (1987). 

Then Parsons and Woolfson called it a day, but Parsons had ambitions to perform the amazing music live. Now to the great delight of his fans, for the first time on a live audio recording, THE ALAN PARSONS SYMPHONIC PROJECT combines the talents of his amazing band with the lush sound of a 70-piece symphony orchestra, creating a very special show with unmatched quality. Together, they revitalize hits such as “Eye In The Sky“, “Don’t Answer Me“ and “Sirius“.

The lineup consists of Alan Parsons, P.J. Olson, Alastair Greene, Guy Erez, Danny Thompson, Tom Brooks, and Todd Cooper. Alejandro Posada conducts the Medellin Philharmonic Orchestra.

"I am so pleased that this magical night was captured as an audio recording. It is always great to play with an orchestra but the Medelin Philharmonic under the baton of Alejandro Posada was truly exceptional and the band also played and sang amazingly." - Alan Parsons

Features:
• Three LP set
• 180g vinyl
• Live music
• Gatefold jacket

Musicians:
Alan Parsons, acoustic guitar, keys, vocals
P.J. Olson, lead vocals
Alastair Greene, vocals, guitar
Guy Erez, bass, vocals
Danny Thompson, drums, vocals
Tom Brooks, keyboards, vocals
Todd Cooper, saxophone, guitar, percussion, vocals
Medellin Philharmonic Orchestra
Alejandro Posada, conductor

Selections:
Side A:

1. I Robot
2. Damned If I Do
3. Don’t Answer Me
Side B:
1. Breakdown
2. The Raven
3. Time
4. I Wouldn’t Want To Be Like You
Side C:
1. The Turn Of A Friendly Card (Part One)
2. Snake Eyes
3. The Ace of Swords
4. Nothing Left To Lose
5. The Turn Of A Friendly Card (Part Two)
Side D:
1. What Goes Up...
2. Luciferama
3. Silence And I
Side E:
1. Prime Time
2. Sirius
3. Eye In The Sky
Side F:
1. La Sagrada Familia
2. Old And Wise
3. Games People Play

 

- THE ALAN PARSONS PROJECT Vulture Culture - 

THESE MUSIC ON VINYL UK products have the best collectors DELUXE heavy duty protective packaging of the product in the business. This deluxe REUSABLE packaging allows the owner a tremendous way to store that item once opened so it stays in pristine condition for the life of the product. No other company ever put this much cost into there packaging for collectors

The eighth Alan Parsons Project album

180-gram vinyl pressing includes insert

First reissue since 1985!

The eighth Alan Parsons Project album Vulture Culture was released in 1985 and remains one of the Project's poppiest efforts. The A-side contains concise and catchy songs, whereas the B-side goes into a more experimental direction with songs like "Hawkeye." The album yielded two singles: the opener "Let's Talk About Me" which gathered high scores on European charts and "Days Are Numbers (The Traveller)".

Vulture Culture was initially intended to be a second disc in a two LP set where Ammonia Avenue would be the first part. In the end, both albums were released separately.               

Side One

               Let's Talk About Me

               Separate Lives

               Days Are Numbers (The Traveller)

               Sooner Or Later

              

Side Two

               Vulture Culture

               Hawkeye

               Somebody Out There

               The Same Old Sun

 




 

PRYAMID - 180 GRAM OUT OF PRINT MUSIC ON VINYL ISSUE - 

THESE MUSIC ON VINYL UK products have the best collectors DELUXE heavy duty protective packaging of the product in the business. This deluxe REUSABLE packaging allows the owner a tremendous way to store that item once opened so it stays in pristine condition for the life of the product. No other company ever put this much cost into there packaging for collectors

Pyramid is nothing short of a masterpiece.
But the Egyptian overtones and pyramid motif is just a surface, a tangible stage set, if you will. What this album really seems to be about, lyricaly and intellectualy, is man and his quest for eternal life and coming to grips (or not) with one's own inevitable mortality. Just look at the song titles... "In the lap of the Gods", "Can't take it with you", "The Eagle will rise again" "One more river" you get the idea.
Hammer dulcimers, timpanis, Egyptian flutes, a heavy choir, and other exotic instruments blend with rock instrumentation and the result is one of the greatest recording projects ever captured on tape. Recorded at Alan's home away from home, EMI Abbey Road studios London, it sounds like is was recorded in and around the pyramids with echo, atmosphere and grandiosity.
Colin Blunstone's sole vocal contribution on "Eagle will rise" is beautiful, un forced and sorrowful beyond description. One of the greatest vocal performances ever, to my ears.
The instrumental "In the lap of the Gods" is bold, dynamic, exotic, powerful and damn near overwhelming...Wow! turn up and test your audio system's abilities with that one my friend.
Pyramid is a complete (theme) album and I prefer to listen to it it's entirety from start to finish when possible.

Pyramid is like buried, forgotten (Egyptian) treasure. I bought the original vinyl album on a gamble as a curious teenager on it's first release back in 1978. Good move. I've never come across Pyramid in anyone else's record/cd collection since then(?)
Most people are duly impressed and curious when I slyly slip it into the car/home stereo. Personaly I never tire of hearing Pryamid and never will.
Even the un-remastered LP sounds incredible.
One of the greatest recordings of all time. A desert island disc without question.

"If all things must pass even a Pyramid won't last"

Track Listings

1. Voyager 2. What Goes Up... 3. The Eagle Will Rise Again 4. One More River 5. Can't Take It with You 6. In the Lap of the Gods 7. Pyramania 8. Hyper-Gamma-Spaces 9. Shadow of a Lonely Man

EVE - 180 GRAM OUT OF PRINT MUSIC ON VINYL ISSUE - THIS SEALED ITEM HAS A VERY SMALL SEAM SPLIT AT THE TOP OTHER THEN THAT PRISTINE SEALED - 

THESE MUSIC ON VINYL UK products have the best collectors DELUXE heavy duty protective packaging of the product in the business. This deluxe REUSABLE packaging allows the owner a tremendous way to store that item once opened so it stays in pristine condition for the life of the product. No other company ever put this much cost into there packaging for collectors

 .1979's Eve must be one of The Alan Parsons Project's finest works and as well one of the albums with the most intricate songs--songs about women and the overpowering effect they have on men. 


As the album progresses, a musical battle between the sexes arises that originates with Eve tempting Adam in the dawn of time and her ongoing ability to dissect the male ego, especially through sexual means. The two female vocalists (Lesley Duncan and Clare Torry) represent the woman's point of view during the songs, which makes the album highly entertaining. Some highlights of the album are the gorgeous "You Won't Be There" about man's insecurity, the loutish "You Lie Down With Dogs," and the furious "Lucifer."

Eve is truly one of the band's finest marriages of both concept and music.

Features:
• 180g Audiophile Vinyl
• Gatefold Jacket
• Import

Track Listings

1. Lucifer 2. You Lie Down With Dogs 3. I'd Rather Be A Man 4. You Won't Be There 5. Winding Me Up 6. Damned If I Do 7. Don't Hold Back 8. Secret Garden 9. If I Could Change Your Mind

 -THE ALAN PARSONS PROJECT 

 Ammonia Avenue - 

THESE MUSIC ON VINYL UK products have the best collectors DELUXE heavy duty protective packaging of the product in the business. This deluxe REUSABLE packaging allows the owner a tremendous way to store that item once opened so it stays in pristine condition for the life of the product. No other company ever put this much cost into there packaging for collectors

180-gram vinyl with included insert

Ammonia Avenue is their million selling album worldwide

Includes the hits "Don't Answer Me" and "Prime Time"

Reached the No. 1 album chart position in several countries

The sixth Alan Parsons release on Music On Vinyl! Released two years after their big-selling Eye In The Sky album, Ammonia Avenue from 1984 offers beautiful tunes, with intelligent lyrical content.

The theme of the album is the communication breakdown of mankind in a society turning ever more antisocial. Alan Parsons Project is the pinnacle of Art Rock, and this album proves it, yielding the hit single "Don't Answer Me."

A great deal of variation and clever hooks result in a record that holds more than the sum of its parts: A great listen throughout!               

Side 1

                              Prime Time

                              Let Me Go Home

                              One Good Reason

                              Since the Last Goodbye

                              Don't Answer Me

                             

Side 2

                              Dancing on a Highwire

                              You Don't Believe

                              Pipeline

                              Ammonia Avenue

 

      

   

 -THE ALAN PARSONS PROJECT 

 Stereotomy - 

THESE MUSIC ON VINYL UK products have the best collectors DELUXE heavy duty protective packaging of the product in the business. This deluxe REUSABLE packaging allows the owner a tremendous way to store that item once opened so it stays in pristine condition for the life of the product. No other company ever put this much cost into there packaging for collectors

180-gram audiophile vinyl

Features the original artwork

Alan Parsons Project is well known for building their albums around certain socio-demographic themes. Stereotomy (1985) deals with the way in which modern society molds the personality. At the time, Stereotomy was one of the first completely digitally recorded pieces of music, sporting a rare 'DDD' code on its first release.

The album is coherently balanced, its synthesized and orchestrated songs completing each another. The high octane "Where's The Walrus?" is a response to 'Mr. Laser Beam', analogy of Mr. Lee Abrams, an American radio personality. He accused the band having gone 'flat' in their last albums: he asked them 'Where's The Walrus?', meaning 'Where are the classic songs like The Beatles' "I Am The Walrus"?'.

The Music On Vinyl reissue of Stereotomy features the original dual-colored jacket (except for the translucent colored plastic outer sleeve).                             

Side 1

                              Stereotomy

                              Beaujolais

                              Urbania (Instrumental)

                              Limelight

                             

Side 2

                              In the Real World

                              Where's the Walrus (Instrumental)

                              Light of the World

                              Chinese Whispers (Instrumental)

                              Stereotomy Two

 

    

 

 

 

THE BONUS OF THESE 180 GRAM AUDIOPHILE LP PRESSINGS.  - AUDIOPHILE LIMITED EDITION 180 GRAM LIMITED EDITION


TALES OF MYSTERY AND IMAGINATION - 180 GRAM LIMITED EDITION - OUT OF PRINT - RARE LIMITED EDITION VINYL PRESSING

 

As unlikely as the idea seems today to use the suspense-filled stories of Edgar Allan Poe as the basis for an album of rock tunes, listeners in the 1970s--who were barraged with such high-flown concepts during the heyday of prog-rock--turned the record into a major hit. The Project actually scored a Top 40 hit with "(The System of) Doctor Tarr and Professor Feather." Thanks to FM radio overplay, however, "The Raven" is probably the album's best-known track today. The 1987 CD version of "ToMaI" differs somewhat from the original vinyl. Parsons dropped in synthesizer parts to modernize the album, and added an opening recitation by Orson Welles. But the integrity of the original is maintained well enough, and the album remains a classic excuse to dim the lights, pour a glass of sherry (amontillado, natch), and break out the headphones.

 

Debut album released in 1976, a concept album, with the songs based on the writings of Edgar Allen Poe by Alan Parsons and Eric Woolfson. Parsons had just finished work on Pink Floyd's Dark Side of the Moon and had produced for EMI Records. Woolfson, a songwriter and composer, was working as a session pianist. Based on Woolfson's Edgar Allen Poe concept, the two wrote the songs for this album with Parsons producing and engineering. The album was well received, with the song The Raven featuring vocals by actor Leonard Whiting. It was also the first rock song ever to use a vocoder. Includes 2 bonus tracks not on the original album, plus an 8 page booklet.

 

 

Track Listings

 

1. Dream Within A Dream 2. The Raven 3. The Tell-Tale Hearts 4. The Cask Of Amontillado 5. The System Of Doctor Tarr And Professor Fether 6. Edgar (bonus) 7. The Fall Of The House Of Usher 8. To One In Paradise

9. GBH/Mix (bonus)

 

EYE IN THE SKY

Worth it for the opening cut alone. Remember the Chicago Bulls in Jordan's heyday? They'd introduce the Bulls with the lights turned out (back before every team did that) and this song, "Sirius," blaring. Even if you weren't a fan, you couldn't help but have goose bumps. But you've never heard that tune sound like this!

Alan Parsons, who first took up an apprenticeship as a sound engineer at EMI and was later responsible for several Paul McCartney productions and the Pink Floyd album Dark Side of the Moon at the legendary Abbey Road Studios, drew upon his experience in order to further his solo career. While the co-producer Eric Woolfson wrote the songs, Parsons – who had an uncanny feeling for sound – conjured up a lush mélange of synthetic and natural sounds.

 

                 Track Listings

                              Sirius

                              Eye In The Sky

                              Children Of The Moon

                              Gemini

                              Silence And I

                              You're Gonna Get Your Fingers Burned

                              Psychobabble

                              Mammagamma

                              Step By Step

                              Old And Wise

 

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