ANGELS THE ANGELS SING 12 OF THEIR GREATEST NEAR MINT ORIGINAL '65 ASCOT MONO LP

$

41

    
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·       THE ANGELS - THE ANGELS SING  - ORIGINAL 1964 ASCOT RECORDS MONO LP AM-13009

·       ORIGINAL U.S. PRESSING

·       THE ORIGINAL BLACK ASCOT LABEL WITH WHITE AND RED ASCOT LOGO

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       THICK CARDBOARD COVER, AMERICAN STYLE

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1A/-1A'.  ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

·       As far as we know, this album has NEVER been available on legitimate Compact Disc or in any other way, manner or format.

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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The Angels' 1963 number one hit, "My Boyfriend's Back," is one of the half-dozen or so archetypal girl group classics. Hand clap beats, sassy vocals, slightly campy lyrics, and an arrangement paced by wailing horns and streetcorner harmonies; it was a surefire hit and one that the group could never live up to, although they continued to record for some time.

The Angels had actually been around for a while before "My Boyfriend's Back," making the Top 20 in 1961 with the ballad "'Till," and the Top 40 with a follow-up, "Cry Baby Cry." Featuring sisters Barbara and Phyllis Allbut, along with lead singer Linda Jansen, the group was at this time much more inclined toward lush doo-wop, somewhat in the mold of Little Anthony & the Imperials. Jansen left near the end of 1962, to be replaced by Peggy Santiglia, who gave the trio a tougher sound. In 1963, they hooked up with the songwriting/production team of Feldman-Goldstein-Gottehrer (later to oversee the McCoys and the Strangeloves), who penned and produced material more in line with the Spectorian Wall of Sound gracing the airwaves at the peak of the girl group era.

"My Boyfriend's Back" was originally cut as a demo that music publishers hoped to shop to the Shirelles, but it turned out so well that it was released as an Angels single, after they had been freed from their prior contract to sign with Smash. Surprisingly, they would never make the Top 20 again, although they had minor hits with "Thank You and Goodnight," "I Adore Him," and "Wow Wow Wee (He's the Boy for Me)." They were decent, ebullient singers, the best of their efforts standing up well to other New York-produced groups like the Shirelles, but could never latch on to a tune as surefire as "My Boyfriend's Back" again, despite (or maybe because of) a steady supply of material from the Feldman-Goldstein-Gottehrer consortium. They worked often as session vocalists in the '60s, most notably on Lou Christie's "Lightnin' Strikes," and continued to record, unsuccessfully, throughout the '60s.

 (EXCERPT FROM AN ONLINE BIO BY RICHIE UNTERBERGER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

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THIS IS A NO-RESERVE AUCTION!

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  (WEAK) NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new. (MINOR BLEMISH - UNEVEN SPOT IN THE VINYL - NOTED ON ONE TRACK ("CRY BABY CRY")

(b)            The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 4

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover shows some light yellowing on back side, apparently from aging.

-         Visible shelf wear noted on the top and bottom seams

-         Cover has some fraying/wear along the spine

-         Cover has a partially split top seam (between 2 and 4 inches  / 5 to 10 centimeters)

-         Cover has a minor 'bump' (dent) on the spine (nothing significant)

-         Cover has all four corners slightly worn / dinged (nothing significant)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No wrinkles or creases

-        No writing

-        No stamps

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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