ART BLAKEY w/LEE MORGAN JAZZ CORNER #2 RARE ORIG'60 BLUE NOTE STEREO LP 63rd RVG

$

41

WE CURRENTLY HAVE  NEARLY 400  LISTED ITEMS

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·       ART BLAKEY AND THE JAZZ MESSENGERS (LEE MORGAN, HANK MOBLEY, BOBBY TIMMONS, JYMIE MERRITT AND ART BLAKEY)  – MEET YOU AT JAZZ CORNER OF THE WORLD, VOL. 2 –   ORIGINAL BLUE NOTE 1959 STEREO LP BST-84055

·       ORIGINAL U.S. PRESSING

·       PLEASE NOTE: IN THE INTEREST OF FULL DISCLOSURE: OUR DEFINITION OF THE FIRST PRESSING HERE MAY DIFFER FROM THAT OF THE OTHER COLLECTORS.

·       ORIGINAL WHITE AND BLUE 'BLUE NOTE' LABEL WITH '63RD STREET., NEW YORK',  ADDRESS ON THE LABEL

·       NO 'EAR'  STAMP

·       The record has a ►Rudy Van Gelder’s name or  his initials (RVG) clearly stamped or hand-etched in the trail-off vinyl (dead wax)

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       CLEAN, WEAR-FREE LABELS

·       VERY THICK, HEAVY VINYL PRESSING (DEFINITELY NOT 'LIBERTY' PRESSING)

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Art Blakey (drums) and the Jazz Messengers are back home at Birdland [AKA ‘the jazz corner of the world'] on this second instalment of Meet You At The Jazz Corner Of The World, Vol. 2 (1961). Over half a decade after recording the seminal bop masterwork A Night At Birdland (1954), the combo -- which sports Lee Morgan (trumpet), Wayne Shorter (tenor sax), Bobby Timmons (piano) and Jymie Merritt (bass) -- returned to their former stompin' grounds on the five cuts included on this disc. The band reels under the authoritative beat of Blakey, who grounds the emerging leadership of Morgan and Shorter. If sides such as Hank Mobley's "High Modes" -- which jump-starts this effort -- is any indication, the pair seem to be likewise learning from the experience of simply interacting with each other. This sort of ‘on-the-job training' became an essential element in the Messengers and propelled the likes of Shorter into the orbit of Miles Davis. During his tenure with Blakey, Shorter's trademark lyrical performance style can be actively heard emerging during these recordings. He contrasts Morgan's limber and lilting solos and improvisations, which weaves through Jymie Merritt's pulsating and hypnotic basslines on the previously mentioned "High Modes". "Night Watch", another Mobley composition, is a syncopated and infectiously rhythmic side which spotlights Shorter's increasing grasp on his immense improvisational skills. Again, these abilities would allow the musician to quickly develop as the undaunted instrumentalist that helped revolutionize modern jazz with Miles Davis in the mid ‘60s. The LP concludes with a rousing rendition of Shorter's "The Summit" -- which would become a standard for this particular incarnation of the Jazz Messengers. Once again the lines fly fast and furious between Shorter and Morgan with Timmons securely anchoring the soloists to the equally involved rhythm section..

(EXCERPT FROM AN ONLINE REVIEW BY LINDSAY PLANER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical or discography information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·       CONDITION:

·       RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record comes in the original stock inner sleeve.

(c)             The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          The record has a ►Rudy Van Gelder name, or  his initials (RVG) stamped or hand-etched in the trail-off vinyl (dead wax). On SOME  Jazz labels (Blue Note, Savoy, Regent, Prestige, Impulse, Verve…) this stamp signifies highly professional masterings either done by - or  personally authorized by - the legendary engineer himself.

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3

-         Cover shows JUST A HINT of yellowing on both sides, apparently from aging.

-         Cover has a few tiny wrinkles along the spine  (nothing significant)

-         Minor shelf wear noted on the bottom seam (nothing significant)

-         Cover has a light "wrinkle" (crease)  in one of the corners.

-         Cover has one corner slightly dinged (nothing significant)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No writing

-        No stamps

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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OUR REFUND POLICY :

WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 30 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. ►Click here  for the full text of our policy

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