ART FARMER Modern Art UNITED ARTISTS DEEP GROOVE FROM 59 STEREO ??????

$

35

  ART FARMER Modern Art UNITED ARTISTS FROM 59 STEREO





A VG PLUS ORIGINAL LP ON UNITED ARTISTS UAS 5007

FROM 1959 A RARE STEREO DEEP GROOVE PRESSING

PRODUCED BY JACK LEWIS AND RECORDED BY TOMMY NOLA

WITH ART ON TRUMPET, BENNY GOLSON ON TENOR, BILL EVANS ON PIANO, ADDISON FARMER ON BASS AND DAVE BAILEY ON DRUMS

8 TRACKS INCLUDE MOX NIX, FAIR WEATHER, DARN THAT DREAM, THE TOUCH OF YOUR LIPS, JUBILATION, LIKE SOMEONE IN LOVE, I LOVE YOU, COLD BREEZE

COVER STOCK WITH LIGHT RUB AND RING WEAR AND AGE DISCOLORATION. CORNERS WITH SMALL ROUGH SPOTS AND OUTER LAYER LOSSES ON POINT. TOP RIGHT CORNER WITH BEND MARK. BOTTOM RIGHT EDGE WITH FRAYING ABOUT HALF THE LENGTH OF BOTTOM. SOME SMALL NICK DENTS TO BOTTOM EDGE. NOTWITHSTANDING, A PICTURE IS WORTH A THOUSAND WORDS, SO PLEASE DO LOOK AT THE COVER PHOTOS TO ASCERTAIN COVER CONDITION.

SPINDLE HOLE WITH SOME LIGHT RUB MARKS. THE HIGH LUSTER VINYL BLANK WITH A FEW LIGHT AND FINE SURFACE RUB AND PLAY MARKS UNDER BRIGHT ANGLED LIGHT AND ASSIDUOUS EXAMINATION. THERE IS A SMALL NICK IN THE BEGINNING OF TRACK 2 SIDE 2 LIKE SOMEONE IN LOVE. ON PLAY IT GAVE A LIGHT CLICK FOR ABOUT 10-12 REVOLUTIONS THEN TAPERED OUT. WE'VE TEST PLAYED THE REST OF THIS LP ON A PROFESSIONAL SOUND SYSTEM WITH A VPI TURNTABLE WITH A GRADO REFERENCE 1 WOOD CARTRIDGE WITHOUT NOTICE OF THE COSMETIC ITEMS AND SOUNDING QUITE FINE HERE, EXCEPT FOR THE NICK MENTIONED.

RARELY SEEN LP WHICH NOW FETCHES 100 PLUS WHEN SEEING THE LIGHT OF DAY
FROM A NOTED JAZZ REVIEWER'S PRIVATE COLLECTION

⁂PLEASE NOTE THE VINYL DESCRIPTION IS ONLY A VISUAL INSPECTION UNLESS OTHERWISE MENTIONED. HERE IS A FEW WORDS ABOUT MY GRADING SYSTEM AND IS IN ADDITION TO ANYTHING WRITTEN ABOVE AND SUPERSEDES ANY OTHER GRADING SYSTEM, INCLUDING GOLDMINE: ALL RECORDS ARE VISUALLY GRADED AND THE RED GRADE ABOVE REFERS ONLY TO THE STATE OF VINYL......YOU PLAY THE VINYL AND NOT THE COVER....COVER IS NOTED SEPARATELY. IF I'VE TEST PLAYED THE LP IT WILL BE NOTED. MINT INDICATES PRISTINE VINYL WITHOUT ANY MARKS ON THE VINYL BLANK. MINT MINUS MAY CONTAIN A FEW VERY LIGHT SURFACE RUB MARKS FROM HANDLING & SLEEVE WEAR OR A FEW PLAYS. IF YOU ARE A REAL VINYL AFICIONADO AND COLLECTOR YOU'LL KNOW THAT EVEN A FACTORY SEALED LP OCCASIONALLY HAS SOME LIGHT RUB OR SLEEVE MARKS FROM TRANSPORT AND SHELVING. ANYTHING IN THE VG CATEGORY WOULD CONTAIN SOME LIGHT AND FINE SURFACE PLAY LINES AND EVIDENCE OF PLAY WEAR THAT IS EASILY SEEN. SELDOM IS ANYTHING OFFERED IN THE "G" STATE.

FROM THE ALLMUSIC.COM WEBSITE:
review
by Michael G. Nastos
Modern Art is the prelude recording for Art Farmer prior to his partnership in the Jazztet with Benny Golson, and also foreshadows the classy, tasteful inventiveness that group brought to the modern jazz world two years after this 1958 session. Pianist Bill Evans is in on this one just before his pivotal work with Miles Davis on the classic album Kind of Blue, and was the table setter for McCoy Tyner's membership in the Jazztet. Brother Addison Farmer on bass and the great drummer Dave Bailey round out this sterling quintet that specializes in playing music with a subtle approach, but never tame or conservatively lazy. Included on this date is the great Junior Mance tune "Jubilation," perfectly understated in a light blue gospel soul-jazz and tuneful melody with both horns wonderfully matched up in balanced unison, side by side. Farmer's lone compositional contribution, "Mox Nix" deserves similar iconic accolades, as it is an equally memorable, hopped-up shuffle with the uncharacteristically rumbling piano of Evans in soul-jazz to swing trim. Another notable track is Wade Legge's "Cold Breeze," which is hardly refrigerated, but instead a breezy hard bop vehicle, snappy, even-keeled, but not bubbling. The trumpeter -- after all -- is the official leader and arranger, taking the stage front and center for the ballad "Darn That Dream" and the midtempo take of "The Touch of Your Lips," with Golson in late, seconding the motions. For this time period, you clearly hear a refined and maturing Farmer, qualities he would hold for the remainder of his substantial career. He plops in the mute for Cole Porter's "I Love You," waxing poetic and effortlessly like a figure skater gliding through a simple routine, and Evans even gets to jam out a bit. Benny Golson's personal voice on tenor is also coming of age, as you hear during his feature "Like Someone in Love," but he's also starting to emerge as a writer with the moderately swinging "Fair Weather," displaying harmonic interplay that hints at things to come. The historical aspects of this recording -- in retrospect -- cannot be trivialized, but more importantly, some darn good straight-ahead jazz is played here by experts in their field. Modern Art was originally on the United Artists label and moved to Blue Note upon its CD release, and the Farmer-Golson combine proved to be a important pairing beyond their initial partnership, with the seeds of that forest flower heard and enjoyed here.

AND, LASTLY, PLEASE DO REMEMBER SOUND QUALITY IS AFFECTED BY WHAT THE VINYL IS PLAYED ON! IF YOUR STEREO SYSTEM HAS BEEN CAREFULLY CHOSEN AND ASSEMBLED FOR IT'S AURAL QUALITIES AND YOU PERFORM BASIC MAINTENANCE LIKE CLEANING YOUR VINYL, CLEANING THE NEEDLE AFTER EACH PLAY, AND REPLACING THE CARTRIDGE WHEN NEEDED, YOUR LPS SHOULD SOUND QUITE GOOD.

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