Amon Duul II Wolf City LP Near Mint 1972 Original pressing RARE Promo copy NM

$

69

An exceptional 1972 Original NM Promo copy.

Wolf City is the fifth studio album released by the German Krautrock band Amon Düül II.

Like its predecessor, Carnival in Babylon, Wolf City is a more conventional recording than the band's earlier albums, with shorter track times and more straightforward song structures.[2] This was likely due to the band's increasing commercial popularity, both at home and in the UK.[1] Despite this, some of the album's tracks, such as "Jail-House Frog" and "Deutsch Nepal", are still overtly experimental.[3]

Album Notes
Amon Duul II: Renate Knaup-Krotenschwanz (vocals); John Weinzierl (vocals, guitar); Chris Karrer (vocals, guitar, violin, saxophone); D. Secundus Fichelscher (vocals, guitar, drums); Lothar Meid (vocals, synthesizer, bass); Falk-U Rogner (keyboards).Amon Dl II's fifth studio album is a more conventional recording than most, though there's still a lot of the involved experimenting and dark undercurrent which sets the band apart from the mainstream, along with the off-kilter hooks and odd humor which saved them from being lumped alongside more serious (and less easy to take seriously) prog rock outfits. After the lengthy explorations of Tanz der Lemminge, Wolf City seems targeted to an extent at a commercial English-speaking audience, perhaps reflective of their increased status in the United Kingdom, if not in America. Regardless, opening song "Surrounded by the Stars," the longest track on the album at just under eight minutes, is also one of the band's best, with strong vocals from Renate Knaup-Kroetenschwanz, a dramatic building verse (complete with mock choir), an equally dramatic violin-accompanied instrumental break, and a catchy chorus leading to a fun little freakout. Knaup actually takes the lead vocals more often this time out and turns in some lovely performances, as on the beautiful, perhaps slightly precious "Green-Bubble-Raincoated-Man," with a great full-band performance that grows from a nice restraint to a slam-bang, epic rockout. Lothar Meid gets his moments in as well, his sometimes straightforward, sometimes not-so-much vocals adding to the overall effect as before. The one full instrumental, "Wie der Wind am Ende Einer Strasse," is excellent, with guest Indian musicians adding extra instrumentation to an intoxicating, spacious performance. While Wolf City generally sounds like a tight band playing things live or near-live, there are some equally gripping moments clearly resulting from studio work, like the strange loop opening the title track (percussion, guitar?). Concluding with the groovy good-time "Sleepwalker's Timeless Bridge," including some fantastic E-Bow guitar work, Wolf City works the balance between art and accessibility and does so with resounding success. ~ Ned Raggett

Portions of this page Copyright 1948 - 2016 Muze Inc. All rights reserved.