Antonio Carlos Jobim: Stone Flower (1x LP 180g)
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Antonio Carlos Jobim: Stone Flower (1x LP 180g)
Around the year 1970, almost everything appeared to have been said about the style of music over the past two decades, which was a mix of samba and cool jazz. Adventurous musicians such as Luis Bonfa, Baden Powell, Charly Byrd, João and Astrud Gilberto, and the saxophonist Stan Getz lent fire and sentiment to the “new trend”. First and foremost among them was Carlos Antonio Jobim, whose catchy tunes such as the ticking, shuffling song "Desafinado" and the genial "One Note Samba" were heard all over the globe. That the man from Ipanema still had a lot to say is proved by the present album, which presents Jobim’s creativity at the height of his maturity. Right from the very first number, where Urbie Green on the trombone 'sings' "Tereza My Love" so purely in the top register, it is clear that the late bossa with its typical rhythm is structurally far more refined than the early hot dance numbers. The melodies are woven through, as it were, with shining gold and silver threads of rhythm, and clusters of sound are light and airy. However, here and there, the musicians let their hair down, such as in the Latin classic "Brazil". With that magician of sound Deodato as arranger and conductor, and Rudy van Gelder as recording engineer, this LP is certainly a Bossa masterpiece. There’s no more to be said! This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid. Zum Bossa Nova schien fast alles gesagt zu sein, als um 1970 die Szene auf zwei Jahrzehnte Musizierstil aus der Synthese von Samba und Cool-Jazz Elementen zurückblickte. Experimentierfreudige Musiker wie Luis Bonfa, Baden Powell, Charly Byrd, João und Astrud Gilberto und der Saxofonist Stan Getz gaben der 'neuen Sache' Feuer wie Sentiment. Allen voran steht Carlos Antonio Jobim, der seine Ohrwürmer wie das tickende und schiebende Stück "Desafinado" und den genialisch eintönigen "One Note Samba" auf Weltreise schickte. Dass es für den Mann aus Ipanema noch immer viel zu sagen gab, zeigt dieses Album, das Jobims kreatives Profil auf dem Höhepunkt seine Reife abbildet. Bereits im ersten Titel, in dem Urbie Green an der Posaune "Tereza My Love" in den reinsten und höchsten Tönen besingt, wird spürbar, dass die Spätlese des Bossa den stilbildenden Rhythmus weitaus feingliedriger strukturiert als die tanzfiebrige Frühreife. Gleichsam mit glänzenden Gold- und Silberfäden werden die Melodien rhythmisch umwoben, verdichtete Klangwellen bleiben duftig und zart. Und doch lassen die Akteure auch die Samba-Pferde von der Leine, wenn es im Latin-Klassiker "Brazil" knackig klöppelt. Klangzauberer Deodato als Arrangeur und Dirigent und Rudy van Gelder an der Audio-Technik runden diese LP zu einem Meisterstück des Bossa-Repertoires, womit nun wirklich alles gesagt sein sollte. Diese Speakers Corner Produktion wurde unter Verwendung von analogem Masterband und Mastering 100% rein analog gefertigt. Alle Lizenzen und GEMA-Beiträge wurden abgeführt.Antonio Carlos Jobim: Stone Flower (1x LP 180g)
Around the year 1970, almost everything appeared to have been said about the style of music over the past two decades, which was a mix of samba and cool jazz. Adventurous musicians such as Luis Bonfa, Baden Powell, Charly Byrd, João and Astrud Gilberto, and the saxophonist Stan Getz lent fire and sentiment to the “new trend”. First and foremost among them was Carlos Antonio Jobim, whose catchy tunes such as the ticking, shuffling song "Desafinado" and the genial "One Note Samba" were heard all over the globe. That the man from Ipanema still had a lot to say is proved by the present album, which presents Jobim’s creativity at the height of his maturity. Right from the very first number, where Urbie Green on the trombone 'sings' "Tereza My Love" so purely in the top register, it is clear that the late bossa with its typical rhythm is structurally far more refined than the early hot dance numbers. The melodies are woven through, as it were, with shining gold and silver threads of rhythm, and clusters of sound are light and airy. However, here and there, the musicians let their hair down, such as in the Latin classic "Brazil". With that magician of sound Deodato as arranger and conductor, and Rudy van Gelder as recording engineer, this LP is certainly a Bossa masterpiece. There’s no more to be said! This Speakers Corner LP was remastered using pure analogue components only, from the master tapes through to the cutting head. All royalties and mechanical rights have been paid.
Zum Bossa Nova schien fast alles gesagt zu sein, als um 1970 die Szene auf zwei Jahrzehnte Musizierstil aus der Synthese von Samba und Cool-Jazz Elementen zurückblickte. Experimentierfreudige Musiker wie Luis Bonfa, Baden Powell, Charly Byrd, João und Astrud Gilberto und der Saxofonist Stan Getz gaben der 'neuen Sache' Feuer wie Sentiment. Allen voran steht Carlos Antonio Jobim, der seine Ohrwürmer wie das tickende und schiebende Stück "Desafinado" und den genialisch eintönigen "One Note Samba" auf Weltreise schickte. Dass es für den Mann aus Ipanema noch immer viel zu sagen gab, zeigt dieses Album, das Jobims kreatives Profil auf dem Höhepunkt seine Reife abbildet. Bereits im ersten Titel, in dem Urbie Green an der Posaune "Tereza My Love" in den reinsten und höchsten Tönen besingt, wird spürbar, dass die Spätlese des Bossa den stilbildenden Rhythmus weitaus feingliedriger strukturiert als die tanzfiebrige Frühreife. Gleichsam mit glänzenden Gold- und Silberfäden werden die Melodien rhythmisch umwoben, verdichtete Klangwellen bleiben duftig und zart. Und doch lassen die Akteure auch die Samba-Pferde von der Leine, wenn es im Latin-Klassiker "Brazil" knackig klöppelt. Klangzauberer Deodato als Arrangeur und Dirigent und Rudy van Gelder an der Audio-Technik runden diese LP zu einem Meisterstück des Bossa-Repertoires, womit nun wirklich alles gesagt sein sollte. Diese Speakers Corner Produktion wurde unter Verwendung von analogem Masterband und Mastering 100% rein analog gefertigt. Alle Lizenzen und GEMA-Beiträge wurden abgeführt.
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