BACH Mass In B Minor KARL RICHTER 3LP NEW / MINT STILL SEALED, Archive
  $   35

 


$ 35 Sold For
Jan 12, 2019 Sold Date
Oct 7, 2018 Start Date
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Description

Johann Sebastian Bach - Karl Richter / Maria Stader / Hertha Töpper / Ernst Haefliger / Kieth Engen / Dietrich Fischer-Dieskau / Münchener Bach-Chor • Münchener Bach-Orchester ?– Messe In H-moll • Mass In B Minor • Messe En Si Mineur - BWV 232

Label:

Archiv Produktion ?– 2710 001

Format:

3 × Vinyl, LP 

Box Set 

Country:

Europe

Released:

 

Genre:

Classical

Style:

Baroque

Tracklist

Kyrie

A1 Kyrie Eleison 12:11

A2 Christe Eleison 5:47

A3 Kyrie Eleison 3:49

Gloria

B1 Gloria In Excelsis / Et In Terra Pax 6:47

B2 Laudamus Te 4:29

B3 Gratias Agimus Tibi 3:26

C1 Domine Deus 10:36

C2 Qui Tollis Peccata Mundi

C3 Qui Sedes Ad Dextram Patris 4:24

C4 Quoniam Tu Solus Sanctus 10:00

C5 Cum Sancto Spiritu

Symbolum Nicenum (Credo)

D1 Credo In Unum Deum 2:37

D2 Credo In Unum Deum 2:06

D3 Et In Unum Dominum Jesum Christum (Variante) 5:23

D4 Et Incarnatus Est 3:38

D5 Crucifixus 3:01

D6 Et Resurrexit 4:25

E1 Et In Spiritum Sanctum Dominum 5:34

E2 Confiteor 7:17

E3 Et Expecto Resurrectionem Mortuoram

Sanctus

E4 Sanctus / Pleni Sunt Coeli 5:45

F1 Osanna In Excelsis 2:51

F2 Benedictus / Osanna In Excelsis (Repetatur) 7:46

Agnus Dei

F3 Agnus Dei 6:32

F4 Dona Nobis Pacem 3:20

Companies, etc.

Phonographic Copyright (p) – Polydor International GmbH

Copyright (c) – Georg von Dadelsen

Recorded At – Hochschule für Musik und Theater München

Printed By – Zucker (2)

Published By – Breitkopf & Härtel

Credits

Alto Vocals – Hertha Töpper (tracks: A2, B2, C3, D3, F3, F4)

Bass Vocals – Dietrich Fischer-Dieskau (tracks: C4, E1, F4)

Bassoon – Fritz Henker, Karl Kolbinger

Cello – Oswald Uhl

Choir – Münchener Bach-Chor (tracks: A1, A3, B1, B3, C2, C5, D1, D2, D4 to D6, E2 to F1)

Composed By – Johann Sebastian Bach

Conductor – Karl Richter

Double Bass – Franz Ortner

Flute [Transverse] – Walter Theurer

Horn – Kurt Richter (6)

Liner Notes – Georg von Dadelsen

Oboe d'Amore – Edgar Shann, Kurt Hausmann

Orchestra – Münchener Bach-Orchester

Organ – Hedwig Bilgram

Producer – Karl-Heinz Schneider

Recording Supervisor, Engineer [Recording] – Walter Alfred Wettler

Soprano Vocals – Maria Stader (tracks: A2, C1, D3, F4)

Tenor Vocals – Ernst Haefliger (tracks: C1, F2, F4)

Trumpet – Adolf Scherbaum

Violin – Otto Büchner

Notes

Edition: Alte Bach-Ausgave (Joh. Seb. Bachs Werke. Hrsg. von der Bach-Gesellschaft zu Leipzig), Band VI, hrsg. von Julius Rietz. Leipzig 1856 (Breitkopf & Härtel). 


Recorded at München, Musikhochschule 

13 to 20, 22 to 26 Februari 1961, 5 to 9 April 1961. 

Includes 6 page LP size booklet. 


? 1962 Polydor International GmbH 

© 1962 Georg von Dadelsen 


GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.


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