BEATLES RUBBER SOUL 1st UK MONO (LOUD CUT) TOP AUDIO Y/B LABELS 60S PSYCH ROCK

	£		274
	$		363

[zipedit]

This is listed for its collectability rather than for its condition. Awesome, stunning 'loud cut' mono audio quality only found on these earliest pressings! cannot be surpassed on later press in my opinion! (There is light general ware and tare with age on the vinyl and light isolated interference during the play only). Noted the earliest possible matrix for this pressing -1 -1 ending , and the mega rare ''loud cut' version! only pressed for a very (very) limited time, (beleived only for one day) George Martin was not happy with the original mix the matrix was soon changed to the more common -4  matrix endings! These -1 -1 matrix pressings are so collectable being the earliest possible for this album also for the fact that the volume was slightly enhanced on this original hense ''loud cut'' version and can only be heard or found on these rare limited found versions!

Play tested at loud volume prior to this listing, importantly using a dedicated mono cartridge, the audio is super clear and very vibrant throughout with just very light isolated interference/static ticks/crackle in isolated places to mention only.

Please look at my other rare Beatles albums listed. I will be listing many more of the earliest possible Beatles albums in the next few days,,  from my personal collection, collected over a period of more than 45 years 

Rubber Soul is the sixth album by The Beatles, first released in December 1965. Produced by George Martin, the album was recorded in just over four weeks to make the Christmas market. It was a major artistic achievement for the band, attaining widespread critical and commercial success, with reviewers taking note of The Beatles' developing musical vision. In 2003, the album was ranked number 5 on Rolling Stone magazine's list of the 500 greatest albums of all time!!!!!!!.

Musically, the Beatles broadened their sound, most notably with influences drawn from the contemporary folk-rock of the Byrds and Bob Dylan. The album also saw the Beatles broadening rock n' roll's instrumental resources, most notably on "Norwegian Wood (This Bird Has Flown)". This track is generally credited as being the first pop recording to use the sitar, an exotic Indian stringed instrument, and "Norwegian Wood" sparked a musical craze for the sound of the novel instrument in the mid-Sixties. The song is now acknowledged as one of the cornerstones of what is now usually called "world music" and it was a major landmark in the trend towards incorporating non-Western musical influences into Western popular music. Harrison had recently been introduced to Indian classical music and the sitar by David Crosby of the Byrds. He soon became fanatically interested in the genre and began taking sitar lessons from renowned Indian sitar virtuoso Ravi Shankar!!.

Recording innovations were also made during the recording of the album ó for instance, the keyboard solo in "In My Life" sounds like a harpsichord, but was actually played on a piano. George Martin found he could not match the tempo of the song while playing in this baroque style, so he tried recording with the tape running at half-speed. When played back at normal speed during the mixdown, the sped-up sound gave the illusion of a harpsichord. Other production innovations included the use of electronic sound processing on many instruments, notably the heavily compressed and equalised piano sound on Lennon's "The Word"; this distinctive effect soon became extremely popular in the genre of psychedelic music!

Lyrically, the album was a major progression. Though a smattering of earlier Beatles songs had expressed romantic doubt and negativity, the songs on Rubber Soul represented a pronounced development in sophistication, thoughtfulness, and ambiguity. In particular, the relationships between the sexes moved from simpler boy-girl love songs to more nuanced, even negative portrayals. "Norwegian Wood", one of the most famous examples and often cited as the Beatles' first conscious assimilation of the lyrical innovations of Bob Dylan, sketches a poetically ambiguous extra-marital affair between the singer and a mysterious girl. "Drive My Car" serves as a satirical piece of reverse sexism. Songs like "I'm Looking Through You", "You Won't See Me", and "Girl" express more emotionally complex, even bitter and downbeat portrayals of romance, and "Nowhere Man" was the first Beatles song to move beyond a romantic subject!

After completing the album and the accompanying single "We Can Work It Out" and "Day Tripper", the Beatles were exhausted from years of virtually non-stop recording, touring, and film work. They subsequently took a three-month break during the first part of 1966, and used this down time exploring new directions that would colour their subsequent musical work. These became immediately apparent in the next album, Revolver.

Until very late in their career, the "primary" version of the Beatles' albums was always the monophonic mix. According to Beatles historian Mark Lewisohn, the group, producer George Martin, and the Abbey Road engineers devoted most of their time and attention to the mono mixdowns, and the band were usually all present throughout these sessions and actively participated in them. Even with their landmark Sgt. Pepper's Lonely Hearts Club Band LP, the stereo mixdowns were considered less important than the mono version and were completed in far less time than the mono mixdown.

While the stereo version of the original release of Rubber Soul was similar to that of their earliest albums, featuring mainly vocals on the right channel and instruments on the left, it was not produced in the same manner. The early albums were recorded on twin-track tape, and they were intended only for production of monaural records, so they kept vocals and instruments separated allowing the two parts to later be mixed in proper proportion. By this time, however, the Beatles were recording on four-track tape, which allowed a stereo master to be produced with vocals in the center and instruments on both sides, as evidenced in their prior albums Beatles for Sale and Help!. But Martin was looking for a way to easily produce a stereo album which sounded good on a monaural record player. In what he admits was some experimentation, he mixed down the four-track master tape to stereo with vocals on the right, instruments on the left, and nothing in the middle.

The vinyl,

This is the original thicker heavier and deeper grooved vinyl and more robust than later pressings. On initial visual inspection lies perfectly flat on the turntable! The vinyl still retains its original sheen from new. On visual inspection there are surface marks and scratches that i can see, but amaizingly there are no marks that caused any really nasty annoying loud clicks or pops in my opinion, however there were some isolated places only that i heard some light interfearence only in the form of light static type ticks/crackle but nothing consistant throughout the audio.

The Audio Quality

 I have played this vinyl track for track as usual at high volume on a top  system, and importantly using a dedicated mono cartridge two times prior to listing!

Please note! The 1st thing to note is there is amaizingly no distortion during the play of this vinyl, and the audio is cristal clear and vibrant throughout, very rare to find like this indeed! Also it is important to note that even the track Michelle played through clear and vibrant. very rare to find  There was no loud nasty annoying clicks or pops heard during the audio and certainly no skips or jumps, however i heard some isolated static type ticks/crackle only, also even in between tracks this is almost silent with very very isolated static in between one or two tracks only. In my opinion this vinyl has had only minimal play only and has certainly not been overplayed, a very rich deep vibrant mono audio, that can only ever be found on these earliest mono pressings! Even the track 'Michele' sounded superbe!,, (this track is notorious for sounding terrible on this pressing)  and of coarse very collectable and sought after being the earliest   'LOUD CUT' VERSION! I would grade the audio at least excellent  in my opinion clear and vibrant through out!

Please note, I always add this disclaimer.I have tried to give my honest opinion when listening to the audio quality of this vinyl. Please allow for the odd very light static crackle and light isolated static type ticks, (not consistant throughout the audio) Please remember that this is an original 1st UK pressing that is 47 years old and would have originally been played on a 47 year old system!

It is important to note that this album has been stored in a case laying dormant for over 35 years! ,,A build up of dirt and dust in the grooves causes static crackle\ticks. A constant clean before each play is hioghly recomended. This will reduce any static and will enhance the audio quality!

The Matrix

''XEX 579-1'' ''XEX 580-1'' (earliest possible)

The mother Stampers

side 1. ''1'' ''0'' side 2. ''1'' ''L'' (look, very rare ''1'' to ''1'' Mother Stampers!)

The Labels

These feature the (YELLOW AND BLACK) Parlophone labels (only early press) (see photo) Please note! spidering  can be seen around the spindle hole! ''sold in the UK ......'' is featured across the labels (only 1st press) and ''The Gramophone Co........'' around the rim (only 1st pressThere is little if (no) spindle ware the hole is perfectly round! ''made in gt Britain'' is featured (UK press) look (no) tax code is stamped on the labels very rare to find!

The Record Sleeve.

This is the original Emitex sleeve no splits or tares becoming fragile and light browning with age only

The Cover

This is the original  GARROD & LOFTHOUSE fully laminated  flipback  cover  !    Super glossy laminate! with just very minimal storageware to mention, only really noticed if scrutinised! Amaizingly there is very minor creasing at all to mention (very rare to find like this) and extreemely minimal ringware Please note (no) splits or tares, The rear is exceptionaly clean (see photos)! This cover is strong and straight as it should be without splits or tares. This is the original! This must grade at least excellent if not much better in my opinion!

HOW I SEND MY RECORDS!

THIS ALBUM WILL BE SENT IN A LARGE BOX WITH CARDBOARD STIFFENERS THE ALBUM IS ALWAYS PUT IS A POLY SLEEVE AND ENCASED IN THE BOX WITH PLENTY OF BUBBLEWRAP FOR ADDED PROTECTION (SEE PHOTOS)

SHIPPING TO EUROPE IS 8.76GBP INCLUDES INTERNATIONAL SIGNED FOR DELIVERY WITH INSURANCE AND TRACKING

POSTAGE WITHIN ENGLAND IS FREE 1st CLASS ROYAL MAIL RECORDED DELIVERY

PLEASE LOOK AT MY OTHER RARE 1ST UK PRESSINGS LISTED NOW!!!! (click the link bellow)

>>>>     <<<<

As always I have tried to give my honest personal opinion when describing items listed! Although it is my honest opinion! I always urge others to do their own personal research on any items that they are interested in purchasing, before, they commit to bidding!) I have Highlighted all aspects as clearly as possible!! I have taken time to play this vinyl track for track to give a clear and accurate description of the audio quality. (please look at my completed listings of albums that I have sold of this calaber (more than 800 items) and you will see that I normally get it right) I have also provided as many photos as I can and supersized so that all aspects can be seen clearly in strong light!!!!!Please note! These photos are the actual item for sale and not copies of other items!!!!!!!

Please do not hesitate to email me with any questions regarding this item or any other items that I have listed!

I HAVE 100% POSITIVE FEEDBACK SO PLEASE BID WITH TOTAL CONFIDANCE!

All items are despatched securely with ample reinforcement!

I offer a postage discount for multiple purchases!!!,, but i do insist that the buyer pay for the items as they are won! I can not any longer allow winning bidders to run up a large bill and then not pay! I do not have a problem with holding the goods to be despatched untill they are ready (at the buyers request), for multiple items purchased!!!!!

PLEASE LOOK AT MY OTHER RARE 1ST UK PRESSINGS LISTED NOW!!!! (click the link bellow)

>>>>     <<<<

PLEASE LOOK AT MY OTHER RARE 1ST UK PRESSINGS LISTED NOW!!!! (click the link bellow)

>>>>     <<<<

This is listed for its collectability rather than for its condition. Awesome, stunning 'loud cut' mono audio quality only found on these earliest pressings! cannot be surpassed on later press in my opinion! . Noted the earliest possible matrix for this pressing -1 -1 ending , and the mega rare ''loud cut' version! only pressed for a very (very) limited time, (beleived only for one day) George Martin was not happy with the original mix the matrix was soon changed to the more common -4  matrix endings! These -1 -1 matrix pressings are so collectable being the earliest possible for this album also for the fact that the volume was slightly enhanced on this original hense ''loud cut'' version and can only be heard or found on these rare limited found versions!

Please look at my other rare Beatles albums listed. I will be listing many more of the earliest possible Beatles albums in the next few days,,  from my personal collection, collected over a period of more than 45 years 

Rubber Soul is the sixth album by The Beatles, first released in December 1965. Produced by George Martin, the album was recorded in just over four weeks to make the Christmas market. It was a major artistic achievement for the band, attaining widespread critical and commercial success, with reviewers taking note of The Beatles' developing musical vision. In 2003, the album was ranked number 5 on Rolling Stone magazine's list of the 500 greatest albums of all time!!!!!!!.

Musically, the Beatles broadened their sound, most notably with influences drawn from the contemporary folk-rock of the Byrds and Bob Dylan. The album also saw the Beatles broadening rock n' roll's instrumental resources, most notably on "Norwegian Wood (This Bird Has Flown)". This track is generally credited as being the first pop recording to use the sitar, an exotic Indian stringed instrument, and "Norwegian Wood" sparked a musical craze for the sound of the novel instrument in the mid-Sixties. The song is now acknowledged as one of the cornerstones of what is now usually called "world music" and it was a major landmark in the trend towards incorporating non-Western musical influences into Western popular music. Harrison had recently been introduced to Indian classical music and the sitar by David Crosby of the Byrds. He soon became fanatically interested in the genre and began taking sitar lessons from renowned Indian sitar virtuoso Ravi Shankar!!.

Recording innovations were also made during the recording of the album ó for instance, the keyboard solo in "In My Life" sounds like a harpsichord, but was actually played on a piano. George Martin found he could not match the tempo of the song while playing in this baroque style, so he tried recording with the tape running at half-speed. When played back at normal speed during the mixdown, the sped-up sound gave the illusion of a harpsichord. Other production innovations included the use of electronic sound processing on many instruments, notably the heavily compressed and equalised piano sound on Lennon's "The Word"; this distinctive effect soon became extremely popular in the genre of psychedelic music!

Lyrically, the album was a major progression. Though a smattering of earlier Beatles songs had expressed romantic doubt and negativity, the songs on Rubber Soul represented a pronounced development in sophistication, thoughtfulness, and ambiguity. In particular, the relationships between the sexes moved from simpler boy-girl love songs to more nuanced, even negative portrayals. "Norwegian Wood", one of the most famous examples and often cited as the Beatles' first conscious assimilation of the lyrical innovations of Bob Dylan, sketches a poetically ambiguous extra-marital affair between the singer and a mysterious girl. "Drive My Car" serves as a satirical piece of reverse sexism. Songs like "I'm Looking Through You", "You Won't See Me", and "Girl" express more emotionally complex, even bitter and downbeat portrayals of romance, and "Nowhere Man" was the first Beatles song to move beyond a romantic subject!

After completing the album and the accompanying single "We Can Work It Out" and "Day Tripper", the Beatles were exhausted from years of virtually non-stop recording, touring, and film work. They subsequently took a three-month break during the first part of 1966, and used this down time exploring new directions that would colour their subsequent musical work. These became immediately apparent in the next album, Revolver.

Until very late in their career, the "primary" version of the Beatles' albums was always the monophonic mix. According to Beatles historian Mark Lewisohn, the group, producer George Martin, and the Abbey Road engineers devoted most of their time and attention to the mono mixdowns, and the band were usually all present throughout these sessions and actively participated in them. Even with their landmark Sgt. Pepper's Lonely Hearts Club Band LP, the stereo mixdowns were considered less important than the mono version and were completed in far less time than the mono mixdown.

While the stereo version of the original release of Rubber Soul was similar to that of their earliest albums, featuring mainly vocals on the right channel and instruments on the left, it was not produced in the same manner. The early albums were recorded on twin-track tape, and they were intended only for production of monaural records, so they kept vocals and instruments separated allowing the two parts to later be mixed in proper proportion. By this time, however, the Beatles were recording on four-track tape, which allowed a stereo master to be produced with vocals in the center and instruments on both sides, as evidenced in their prior albums Beatles for Sale and Help!. But Martin was looking for a way to easily produce a stereo album which sounded good on a monaural record player. In what he admits was some experimentation, he mixed down the four-track master tape to stereo with vocals on the right, instruments on the left, and nothing in the middle.

The vinyl,

This is the original thicker heavier and deeper grooved vinyl and more robust than later pressings. On initial visual inspection lies perfectly flat on the turntable! The vinyl still retains its original sheen from new. On visual inspection there are surface marks and scratches that i can see, but amaizingly there are no marks that caused any nasty annoying loud clicks or pops, however there were some isolated places only that i heard some light interfearence only in the form of light static type ticks but nothing consistant throughout the audio.

The Audio Quality

 I have played this vinyl track for track as usual at high volume on a top  system, and importantly using a dedicated mono cartridge two times prior to listing!

Please note! The 1st thing to note is there is amaizingly no distortion during the play of this vinyl, and the audio is cristal clear and vibrant throughout, very rare to find like this indeed! Also it is important to note that even the track Michelle played through clear and vibrant. very rare to find  There was no loud nasty annoying clicks or pops heard during the audio and certainly no skips or jumps, however i heard some isolated static type ticks only, also even in between tracks this is almost silent with very very isolated static in between one or two tracks only. In my opinion this vinyl has had only minimal play only and has certainly not been overplayed, a very rich deep vibrant mono audio, that can only ever be found on these earliest mono pressings! Even the track 'Michele' sounded superbe!,, (this track is notorious for sounding terrible on this pressing)  and of coarse very collectable and sought after being the earliest   'LOUD CUT' VERSION! I would grade the audio at least excellent  in my opinion!

Please note, I always add this disclaimer.I have tried to give my honest opinion when listening to the audio quality of this vinyl. Please allow for the odd very light static crackle and light isolated static type ticks, (not consistant throughout the audio) Please remember that this is an original 1st UK pressing that is 47 years old and would have originally been played on a 47 year old system!

It is important to note that this album has been stored in a case laying dormant for over 35 years! ,,A build up of dirt and dust in the grooves causes static crackle\ticks. A constant clean before each play is hioghly recomended. This will reduce any static and will enhance the audio quality!

The Matrix

''XEX 579-1'' ''XEX 580-1'' (earliest possible)

The mother Stampers

side 1. ''1'' ''0'' side 2. ''1'' ''L'' (look, very rare ''1'' to ''1'' Mother Stampers!)

The Labels

These feature the (YELLOW AND BLACK) Parlophone labels (only early press) (see photo) Please note! spidering  can be seen around the spindle hole! ''sold in the UK ......'' is featured across the labels (only 1st press) and ''The Gramophone Co........'' around the rim (only 1st pressThere is little if (no) spindle ware the hole is perfectly round! ''made in gt Britain'' is featured (UK press) look (no) tax code is stamped on the labels very rare to find!

The Record Sleeve.

This is the original Emitex sleeve no splits or tares becoming fragile and light browning with age only

The Cover

This is the original  GARROD & LOFTHOUSE fully laminated  flipback  cover  !    Super glossy laminate! with just very minimal storageware to mention, only really noticed if scrutinised! Amaizingly there is very minor creasing at all to mention (very rare to find like this) and extreemely minimal ringware Please note (no) splits or tares, The rear is exceptionaly clean (see photos)! This cover is strong and straight as it should be without splits or tares. This is the original! This must grade at least excellent if not much better in my opinion!

HOW I SEND MY RECORDS!

THIS ALBUM WILL BE SENT IN A LARGE BOX WITH CARDBOARD STIFFENERS THE ALBUM IS ALWAYS PUT IS A POLY SLEEVE AND ENCASED IN THE BOX WITH PLENTY OF BUBBLEWRAP FOR ADDED PROTECTION (SEE PHOTOS)

SHIPPING TO EUROPE IS 8.76GBP INCLUDES INTERNATIONAL SIGNED FOR DELIVERY WITH INSURANCE AND TRACKING

POSTAGE WITHIN ENGLAND IS FREE 1st CLASS ROYAL MAIL RECORDED DELIVERY

PLEASE LOOK AT MY OTHER RARE 1ST UK PRESSINGS LISTED NOW!!!! (click the link bellow)

>>>>     <<<<

As always I have tried to give my honest personal opinion when describing items listed! Although it is my honest opinion! I always urge others to do their own personal research on any items that they are interested in purchasing, before, they commit to bidding!) I have Highlighted all aspects as clearly as possible!! I have taken time to play this vinyl track for track to give a clear and accurate description of the audio quality. (please look at my completed listings of albums that I have sold of this calaber (more than 800 items) and you will see that I normally get it right) I have also provided as many photos as I can and supersized so that all aspects can be seen clearly in strong light!!!!!Please note! These photos are the actual item for sale and not copies of other items!!!!!!!

Please do not hesitate to email me with any questions regarding this item or any other items that I have listed!

I HAVE 100% POSITIVE FEEDBACK SO PLEASE BID WITH TOTAL CONFIDANCE!

All items are despatched securely with ample reinforcement!

I offer a postage discount for multiple purchases!!!,, but i do insist that the buyer pay for the items as they are won! I can not any longer allow winning bidders to run up a large bill and then not pay! I do not have a problem with holding the goods to be despatched untill they are ready (at the buyers request), for multiple items purchased!!!!!

PLEASE LOOK AT MY OTHER RARE 1ST UK PRESSINGS LISTED NOW!!!! (click the link bellow)

>>>>     <<<<

PLEASE LOOK AT MY OTHER RARE 1ST UK PRESSINGS LISTED NOW!!!! (click the link bellow)

>>>>     <<<<