THE "BEATLES"

WHITE ALBUM RARE SEALED!!

ALL PICTURES & POSTER ALSO MINT

ULTRA RARE TO THE "WHITE ALUM" STILL SEALED

EARLY PRESSVERY RARE FIND INDEED, NO BAR CODE

 Every time I listen to The Beatles, I regress. Although every Beatles album will be forever linked to my childhood, their 1968 double-LP—the ninth official full-length studio album the group had released within a five-year period—is especially conducive to sudden bouts of youthful nostalgia. It’s the one album where the band really gets back, a motley patchwork of nursery-rhyme ditties and communal sing-alongs; it is, on its surface, a collection of songs about tigers, blackbirds, raccoons, monkeys, and piggies, songs that are alternately fleeting and preoccupied, songs both abstract and concrete, songs that turn gibberish into mantra—the stuff of pop fantasy and digressive whimsy that is so appealing to the less grown-up geography of our so-called sophisticated palate.

But The Beatles is, aesthetically, its own regression, a regression into the tropes, truisms, and motifs of rock ‘n’ roll’s creviced shell. It’s a chameleon of form, hollowing out the foundations of Chuck Berry and the ghosts of British music hall, moving from faux reggae to pastoral folk, from reductive blues jams and progressive proto-metal vamps to whispered balladry and late-night lullabies. The Beatles both summarized the splintered British music scene of the late ‘60s, with tongue firmly in cheek, and served as a crib sheet for its origins. Self-referential, perverse, and impishly stock-taking, The Beatles is the first post-modern rock album: it nestles into form and fractures it, making the familiar suddenly fantastical, for the first time and for all time.

At this point, in late 68, Eearly 70's the Beatles had changed the course of rock music countless times over, and now they were predicting the paths it would follow in the future.  as The Beatles—producer George Martin has conceded that they “ maybe they should have made a very, very good single album rather than a double”— whatever they wanted to be, for better and for worse, self-editing and artistic restraint be damned.  hypocrites and authority figures, were the beginnings, at least in attitude.)

ALL FOUR SIDES OF THE BEST MUSIC "EVER" PUT ON VINYL PERIOD...........  BELOW

PS: ONE (1) BUSINESS DAY SHIPPING AND CALCULATED INTERNATIONAL SHIPPING ALSO IN ONE DAY WITH $0.00 HANDLING CHARGES DOMESTIC OR ABROAD.................THANK YOU

One

1. "Back in the U.S.S.R." – 2:43
2. "Dear Prudence" – 3:56
3. "Glass Onion" – 2:17
4. "Ob-La-Di, Ob-La-Da" – 3:08
5. "Wild Honey Pie" – 0:52
6. "The Continuing Story of Bungalow Bill" – 3:13
7. "While My Guitar Gently Weeps" (George Harrison) – 4:45
8. "Happiness Is a Warm Gun" – 2:43

 Two

9. "Martha My Dear" – 2:28
10. "I'm So Tired" – 2:03
11. "Blackbird" – 2:18
12. "Piggies" (Harrison) – 2:04
13. "Rocky Raccoon" – 3:32
14. "Don't Pass Me By" (Ringo Starr) – 3:50
15. "Why Don't We Do It in the Road?" – 1:40
16. "I Will" – 1:45
17. "Julia" – 2:54
 
Three

 1. "Birthday" – 2:42
2. "Yer Blues" – 4:00
3. "Mother Nature's Son" – 2:47
4. "Everybody's Got Something to Hide Except Me and My Monkey" – 2:24
5. "Sexy Sadie" – 3:15
6. "Helter Skelter" – 4:29
7. "Long, Long, Long" (Harrison) – 3:03

 Four

8. "Revolution 1" – 4:15
9. "Honey Pie" – 2:40
10. "Savoy Truffle" (Harrison) – 2:54
11. "Cry Baby Cry" – 3:02
12. "Revolution 9" – 8:13
13. "Good Night" – 3:11

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