BERT JANSCH LUCKY 13 NR MINT ORIG '67 VANGUARD PROMO LP

$

56

    
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·       BERT JANSCH  LUCKY THIRTEEN -  ORIGINAL 1967 VANGUARD STEREO LP VSD-79212

·       ORIGINAL U.S. PRESSING

·       *** PROMOTIONAL COPY; THE RECORD HAS STOCK LABELS; HOWEVER, THE PROMOTIONAL STAMP ON THE COVER CLEARLY IDENTIFIES THE ITEM AS PROMOTIONAL ***

·       ORIGINAL ORANGE VANGUARD STEREO LABEL, MID-60’s STYLE (NOTE: ORANGE LABEL IS THE FIRST, ORIGINAL LABEL FOR THIS TITLE)

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       COVER IS STILL IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       THE RECORD HAS A DATE OF 4/66 (APRIL 1966) HAND-ETCHED IN THE TRAIL-OFF VINYL (DEAD WAX)

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH,  SHOWN BELOW) (Note: the image shown is from our previous auction; it appears here for reference only; the actual item is in a condition quite similar to the one shown, but is not completely identical in every minute detail ).

PLEASE NOTE that the album we are offering has a small drip-like stain on the front side, not shown on our photo, and comes WITHOUT original shrink wrap)

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Many fans of the British folk revival hold this as the quintessential Burt Jansch document. While including career highlights in his interpretation of Davey Graham's "Angie" and his own stunning answer song "Veronica" as the introduction and centrifugal instrumentals, the album also contains "Needle of Death," which must be the darkest rumination on drug addiction recorded. The song's blue spirit and ambience has been interpreted by Roy Harper and Wizz Jones, both of whom present the song as an awestruck tribute to the greatly modest Jansch. On Lucky Thirteen, the guitarist swings between his Anglo-inflected circular songs and the blues form that he so loved and later abandoned, not so much replacing it as homogenizing it into his own self-defined style. Titles such as "Rambling's Gonna Be the Death of Me acknowledge his debt to the great blues artists such as Sonny Terry and Brownie McGee, while "Running From Home" and "Casbah" expose a great affection for traditional Scottish and Irish music. To call the recording style pragmatic would be an understatement; the intimacy touches on desolation, with an almost overly private air in which gasps of breath and scratching of strings become as much a part of the music as his astonishing technique and exquisite baritone.

 (EXCERPT FROM AN ONLINE REVIEW BY DEAN McFARLANE, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

The PROMOTIONAL, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed among the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals", which is to say the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.

For additional historical information on this album, including track listing ►CLICK HERE

THIS IS A NO-RESERVE AUCTION!

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record comes in the original stock inner sleeve.

(c)           The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

COVER IS NEAR MINT,  STILL IN ITS ORIGINAL ►SHRINK WRAP (A LARGE PIECE OF SHRINK WRAP IS MISSING)

The following flaws or imperfections are noted on the cover:

-         Cover shows JUST A HINT of yellowing on back side, apparently from aging.

-         Cover has one corner slightly worn / frayed / bent (just a beginning of the split seam)

-         Cover has JUST A HINT of ring wear (nothing significant);  (VISIBLE ON BACK SIDE ONLY) ; On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 1.

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No wrinkles or creases

-        No writing

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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