BILL EVANS TRIO SUNDAY @ VILLAGE VANGUARD RARE ORIG RIVERSIDE STEREO LP DG NICE

$

119

    
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·       BILL EVANS TRIO featuring SCOTT LaFARO AND PAUL MOTIAN – SUNDAY AT THE VILLAGE VANGUARD - ORIGINAL 1961 RIVERSIDE RECORDS STEREO LP RLP-9376

·       ORIGINAL U.S. PRESSING

·       ORIGINAL BLACK RIVERSIDE STEREO LABEL WITH MICROPHONE AND TAPE REEL LOGO AND SILVER PRINT, LATE 50’s STYLE

·       DEEP GROOVE PRESSING

·       VERY RARE ORIGINAL STEREO PRESSING, MANY TIMES RARER THAN MONO

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       ORIGINAL "TEXTURED" (NIBBED) COVER.

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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The Jazz's greatest pianist’s final album recorded with Scott la Faro, his right-hand man (recorded just prior to Scott's untimely death in a car crash). Considered by many to be one of Evans' most sublime works. Essential!!!

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Sunday at the Village Vanguard (and Waltz for Debby, its companion album) is one of the most important piano trio albums in history and a desert-island choice among many musicians. It marks the final appearance of bassist Scott LaFaro with Evans and drummer Paul Motian. LaFaro demonstrated a concept of jazz bass playing here that shattered traditional limits to how interactive and contrapuntal a bassline could be without totally abandoning its supportive function. He also soloed with unparalleled imagination and technical facility. The album also showed how Evans had refined an approach to solo improvisation in which the pulse was not as obvious as it had been in swing and bop approaches. And his extraordinarily high standards required that each improvised melodic idea be extensively developed, resulting in more continuity and pacing than was common to any previous modern style. The influence of what LaFaro and Evans laid out here was still being felt in the 1990s.

(EXCERPT FROM THE ONLINE REVIEW BY MARK C. GRIDLEY, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

For additional historical or discography information on this album, including track listing ►click here

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS ARTIST   ►  CLICK HERE

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VERY GOOD+(+) . CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 1.1/4 inches (1 inch = 2.5 centimeters)

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)             The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings). [NOTE: the deep groove on this pressing is a little unusual: it descends in depth toward the spindle hole, like three small steps)

(d)            Stereo  pressing of this title is much rarer, and by far more preferable to its mono  counterpart. The mix is more graphic, the sound resolution more precise, and the channel separation (which does not exist on mono version) adds a whole new dimension to the music. Also, the stereo mixes are (by definition) somewhat different than on the mono version. We estimate that mono copies of this album outnumber stereo copies  by a ratio of at least 5:1.

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS ABOUT VERY GOOD+ (VG+)

The following flaws or imperfections are noted on the cover:

-        Cover has all three seams (top, bottom and spine) partially split,  as follows:

-        Top seam: between 6 and 8 inches  /15 to 20 centimeters. This split seam was delicately taped by the previous owner with a piece of transparent scotch tape

-        Bottom seam: between 4 and 6 inches  / 10 to 15 centimeters.

-        Spine: more than 10 inches / 22 centimeters.; This split seam was delicately taped by the previous owner with a piece of transparent scotch tape

-         Cover has some visible fraying/tattering on all three seams

-         Cover has all four corners slightly worn / dinged / bent.

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 4

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover has some writing on its back side (name of the previous owner written in red ballpoint pen, about 5 square inches in size)

-         Cover shows some light yellowing on both sides, apparently from aging.

-         Cover has some light yellowish stains, probably from exposure to humidity.  (nothing significant)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No wrinkles or creases

-        No stamps

-        No peel-off marks

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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