BILL HALEY & THE COMETS R & R STAGE SHOW ULTRA-RARE ORIG '57 DECCA MONO LP MINT
$
53
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Description
WE CURRENTLY HAVE MORE THAN 300 LISTED ITEMS
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· BILL HALEY AND THE COMETS – ROCK ‘N’ ROLL STAGE SHOW – ORIGINAL 1958 DECCA RECORDS MONO LP DL-8345
· ORIGINAL U.S. PRESSING
· ORIGINAL BLACK DECCA LABEL WITH SILVER PRINT.
· DEEP GROOVE PRESSING
· FLAT EDGE PRESSING
· RARE MONO PRESSING, MANY TIMES RARER THAN FAKE (“ELECTRONICALLY RECHANELLED”) STEREO
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· THICK CARDBOARD COVER, AMERICAN STYLE.
· THICK, HEAVY VINYL PRESSING
· CLEAN, WEAR-FREE LABELS
· MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD
· MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1/-3'. ON SOME LABELS, SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)
· As far as we know, this album is currently out of print and unavailable on Compact Disc, or in any other format.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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Wow -- this is such a good, fun record that it's a crying shame that it never figured larger in Bill Haley's reputation or legacy. Rock 'N' Roll Stage Show was the first long-player by Bill Haley & His Comets that was conceived as an album, as opposed to being a collection of single sides gathered together. The 12 numbers were recorded in three sessions (six of them in one day) during the last week of March 1957 and included five instrumentals, all of them (like virtually the whole album) originals by the bandmembers. Haley and the band had obviously figured out the connection between having hits with original songs and earning really big money, and at this stage of the game they weren't bad at coming up with material; if there's nothing here as memorable as "Shake, Rattle & Roll," there's also little that's less than first-rate, and certainly as good as anything on the early albums by, say, Chuck Berry (who had yet to release an LP until 1957), as the members rip and surge their way through numbers like the hot, smooth "Rudy's Rock," a great showcase for saxman Rudy Pompilli; the looser, more playful "Goofin' Around"; the searing "Blue Comet Blues"; or the pounding "Calling All Comets." What's more, steel guitarist Billy Williamson turns in a killer vocal performance (broken up by a soaring sax and guitar break) on "Hide and Seek," which is very much in the running for the honor of best unknown Bill Haley track. And "Hey Then, There Now" isn't far behind. Even the presence of the Comet Trio on "Tonight's the Night" -- an original co-authored by Haley that owes a tiny bit to the Andrews Sisters song of the same name -- doesn't detract, as Frannie Beecher's hot guitar noodles around the vocal group and Al Rex's bass keeps a rocking beat. Haley's cover of "Choo Choo Ch' Boogie" is bleached out compared with Louis Jordan's wartime rendition, but it isn't bad for a cover and is comparable to his version of "Shake, Rattle & Roll." It's only on the products of the last session, "A Rockin' Little Tune" and "Rockin' Through the Rye," that the inspiration starts running a bit dry; they're just two of 12 songs, not enough to hurt this album, though they showed the beginning of a trailing off of Haley's string.
(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE /ALLMUSIC.COM/)
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS STRONG VG++, just a notch below NEAR MINT. A few light abrasions (probably just sleeve scuffs inflicted in storage over the years) ARE VISIBLE, but they appear fairly insignificant relative to the overall condition of the vinyl, and are only moderately visually distracting. For most part, the vinyl looks impeccable, without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).
(d) This is the original flat edge pressing
(e) The record comes in the original stock inner sleeve.
(f) Mono pressing of this title is much rarer, and by far more preferable to its FAKE ("electronically rechannelled") stereo counterpart. We estimate that FAKE stereo copies of this album outnumber monos by a ratio of at least 10:1.
(g) True Stereo copies of this album are NOT known to exist.
(h) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 2.
- Cover shows some light yellowing on both sides, apparently from aging (nothing significant).
- Cover has a partially split top seam (between 1 and 2 inches / 2.5 to 5 centimeters)
- Cover has a visible wrinkle (crease) in the cardboard base on the front panel
- Cover has a few tiny wrinkles along the spine (VISIBLE ON BACK SIDE ONLY)
- Cover has one corner slightly worn / dinged (nothing significant)
NO OTHER IMPERFECTIONS ON THE COVER:
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No writing
- No stamps
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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