BOB DYLAN HIGHWAY 61 RARE MISPRESSING MINT PROMO LP
  $   158

 


$ 158 Sold For
Feb 19, 2008 Sold Date
Feb 9, 2008 Start Date
$   25 Start price
8   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

   

    THIS  RECORD  COMES  FROM  OUR  PERSONAL COLLECTION 


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·       BOB DYLAN - HIGHWAY 61 REVISITED - ORIGINAL 1965 COLUMBIA STEREO LP CS-9189

 

·       ORIGINAL U.S. PRESSING

 

·       *** ULTRA-RARE ALTERNATE PRESSING / MISPRESSING WITH THE DIFFERENT, LONGER, VERSION OF “FROM A BUICK SIX” WITH EXTENDED HARMONICA INTRO (ACTUALLY, AN ENTIRELY DIFFERENT VERSION OF THE SONG ALTOGETHER!) ***

 

·       *** PROMOTIONAL COPY; THE RECORD HAS STOCK LABELS; HOWEVER, THE PROMOTIONAL STICKER ON THE LABEL CLEARLY IDENTIFIES THE ITEM AS PROMOTIONAL ***

 

·       ORIGINAL RED & WHITE “360 STEREO” COLUMBIA LABEL (IMPORTANT NOTE: ALTERNATE VERSIONS OF THIS ALBUM ONLY EXISTS AS STEREO PRESSINGS; NO ALTERNATE VERSIONS IN MONO HAVE EVER BEEN FOUND.

 

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

 

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

 

·       COVER IS STILL IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP WITH A NIFTY STICKER STILL AFFIXED TO THE WRAP.

 

·       BEAUTIFUL, WEAR-FREE LABELS

 

·       THICK, HEAVY VINYL PRESSING

 

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ON SIDE 1 ENDS WITH "-1A" (THE SIDE 2 IS ALSO –1A). ON THIS TITLE, SUFFIX –1 ON SIDE 1 SIGNIFIES THE RARE, ALTERNATE PRESSING OF THE ALBUM. THE MATRIX NUMBERS ARE –1A ON BOTH SIDES.

 

(PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)

 

 

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This is the Mount Everest of Rock & Roll. The towering mountaintop of modern American music.

 

For its extraordinary contribution to the modern music, superb production, craftsmanship, fine musicianship, revolutionary significance and influence it exerted on numerous generations of musicians, writers and general public, or for some other innate quality, this album was voted one of top-200 albums of all time in one of the largest poll of critics, music reviewers, professionals and producers ever organized: the poll, which was conducted by Paul Gambaccini, legendary BBC Radio A&R man, surveyed more than 50 top music professionals (including Roy Carr, Jonathan Cott, Robert Christgau, Cameron Crowe, Chet Flippo, Ben Fong-Torres, Charlie Gillett, Greil Marcus, Murray the K., Lenny Kaye, Bruce Morrow (a/k/a "Cousin Brucie"), Tim Rice (of "Jesus Christ Superstar" and "Evita" fame), Lisa Robinson, Robert Shelton (who wrote liner notes for Bob Dylan's first album), Ed Ward, Joel Whitburn, Pete Wingfield, etc.). For more details, see: "Critics Choice: Top-200 albums" compiled by Paul Gambaccini, Omnibus Press, Library of Congress Catalog No.7855565 (or ► click here for the complete album listing)

 

Note: it remains unclear – as is the case with most of Dylan’s musical and business decisions – why he (or someone else at Columbia) decided to, at the very last moment, replace the faster, rowdier version of the “From the Buick Six” with the slower, more mellow version which is found on regular pressings of this album. What we do know for fact is that, at a time, Dylan was involved in a feud with Tom Wilson (who produced “Like a Rolling Stone” and received a very reluctant – minor - producer co-credit on the album’s cover) over Dylan’s musical direction and overall “feel” of his music. Dylan reportedly felt that Wilson was “electrifying” his music too much too fast and making it artificially more commercial. Needless to say, Wilson would soon – during the sessions for this album, as a matter of fact – get booted and lose his position as a Dylan’s in-house producer (hey, guys – don’t mess around with Bob D !!!) . Our assumption – which we are unable to substantiate – is that this, earlier, version of “From the Buick Six” was produced by Tom Wilson, and that Dylan didn’t like it, replacing it with a slower version produced by his next Columbia producer, Bob Johnston, who received a major credit as the album producer. Our personal feeling is that Tom Wilson was a sheer genius, that he did a phenomenal job on “Like a Rolling Stone” (I mean, for crying out loud, according to a recent poll, it is a #1 song of all time), and that Bob Dylan made a major mistake in having him sacked. But, hey – that’s only our opinion. Who knows what actually happened? From this perspective, 43 years later, probably not even Bob Dylan can remember why the song was replaced with another version. It remains a fact that, with or without Tom Wilson, Highway 61 Revisited remains one of two or three greatest Rock albums ever recorded.

 

The PROMOTIONAL, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed among the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals", which is to say the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.

 

For additional historical or discography information on this album, including track listing ►click here

 

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► CLICK HERE

 

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·                               CONDITION:

 

·                               RECORD

 

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)

 

(a)            WE GRADE THE VINYL AS STRONG VERY GOOD+ . CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 1.1/4 inches (1 inch = 2.5 centimeters)

 

We could not "feel" these abrasions with our fingertip, and we suspect that they are NOT audible.

 

(b)            The record is STILL in its original inner, perforated plastic baggy, which has - apparently with success - shielded the record from the harmful impact of elements over many years!

 

(c)             The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

 

(d)            Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

 

 

 

·       COVER

 

COVER IS NEAR MINT, STILL IN ITS ORIGINAL ►SHRINK WRAP

 

The following flaws or imperfections are noted on the cover:

 

-         Cover shows some light yellowing on both sides, apparently from aging.

-         Cover has some tiny, faint writing on its back side (a small filing code written in one corner)

 

NO OTHER IMPERFECTIONS ON THE COVER:

 

-         No split seams

-         No ring wear

-         No cut-out (drill) holes.

-         No cut-out corners

-         No saw-marks or indents

-         No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-         No wrinkles or creases

-         No stamps

-         No tearing: no chips, dents or nicks on the seams

-         No peel-off marks

-         No stains

-         No mold or mildew spots

-         No stickers or labels

-         No water damage

-         No razor marks, scratches, pressure marks, lines, streaks, or cuts.

-         No warping

-         No wax, glue, paint or liquid drops on the cover

-         No bar codes

-         No RIAA stamps or stickers.

 

 

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POSTAGE & SHIPPING:

 

Generally, US POSTAGE is $5.80 FOR THE FIRST ITEM shipped via USPS PRIORITY MAIL (this includes a small $1.00 packaging surcharge).

 

INTERNATIONAL POSTAGE- and insurance rates vary from country to country. For SPECIFIC international and domestic postage and insurance rates click here. While you can be rest assured that our packaging is careful, sturdy and impact-proof, please note we are NOT responsible for uninsured items.

 

Media- and Surface Mail rates are available ONLY to orders of $200.00 or more. NO EXCEPTIONS.

 

 

 

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OUR REFUND POLICY :

 

Cash refund will be granted only for DEFECTIVE items, but we are flexible and reasonable in reviewing the merits of each individual case. We do NOT play-grade records and can only make reasonable inference on the item's condition based on its visual appearance. Every bid carries a risk that purchased item might play worse than its visual grade may indicate. Still sealed items MUST be returned sealed in order to be eligible for a refund. Please read our complete refund policy before placing a bid. Click here for the full text of our policy .

 

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