BOBBY WOMACK Fly Me To The Moon FROM 68-MAKES THE LYRICS COME ALIVE-DEBUT ALBUM

A MINT MINUS/VG++ LP ON MINIT 24014

DEEP SOUTHERN SOUL FROM 1968

A DEEP GROOVE STEREO PRESSING

PRODUCED BY CHIPS MOMAN AND RECORDED IN MEMPHIS

ARRANGED BY MIKE LEECH & BOBBY WOMACK

TRACKS AS SHOWN ON THE LABEL PHOTOS

BACKGROUND INFO FROM ALLMUSIC.COM WEBSITE:
Debut album from the self-proclaimed "Last Soul Man," who earned his credentials as writer and composer of the Rolling Stones' first U.K. number one. He was also one of the forces behind Sly & the Family Stone's sultry classic There's a Riot Going On. Derived from his 1987 album, this title of honor would have sounded pretentious employed by just anyone. However, with most of the true soul legends gone or lost in the '80s ozone of slick synthesized productions, Bobby Womack remained one of few who stayed true to their art. Like Bill Withers, Womack could be viewed as sort of a singer/songwriter by accident, who developed a genuine style of his own. His remarkable quality was brought back to memory through Quentin Tarantino's kind gesture of including him on the Jackie Brown soundtrack. Fly Me to the Moon (aka A Midnight Mover) is an impressive debut. It took Womack several years to come to the point of recording his own material, having first to shake off the untimely death of his mentor Sam Cooke. Based on the results, everything here sounds like he had been holding it back for this kind of raw soul explosion. A mere seven out of the ten tracks are Womack originals, two of which were written for ("I'm in Love") or with (the title track) Wilson Pickett. His authentic rasp of a voice, combined with a superb production by Chips Moman, lend to Fly Me to the Moon the overall feeling of a Stax release. "You Oughta Think It Over," "What Is This," and "The Time Is Now" are as good as anything by either Sam & Dave or Pickett himself, if not better. His stunning version of "California Dreamin'" tops this sublime effort. Womack makes the lyrics come alive in a way you can really smell those brown leaves and feel the chilly presence of a gray sky on a winters' day.

COVER STOCK WITH LIGHT RUB AND RING WEAR AND OVERALL AGE DISCOLORATION. CORNERS WITH SMALL ROUGH SPOTS AND OUTER LAYER LOSSES ON POINT. EDGES WITH SOME FRAYING AND SMALL OUTER LAYER LOSSES. SOME CREASE LINES AROUND EDGES. BOTTOM LEFT CORNER WITH BEND MARK. NOTWITHSTANDING, A PICTURE IS WORTH A THOUSAND WORDS, SO PLEASE DO LOOK AT THE COVER PHOTOS TO ASCERTAIN COVER CONDITION.

VIRGIN SPINDLE HOLE. THE HIGH LUSTER VINYL BLANK AT FIRST GLANCE OUT OF THE SLEEVE APPEARS UNUSUALLY PRISTINE AND TO HAVE NOT BEEN PLAYED, MUCH LESS TOUCHED, BEFORE NOW. SIDE ONE WITH A SURFACE RUB SCUFF MARK IN THE 5TH TRACK IN THE 5 POSITION. UNDER BRIGHT ANGLED LIGHT AND ASSIDUOUS EXAMINATION A FEW LIGHT SURFACE RUB MARKS AND OR PAPER SLEEVE STORAGE IMPRESSIONS.

FROM A NOTED REVIEWER'S PRIVATE COLLECTION
RARELY SEEN LP WHICH NOW FETCHES 100 PLUS WHEN SEEING THE LIGHT OF DAY

⁂PLEASE NOTE THE VINYL DESCRIPTION IS ONLY A VISUAL INSPECTION UNLESS OTHERWISE MENTIONED. HERE IS A FEW WORDS ABOUT OUR GRADING SYSTEM AND SUPERSEDES ANY OTHER GRADING SYSTEM, INCLUDING GOLDMINE: ALL RECORDS ARE VISUALLY GRADED AND THE RED GRADE ABOVE REFERS ONLY TO THE APPEARANCE OF THE VINYL BLANK. COVER CONDITION IS NOTED SEPARATELY. ANYTHING BESIDES MINT OR MINT MINUS IS USUALLY TEST PLAYED AND THE RESULTS ARE FOUND IN THE LISTING. MINT INDICATES PRISTINE VINYL WITHOUT ANY MARKS ON THE VINYL BLANK. MINT MINUS MAY CONTAIN A FEW VERY LIGHT SURFACE RUB MARKS FROM HANDLING & SLEEVE WEAR OR A FEW PLAYS. IF YOU ARE A REAL VINYL AFICIONADO AND COLLECTOR YOU'LL KNOW THAT EVEN A FACTORY SEALED LP OCCASIONALLY HAS SOME LIGHT RUB OR SLEEVE MARKS FROM TRANSPORT AND SHELVING. ANYTHING IN THE VG CATEGORY WOULD CONTAIN SOME LIGHT AND FINE SURFACE PLAY LINES AND EVIDENCE OF PLAY WEAR THAT IS EASILY SEEN. SELDOM IS ANYTHING OFFERED IN THE "G" STATE.
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