Black Elvis/Lost in Space - Kool Keith [1999 vinyl 2-LP, Ruffhouse Records]
$
36
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Description
Original 1999 double vinyl release on Ruffhouse Records. Records, sleeves and cover are in excellent to near mint condition. Plays extremely well.
UPC: 01764500019
Release Year: 1999 Record Label: Ruffhouse Genre: Alt Rap, R&B, Underground
Track Listing
1. Intro - (featuring Black Silver The Navigator/Piz N' Riz)
2. Lost in Space - (featuring Black Silver The Navigator)
3. Rockets on the Battlefield
4. Livin' Astro
5. Supergalactic Lover
6. Master of the Game - (featuring Roger Troutman)
7. I'm Seein' Robots
8. Static - (featuring Sadat X)
9. Intro 2 - (featuring Kid Capri)
10. Black Elvis
11. Maxi Curls
12. Keith Turbo
13. Fine Girls
14. The Girls Don't Like the Job
15. Clifton - (featuring Noggin' Nodders)
16. All the Time
17. I Don't Play
Details Playing Time: 68 min. Contributing Artists: Kid Capri, Roger Troutman, Sadat X, Black Silver The Navigator, Noggin' Nodders, Piz N' Riz Producer: Kool Keith Distributor: RED Distribution Recording Type: Studio Recording Mode: Stereo SPAR Code: n/a
Album Notes
Out of print on CD on Red Ink (52000) - D03.Personnel includes: Kool Keith, Black Silver The Navigator, Roger Troutman, Sadat X, Kid Capri (rap vocals); Live 7, Nightcrawler (programming).Recorded at Bridge Sound Studios, Conshohocken, Pennsylvania.Audio Mixer: Joe Nicolo.Recording information: Bridge Sound Studios, Conshohocken, PA.Photographer: F. Scott Schafer.BLACK ELVIS is a retro-futurist, psychedelic, paranoid, delusional, and misogynistic descent into a demented schizophrenic hell and that's what makes it one of the best hip-hop albums of 1999. Too subterranean for the Puff Daddy-led hip-pop world and a little too weird for the average underground beat head, it is a wonder this man still has a career. But he does, and on his second album after jettisoning Dr.Octagon (the first being FIRST COME, FIRST SERVED, which was recorded under his Dr. Dooom alias) Kool Keith proves that whatever the name, the game remains.In "Intro," Keith attacks the world he thinks is ripping him off, asking "Why are you making the me-faces in your videos with the fish-lens effects / Why?" In "I'm Seeing Robots," he uses his warped space-age ethos to criticize women he considers "robotic." In "The Girl's Don't Like the Job," Keith attacks the hypocrisies of the entertainment industry and the debasement of women in the workplace while simultaneously fantasizing about what he would do while in power. This is the dichotomy that fuels his work--you never quite know what side Kool Keith is on.
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