Bloc Party – I Still Remember PARTS 1 and 2 2007 1st U.K Press RARE NM/EXC
  A$   79
  $   52   

 


A$ 79   (best offer accepted)   Sold For
Dec 10, 2023 Sold Date
Dec 9, 2023 Start Date
1 Number Of Bids
  Australia Country Of Seller
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Description

Media Grading: NM Sleeve Grading: EXC

Bloc Party – I Still Remember

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Label: Wichita – WEBB125S Format: Vinyl, 7", Single, 1/2, Gatefold Sleeve Country: UK & Europe Released: 9 Apr 2007 Genre: Rock Style: Indie Rock

Tracklist

Hide Credits A I Still Remember Engineer – Tom McFall Engineer [Additional] – Jacknife Lee, Sam Bell Engineer [Assistant At Grouse Lodge] – Rowen Rossiter Engineer [Assistant At Mayfair] – Andrew Rugg Mixed By – Cenzo Townsend* Mixed By [Assistant] – Neil Comber Producer, Programmed By, Keyboards [Keys] – Jacknife Lee Programmed By [Additional] – Sam Bell Engineer – Tom McFall Engineer [Additional] – Jacknife Lee, Sam Bell Engineer [Assistant At Grouse Lodge] – Rowen Rossiter Engineer [Assistant At Mayfair] – Andrew Rugg Mixed By – Cenzo Townsend* Mixed By [Assistant] – Neil Comber Producer, Programmed By, Keyboards [Keys] – Jacknife Lee Programmed By [Additional] – Sam Bell 4:20 B Atonement Producer, Engineer, Mixed By – Eliot James Producer, Engineer, Mixed By – Eliot James 3:46

Companies, etc.

  • Marketed By – V2 Music
  • Distributed By – V2 Music
  • Licensed To – Wichita Recordings Ltd.
  • Phonographic Copyright ℗ – Bloc Party
  • Copyright © – Bloc Party
  • Published By – EMI Music Publishing
  • Recorded At – Grouse Lodge Studios
  • Recorded At – The Garage
  • Recorded At – The Garden
  • Recorded At – Olympic Studios
  • Recorded At – Mayfair Studios
  • Recorded At – Miloco Studios
  • Mixed At – Olympic Studios
  • Mixed At – Eastcote Studios
  • Mastered At – Alchemy Soho
  • Produced For – Big Life Management
  • Produced For – Audio Authority Management

Credits

  • Design – Work (7)
  • Management [Worldwide - For] – Coalition Management
  • Management [Worldwide] – Simon White (5), Tony Perrin
  • Mastered By – John Davis (4)
  • Photography By – Rut Blees Luxemberg*
  • Songwriter – Bloc Party

Notes

Released in a gatefold sleeve which will also houses the second 7".

A produced for Big Life Management.
A recorded at Grouse Lodge, the Garage, the Garden/Olympic and Mayfair
A mixed at Olympic Studios
B recorded at Miloco Studios.
B mixed at Eastcote Studios.
B produced for Audio Authority Management.
Photography courtesy the artist and Union, London.
© 2007 Bloc Party, under exclusive license to Wichita Recordings Ltd.
℗ 2007 Bloc Party, under exclusive license to Wichita Recordings Ltd.
The copyright in this sound recording and artwork is owned by Bloc Party, and is exclusively licensed to Wichita Recordings Ltd.
Made in the EU.

This version can be stored in a box, some of which were sold at concerts and signed by the band, others unsigned available via retailers. The box collects 4 singles from the "Weekend in the City" album (3 x Gatefold + 1 x single-sleeve). "I Still Remember", "Flux", "Hunting for Witches" and "The Prayer".

Barcode and Other Identifiers

  • Barcode: 5055 0362 1 125 3
  • Rights Society: BIEM/ncb/mcps/GEMA/SABAM/Stemra/SIAE
  • Matrix / Runout (Etching side A): WEBB 125 SA-1
  • Matrix / Runout (Etching side B): WEBB125SB-1

Bloc Party – I Still Remember

More images

Label: Wichita – WEBB125SX Format: Vinyl, 7", 45 RPM, Single, 2/2, Red Country: UK & Europe Released: 9 Apr 2007 Genre: Rock Style: Indie Rock

Tracklist

Hide Credits A I Still Remember Engineer – Tom McFall Engineer [Additional] – Jacknife Lee, Sam Bell Engineer [Assistant At Grouse Lodge] – Rowen Rossiter Engineer [Assistant At Mayfair] – Andrew Rugg Mixed By – Cenzo Townsend* Mixed By [Assistant] – Neil Comber Producer, Programmed By, Keyboards [Keys] – Jacknife Lee Programmed By [Additional] – Sam Bell Engineer – Tom McFall Engineer [Additional] – Jacknife Lee, Sam Bell Engineer [Assistant At Grouse Lodge] – Rowen Rossiter Engineer [Assistant At Mayfair] – Andrew Rugg Mixed By – Cenzo Townsend* Mixed By [Assistant] – Neil Comber Producer, Programmed By, Keyboards [Keys] – Jacknife Lee Programmed By [Additional] – Sam Bell 4:20 B Cain Said To Abel Producer, Engineer, Mixed By – Eliot James Producer, Engineer, Mixed By – Eliot James 3:25

Companies, etc.

  • Phonographic Copyright ℗ – Bloc Party
  • Copyright © – Bloc Party
  • Published By – EMI Music Publishing
  • Licensed To – Wichita Recordings Ltd.
  • Marketed By – V2 Music
  • Distributed By – V2 Music
  • Recorded At – Grouse Lodge Studios
  • Recorded At – The Garage
  • Recorded At – The Garden
  • Recorded At – Olympic Studios
  • Recorded At – Mayfair Studios
  • Produced At – Miloco Studios
  • Mixed At – Olympic Studios
  • Mixed At – Eastcote Studios
  • Mastered At – Alchemy Soho
  • Produced For – Big Life Management
  • Produced For – Audio Authority Management

Credits

  • Management [Worldwide - For] – Coalition Management
  • Management [Worldwide] – Simon White (5), Tony Perrin
  • Mastered By – John Davis (4)
  • Songwriter – Bloc Party

Notes

Personnel and recording information for this record is printed on the gatefold sleeve of part 1 of this release.

A produced for Big Life Management.
A recorded at Grouse Lodge, the Garage, the Garden/Olympic and Mayfair
A mixed at Olympic Studios
B recorded at Miloco Studios.
B mixed at Eastcote Studios.
B produced for Audio Authority Management.

© 2007 Bloc Party, under exclusive license to Wichita Recordings Ltd.
℗ 2007 Bloc Party, under exclusive license to Wichita Recordings Ltd.
The copyright in this sound recording and artwork is owned by Bloc Party, and is exclusively licensed to Wichita Recordings Ltd.
Made in the EU.

This version can be stored in a box, some of which were sold at concerts and signed by the band, others unsigned available via retailers. The box collects 4 singles from the "Weekend in the City" album (3 x Gatefold + 1 x single-sleeve). "I Still Remember", "Flux", "Hunting for Witches" and "The Prayer".

Barcode and Other Identifiers

  • Barcode: 5055 0362 1 125 2
  • Rights Society: BIEM/ncb/mcps/GEMA/SABAM/Stemra/SIAE
  • Matrix / Runout (Etching side A): WEBB125SX A-1
  • Matrix / Runout (Etching side B): WEBB125SX B-1

The Goldmine Standard for grading is used for my vinyl listings:

 

Mint (M)

 

The sleeve and cover are absolutely perfect in every way. To qualify as Mint, the record must never have been played and is possibly still sealed. Mint should be used sparingly as a grade, if at all. Note that a record can be sealed and not Mint. There could be sleeve discoloration, ring wear, or vinyl warp if guidelines on how to store vinyl were not followed. If you suspect your record is in Mint condition, do not play it.

Near Mint (NM or M-)

 

A nearly perfect record. A Near Mint (NM) record has more than likely never been played. The vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. The sleeve of a 45 of EP should have no more than the most minor defects, such as any sign of slight handling. The LP cover should have no creases, folds, seam-splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc. Many dealers won’t give a grade higher than NM, implying (perhaps correctly) that no record is ever truly perfect.

Very Good Plus (VG+)

 

A Very Good Plus (VG+) record will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a VG+ record should sound the same as a Near Mint (NM) one. Vinyl surfaces may show some signs of wear, such as slight scuffs or very light scratches. Slight warps that do not affect the sound are okay. The label may have some ring wear or discoloration, but it should be barely noticeable. Spindle marks may be present. Picture sleeves and inner sleeves will have some wear, slightly turned-up corners, or a small seam-split. An LP cover may have sparse signs of wear and may be marred by a cut-out hole, indentation, or cut corner. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.

Very Good (VG)

 

The defects found in a Very Good Plus (VG+) record will be more pronounced in a Very Good (VG) item. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, such as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, a VG item will not have all of these problems at the same time.

Good, Good Plus (G, G+)

 

A record in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam-splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and “ticks” will almost certainly accompany the playback.

Poor, Fair (P, F)

 

The record is cracked, badly warped, and won’t play through without skipping or repeating. The picture sleeve could be water damaged, split on more than one seam, and heavily marred by wear or writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon. Poor (P) or Fair (F) records are generally worth very little, at most 5% of the Near Mint (NM) price.

 



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