Blues Magoos ELECTRIC COMIC BOOK lp original w/comic book Mercury Records
$
20
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Description
NM disk | VG+ cover w/comic book, slight ring wear, cutout hole in upper left corner. No other blemishes, writing, seam splits, or corner bends.
[all lps are original and from my personal collection. Most have not been played since the first month of buying them. Very little wear to the lp & cover, with most still having the shrink wrap still on. All disks will be clear plastic sleeve covered and mailed in a professional, cardboard mailer with additional cardboard if needed. Just let me know if you'd like the disk outside the cover. If curious about any other lps let me know your wants.]
Electric Comic Book is the second album by the American rock band Blues Magoos, the follow-up to their successful debut release Psychedelic Lollipop. The psychedelic garage rock style is followed again on this release but without a high-charting single. A couple of tracks, "Intermission" and "That's All Folks" (a very brief, hard-rocking parody of the Looney Tunes end theme) showcase the band's bizarre sense of humor.
Three singles were released from Electric Comic Book, "Summer is the Man", "Life is Just a Cher O'Bowlies", and "There's a Chance We Can Make It", the latter being the only to chart and its B-Side, "Pipe Dream," charting higher. (Wikipedia)
The Blues Magoos' first album, Psychedelic Lollipop, earned the band a major hit single, "(We Ain't Got) Nothin' Yet," and in the grand tradition of striking while the iron was hot, the New York-based quintet were back with their second LP, 1967's Electric Comic Book, less than five months later. The sophomore effort is a noticeably more ambitious piece of work than the Magoos' debut, and while psychedelia was a catchphrase more than anything else on the first record, Electric Comic Book sounds trippier and a bit more expansive by comparison (the goofy "Intermission" tosses in some fairly obvious marijuana and cocaine references which would have been almost unthinkable in 1966, and the drug angle in "Pipe Dream" isn't exactly subtle). In addition, a few months of playing live had tightened up a combo who already sounded pretty good together, as well as bolstering the confidence in Ralph Scala's vocals and keyboard work and the fuzzy interplay of guitarists Mike Esposito and Emil "Peppy" Thielhelm. However, the blues and R&B elements that were a large part of Psychedelic Lollipop's strength have faded into the background here (except for a overdone cover of Jimmy Reed's "Let's Get Together"), and though the band could come up with a respectable pop tune, "Baby, I Want You" and "Take My Love" sound like throw-aways that were tossed together quickly to fill out a record not quite 30 minutes long (though "Take My Love" does have the very memorable line "Take my love and shove it up your heart"). Psychedelic Lollipop is well short of a classic, but overall it's a stronger and more coherent set of songs than Electric Comic Book, which sounds like the quickly recorded follow-up that it truly was, though it does have moments that suggest the band could have made another album as good as the debut with a bit more time and attention. (ALLMusic)
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