Bob Dylan ?– Highway 61 Revisited Columbia CS9189 Jacket VG+ Vinyl VG+

$

33

NOTE: All LP’s have been played on a Technics turntable and hand cleaned with commercial vinyl record solution ( MOFI One) prior to listing. All records are shipped in LP record boxes with the record and inner sleeve outside of the Jacket and all items placed in plastic outer sleeve. When the original inner sleeve is unavailable all records will be in a new anti static sleeve. NOTE ON RETURNS, PLEASE READ: we do not consider the odd pop, tick, light background here and there, a tiny skip on a track as flaws on 40+ yr old used vinyl, unless rated NM, they're the norm & most collectors/buyers are well aware of this, we don't expect returns on this kind of thing, however we will take returns in the same packaging for a refund if you're not happy with the minor aging, the buyer pays return shipping in accordance with ebay policy. If however we inadvertently mis-describe the record origin (pressing, label, originality etc) or our visual grading misses a major playing flaw that makes the record virtually unlistenable such as repeated skipping or groove sticking, ongoing loud worn background or loud regular pops/noises then we will pay for return shipping as long as this checks out on our player when we receive the item back.  Slight skip track 2, side 2, click at very end of track 3, and several clicks on track 4. Does not interfere with playability of record. Buy with confidence!
Highway 61 Revisited is the sixth studio album by the American singer-songwriter Bob Dylan. It was released on August 30, 1965, by Columbia Records. Having until then recorded mostly acoustic music, Dylan used rock musicians as his backing band on every track of the album, except for the closing 11-minute ballad, "Desolation Row". Critics have focused on the innovative way in which Dylan combined driving, blues-based music with the subtlety of poetry to create songs that captured the political and cultural chaos of contemporary America. Author Michael Gray has argued that in an important sense the 1960s "started" with this album. Leading with the hit single "Like a Rolling Stone", the album features songs that Dylan has continued to perform live over his long career, including "Ballad of a Thin Man" and "Highway 61 Revisited". He named the album after the major American highway which connected his birthplace, Duluth, Minnesota, to southern cities famed for their musical heritage, including St. Louis, Memphis, New Orleans, and the Delta blues area of Mississippi. Highway 61 Revisited peaked at No. 3 in the United States charts and No. 4 in the United Kingdom. The album was ranked No. 4 on Rolling Stone's "500 Greatest Albums of All Time". "Like a Rolling Stone" was a top-10 hit in several countries, and was listed at No. 1 on Rolling Stone's 500 Greatest Songs of All Time list. Two other songs, "Desolation Row" and "Highway 61 Revisited", were listed at No. 187 and No. 373 respectively. In his memoir Chronicles: Volume One, Dylan described the kinship he felt with the route that supplied the title of his sixth album: "Highway 61, the main thoroughfare of the country blues, begins about where I began. I always felt like I'd started on it, always had been on it and could go anywhere, even down in to the deep Delta country. It was the same road, full of the same contradictions, the same one-horse towns, the same spiritual ancestors ... It was my place in the universe, always felt like it was in my blood." When he was growing up in the 1950s, Highway 61 stretched from the Canada–US border through Duluth, where Dylan was born, and St. Paul all the way down to New Orleans. Along the way, the route passed near the birthplaces and homes of influential musicians such as Muddy Waters, Son House, Elvis Presley and Charley Patton. The "empress of the blues", Bessie Smith, died after sustaining serious injuries in an automobile accident on Highway 61. Critic Mark Polizzotti points out that blues legend Robert Johnson is alleged to have sold his soul to the devil at the highway's crossroads with Route 49. The highway had also been the subject of several blues recordings, notably Roosevelt Sykes' "Highway 61 Blues" (1932) and Mississippi Fred McDowell's "61 Highway" (1964). Dylan has stated that he had to overcome considerable resistance at Columbia Records to give the album its title. He told biographer Robert Shelton: "I wanted to call that album Highway 61 Revisited. Nobody understood it. I had to go up the fucking ladder until finally the word came down and said: 'Let him call it what he wants to call it'." Michael Gray has suggested that the very title of the album represents Dylan's insistence that his songs are rooted in the traditions of the blues: "Indeed the album title Highway 61 Revisited announces that we are in for a long revisit, since it is such a long, blues-travelled highway. Many bluesmen had been there before [Dylan], all recording versions of a blues called 'Highway 61".
Bob Dylan ?– Highway 61 Revisited Label: Columbia ?– CS 9189 Format: Vinyl, LP, Album, Stereo  Country: US Released: 30 Aug 1965 Genre: Rock Style: Blues Rock, Folk Rock
Tracklist A1 Like A Rolling Stone 5:59 A2 Tombstone Blues 5:53 A3 It Takes A Lot To Laugh, It Takes A Train To Cry 3:25 A4 From A Buick 6 3:06 A5 Ballad Of A Thin Man 5:48 B1 Queen Jane Approximately 4:57 B2 Highway 61 Revisited 3:15 B3 Just Like Tom Thumb's Blues 5:08 B4 Desolation Row 11:18
Credits • Bass – Harvey Goldstein, Russ Savakus • Drums – Bobby Gregg • Guitar – Charley McCoy* • Harmonica, Piano – Bob Dylan • Lead Guitar – Michael Bloomfield* • Other [Police Car] – Bob Dylan (tracks: B2) • Piano – Frank Owens • Piano, Organ – Al Kooper, Paul Griffin • Producer – Bob Johnston, Tom Wilson (2) (tracks: A1) • Vocals, Written By – Bob Dylan Barcode and Other Identifiers • Matrix / Runout: Side A: XSM110640 1A • Matrix / Runout: Side B: XSM110641 1A