Brown Acid The First Trip Vinyl LP NEW Rock Compilation Rare Psychedelic Psych
  $   30

 


$ 30 Sold For
Oct 28, 2017 Sold Date
Jun 13, 2017 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description

BUY WITH CONFIDENCE FROM A TOP RATED SPECIALTY + IMPORT VINYL DEALER! FAST, FRIENDLY, PERSONAL SERVICE! WE CARE ABOUT OUR CUSTOMERS! SEE OUR 850+ FEEDBACK!! PROFESSIONAL PACKAGING! ALL ORDERS SHIP WITHIN ONE BUSINESS DAY, MOST IN JUST HOURS! ALL ITEMS IN THE STORE ARE BUY ONE GET ONE 10% OFF! 
LAST COPY Classic black vinyl. Opened, in shrink. unplayed. This is a must have collection of some killer forgotten gems! Some of the best thrills of the Internet music revolution is the ability to find extremely rare music with great ease. But even with such vast archives to draw from, quite a lot of great songs have gone undiscovered for nearly half a decade, particularly in genres that lacked hifalutin arty pretense. Previously, only the most extremely dedicated and passionate record collectors had the stamina and prowess to hunt down long forgotten wonders in dusty record bins — often hoarding them in private collections, or selling at ridiculous collector’s prices. Legendary compilations like Nuggets, Pebbles, ad nauseum, have exhausted the mines of early garage rock and proto-punk, keeping alive a large cross-section of underground ephemera. However, few have delved into and expertly archived the wealth of proto-metal, pre-stoner rock tracks of Brown Acid: The First Trip.  Lance Barresi, co-owner of L.A.-cum-Chicago shop Permanent Records has shown incredible persistence in tracking down a stellar collection of rare singles from the 60s and 70s for the 11-track compilation. Partnered with Daniel Hall of RidingEasy Records, the two have assembled a selection of songs that’s hard to believe have remained unheard for so long.  "I essentially go through Hell and high water just to find these records,” Barresi says. “Once I find a record worthy of tracking, I begin the (sometimes) extremely arduous process of contacting the band members and encouraging them to take part. Daniel and I agree that licensing all the tracks we're using for Brown Acid is best for everyone involved.” Rather than simply bootlegging the tracks, when all of the bands and labels haven’t existed for 30-40 years or more, tracking down the creators gives all of these tunes a real second chance at success.  “ All of (these songs) could've been huge given the right circumstances,” says Barresi. “But for one reason or another most of these songs fell flat and were forgotten. However, time has been kind in my opinion and I think these songs are as good now or better than they ever were." 
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