Brötzmann Van Hove Brnnink Balls FMP 1970 EX+
$
110
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Description
Peter Brötzmann Van Hove and Bennink performs on the album Balls on FMP 1970.
Record is EX+! Cover is EX!
Artist: Brötzmann / Van Hove / Bennink (The Peter Brötzmann Trio)
Album Title: Balls
Label: FMP (Free Music Production)
Catalogue Number: FMP 0020
Year of Release: 1970
Country: Germany
Genre: Jazz
Style: Free Jazz, Free Improvisation
About the Album
Balls is a quintessential document of the raw, high-energy European free improvisation scene of the late 1960s and early 1970s. Recorded live in Berlin on August 17, 1970, the album captures the trio at an early, ferocious peak.
The music is completely improvised and is characterized by its:
Intensity: This is not subtle jazz. It is a powerful, dense, and often abrasive sonic assault, driven by Peter Brötzmann's legendary lung power.
Interplay: Despite the chaotic surface, there is a deep and instantaneous communication between the three musicians. They react to each other's ideas in real-time, creating a visceral and unpredictable dialogue.
Texture: Fred Van Hove's piano work is percussive and cluster-heavy, often eschewing traditional melody and harmony for pure texture and rhythm. Han Bennink's drumming is a whirlwind of energy, polyrhythms, and surprising sounds.
The Musicians
This trio was one of the most important small groups in the history of free music:
Peter Brötzmann (Saxophones): A titan of European free jazz, known for his incredibly powerful, raw, and cathartic playing style, often referred to as "energy music."
Fred Van Hove (Piano): A key Belgian improviser whose style helped define a European approach to the piano in free music, focusing on density and texture.
Han Bennink (Drums, Percussion): A legendary and highly inventive Dutch drummer known for his boundless energy, technical brilliance, and theatrical, often humorous, approach to performance.
Tracklist
The original LP consists of two side-long improvisations:
A: Balls (16:35)
B: Florence Nightingale (17:35)
In summary, Balls is a landmark recording. It's an uncompromising and essential album for anyone interested in the history of free jazz and improvised music, capturing a pivotal
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