Buzzcocks Another Music in a... LP silver colored vinyl record sealed reissue
  $   22

 


$ 22 Sold For
Feb 5, 2019 Sold Date
Feb 4, 2019 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description

Record is sealed and has never been played. May show light signs of shelf wear.
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*STOCK PHOTO* actual hype sticker reads "DELUXE SILVER VINYL + DOWNLOAD CODE"
To mark the 40th anniversary of the original releases, Domino re-issues the Buzzcocks' seminal first two albums, Another Music In A Different Kitchen and Love Bites. Both records have been lovingly restored and re-mastered from the original ¼" tapes for the first time and come packaged in the original Malcolm Garrett designed sleeves with lavish 8-page booklets containing unseen images and extensive liner notes by famed writer, broadcaster, music journalist and cultural commentator Jon Savage. Faithful to their original track-listings, the re-issues see the albums released on deluxe vinyl for the first time in many years and follow the Domino re-releases of their debut EP, Spiral Scratch and Time's Up, a collection of demos, from 1976.
Famously taking their name from ‘It's the buzz, cock', a headline from a Time Out review of 1970s TV music drama Rock Follies, Buzzcocks were formed in Bolton in 1976 by Pete Shelley and Howard Devoto, and kick-started a musical revolution in Manchester having organized and played at the now famous Sex Pistols show at Manchester's Lesser Free Trade Hall in 1976, a show which inspired and spawned the likes of Joy Division, The Fall and The Smiths.
Recorded at Olympic Studios in London between December 1977 and January 1978 with producer Martin Rushent and featuring the line-up of Pete Shelley (vocals/guitar), Steve Diggle (guitar/vocals), Steve Garvey (bass) and John Maher (drums), Another Music In A Different Kitchen was released in March 1978 and boasted a distinctive cover by Malcolm Garrett whose work would become inextricably linked with the band. By the end of 1978 not only had Buzzcocks established themselves as one of the leading-lights of punk but proved themselves as deft songwriters capable of producing three-minute-mini-masterpieces that would endure long after the initial spark of punk had faded.
Fast Cars No Reply You Tear Me Up Get On Our Own Love Battery Sixteen I Don't Mind Fiction Romance Autonomy I Need Moving Away From The Pulsebeat

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