CHET BAKER QUARTET JAZZ AT ANN ARBOR DEEP GROOVE RED VINYL JAZZ LP FLAT EDGE
  $   35

 


$ 35 Sold For
Oct 17, 2013 Sold Date
Oct 12, 2013 Start Date
$   20 Start price
3   Number Of Bids
  USA Country Of Seller
eBay Auctioned at
 
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Description

CHET BAKER QUARTET~JAZZ AT ANN ARBOR~DEEP GROOVE~RED VINYL JAZZ LP~FLAT EDGE

Product Description

CHER BAKER "JAZZ AT ANN ARBOR" PACIFIC JAZZ RECORDS PJ 1203 MONO    VERY RARE ORIGINAL PRESSING FROM 1954 PRESSED ON RED VINYL WITH FLAT EDGES!! HEAVYWEIGHT CARDBOARD COVER IS IN VG+ CONDITION WITH SPLITS AT THE TOP AND BOTTOM WHICH HAVE BEEN TAPED. VINYL IS IN VG CONDITION BUT PLAYS VERY WELL WITH LIGHT SURFACE NOISE AND OCCASIONAL POPS/CLICKS. EXCELLENT CONDITION FOR AN ALBUM APPROACHING ITS 60th BIRTHDAY!!   Chet Baker (trumpet) was arguably at the peak of his power when captured in a quartet setting at the Masonic Temple in Ann Arbor, MI, May 9, 1954. He's joined by Russ Freeman (piano), Carson Smith (bass) and Bob Neel (drums), all of whom provide ample assistance without ever obscuring their leader's laid-back and refined style. Baker's sublime sounds also garnered notice from critics, who had placed him atop polls in both Metronome and Down Beat magazines the previous year. Evidence of these lauds are obvious upon listening to the combo as they nestle into one of the cornerstones in their repertoire, the suave "Line for Lyons" -- a track dating back to the artist's short-lived yet genre defining work with the song's author, Gerry Mulligan. Almost immediately after establishing the melodic theme, Baker dives into his trademark solos. The fluidity throughout the seemingly off-the-cuff excursions presents confirmation of both his unquestionable timing and understated subtle authority. The rhythm section ably follows the improvisations with solid, yet never overpowering support. Freeman also shines throughout, especially during the stately opening to "Lover Man" or the up-tempo jiving "Maid in Mexico." Other classics include the stark intimacy of Baker's signature "My Funny Valentine," as well as respectively frisky renditions of "Stella by Starlight" and Freeman's own crowd-pleasing "Russ Job."    SONGS:   LINE OF LYONS, LOVER MAN, MY FUNNY VALENTINE, MAID IN MEXICO, STELLA BY STARLIGHT, MY OLD FLAME, HEADLINE, RUSS JOB    PERSONNEL: CHET BAKER, RUSS FREEMAN, CARSON SMITH, BOB NEEL  
The image included with the auction is a scan of the actual item but, due to size limitations of the scanner, the edges of the item may have been cropped.
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MINT = like new or near new with only one or two small insignificant defects, a 9 or better on a 1-10 scale

EXCELLENT = Would be Near Mint, except for a couple of light hairlines or scuffs, which do not affect play

VG++ = still a very nice record with all or nearly all of its original gloss but may have a few more light, surface marks, hairlines, needle tracks or the like which should not materially affect play

VG+ = a nice, but used record that may have a series of light scuffs or scratches. It probably plays with a few pops, but has no serious problems.

VG = a well-used record that still should sound OK when played, but may have moderate surface noise, pops, etc.

VG- = a very well-worn record that plays through without skipping, but will do until a better copy comes along.

Good = not actually good at all but probably will play through but with much in the way of surface noise, pops, crackles, etc. Still, will have no cracks, chips or the like

Fair = you are getting this record just to own but not to play

Poor = the sky's the limit, generally I will discard a record this bad (and sell the cover, jacket or sleeve alone) unless the label holds some particular interest

 

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