CHOCOLATE WATCH BAND NO WAY OUT MINT ORIG 1966 TOWER LP
$
418
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Description
THIS RECORD COMES FROM OUR PERSONAL COLLECTION
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· THE CHOLOCATE WATCH BAND – NO WAY OUT - ULTRA-RARE ORIGINAL 1966 TOWER RECORDS STEREO LP ST-5069
· ORIGINAL U.S. PRESSING
· ORIGINAL BROWN TOWER RECORDS LABEL WITH BLACK “T” LOGO.
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· THICK CARDBOARD COVER, AMERICAN STYLE.
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
· As far as we know, this album is currently out of print and unavailable on Compact Disc, or in any other format.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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The Chocolate Watchband's debut album, No Way Out was also their most heavily Rolling Stones-influenced album, but appreciating the album and what's on it (and what's not) requires some explanation -- especially as an original vinyl copy could set you back $400 or more. Released in September of 1967, No Way Out came at the end of the band's first 15 months of existence, a period that encompassed the recording and release of four singles of generally extraordinary quality, and as good as anything heard from any garage band anywhere during that period. Just two of those single tracks, "Are You Gonna Be There (At the Love-In)" and "No Way Out," ended up on the original ten-track LP, but even they could (and should) have been the core of an immensely powerful LP. Instead, out of the remaining songs, only two -- the group's nicely cranked-up version of Chuck Berry's "Come On" (obviously influenced by the Rolling Stones' debut single, which was, itself, a good trick, since the latter had never seen a U.S. release in any form) and the psychedelic Bo Diddley-based "Gone and Passes By" -- were recorded by the entire group and released in the form intended. The other six tracks included Watchband recordings, such as "Let's Talk About Girls," "In the Midnight Hour," and "Hot Dusty Road," on which lead singer David Aguilar's vocals had been replaced by those of session singer Don Bennett (co-author of the band's single "Are You Gonna Be There (At the Love-In)") and also embellished with extra instrumental overdubs; two instrumentals, "Expo 2000" and "Dark Side of the Mushroom," recorded by a group of studio musicians put together by engineer Richie Podolor; and, finally, the bizarre "Gossamer Wings," a psychedelic digression by Bennett and company that used the band's basic track from the 1966 single B-side "Loose Lip Sync Ship" as its jumping-off point. So what's here is not really representative of the Chocolate Watchband that was seen in the movie Riot on Sunset Strip, or heard on those four killer singles in 1966 and early 1967. All of that said, No Way Out is still an extremely impressive and enduring album that nicely straddles the garage punk and psychedelic genres; the Watchband's "Come On" still gets this reviewer's pulse bouncing to Chuck Berry's beat, and it and the other three finished band cuts are still highly potent, slashing, exciting, clever pieces of music. "Gone and Passes By" and "No Way Out" are sharp works of psychedelic punk music, the former mixing sitar music with a shimmering Bo Diddley beat to superbly seductive effect, while the latter is built on a twisting, jagged blues- and raga-based lead guitar line that recalls the late-1966 vintage Jefferson Airplane's work. And "Are You Gonna Be There (At the Love-In)" is a stirring, even threatening anthem to youthful defiance. Of the rest, "Let's Talk About Girls" is still a very good track and a killer opener for the album, despite the tampering by the producers, and "In the Midnight Hour" and "Hot Dusty Road" are not too far behind. As for the instrumentals, "Dark Side of the Mushroom" and "Expo 2000" are decent filler, even if they have nothing to do with the band. So the record, though flawed from day one of its release history, is still an essential '60s album in any collection, in its vinyl version or either of two expanded reissues on CD, from Sundazed and Big Beat, respectively.
(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE /ALLMUSIC.COM/)
For additional historical information on this album, including track listing ►click here
***
On a related note: we bump into Mark Loomis, original guitar player of the band, about once every other month. He is now a New York-based antiquities dealer and refuses to discuss his days with the Chocolate Watch Band or his military stint in Vietnam war (in which he was wounded and disfigured). We asked him to autograph this album, but he declined; a decision we respect.
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD+++.
The following flaws or imperfections are noted on the cover:
- Cover has a partially split bottom seam (less than 1 inch / 2.5 centimeters)
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 3 (front side) and 2 (back side)
- Cover shows JUST A HINT of yellowing on back side, apparently from aging.
- A few minor, faint water stains noted on top seam (nothing significant; less than 1 square inch total size) (VISIBLE ON FRONT SIDE ONLY)
NO OTHER IMPERFECTIONS ON THE COVER:
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No wrinkles or creases
- No writing
- No stamps
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
Generally, US POSTAGE is $5.80 FOR THE FIRST ITEM shipped via USPS PRIORITY MAIL (this includes a small $1.00 packaging surcharge).
INTERNATIONAL POSTAGE- and insurance rates vary from country to country. For SPECIFIC international and domestic postage and insurance rates ►click here. While you can be rest assured that our packaging is careful, sturdy and impact-proof, please note we are NOT responsible for uninsured items.
Media- and Surface Mail rates are available ONLY to orders of $200.00 or more. NO EXCEPTIONS.
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OUR REFUND POLICY :
Cash refund will be granted only for DEFECTIVE items, but we are flexible and reasonable in reviewing the merits of each individual case. We do NOT play-grade records and can only make reasonable inference on the item's condition based on its visual appearance. Every bid carries a risk that purchased item might play worse than its visual grade may indicate. Still sealed items MUST be returned sealed in order to be eligible for a refund. Please read our complete refund policy before placing a bid. ►Click here for the full text of our policy .
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