CLAUDINE LONGET LOVE IS BLUE ORIG'68 A&M WHITE LABEL PROMO-ONLY MONO LP
$
36
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Description
WE CURRENTLY HAVE NEARLY 300 LISTED ITEMS
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· CLAUDINE LONGET - LOVE IS BLUE - RARE ORIGINAL 1968 A&M MONO LP 142.
· ORIGINAL U.S. PRESSING
· *** WHITE LABEL PROMO ***
· *** IN ADDITION, THE PROMOTIONAL STICKER ON THE COVER CLEARLY IDENTIFIES THE ITEM AS PROMOTIONAL ***
· *** ULTRA-RARE PROMOTIONAL-ONLY MONO COPY; MONO VERSION OF THIS ALBUM WAS NEVER COMMERCIALLY RELEASED IN ANY WAY OR FORM ***
· ORIGINAL A&M LABEL, LATE '60s STYLE, WHITE PROMOTIONAL VERSION
· VERY RARE WEST COAST PRESSING (MONARCH PRESSING PLANT, LOS ANGELES)
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE); THIS IS A STEREO COVER WITH MONO STICKER AFFIXED; NO "PROPER" MONO COVERS WERE EVER PRODUCED FOR THIS TITLE
· CLEAN, WEAR-FREE LABELS
· THICK, HEAVY VINYL PRESSING
· MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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Claudine Longet's third album continues the middle-of-the-road tendencies of her first two, leading off with an oddly jaunty reinterpretation of "Falling in Love Again," Marlene Dietrich's theme song, whose jaded world-weariness Longet replaces with her own pleasantly insubstantial persona. With its cinematic background noise staging and odd ragtime piano accents, it recalls Harpers Bizarre's playful deconstruction of pre-rock standards. More successful are the straightforward bilingual version of the title track, one of the evergreen tunes of '60s easy listening; the oft-recorded Alan Gordon and Gary Bonner sunshine pop tune "Small Talk"; and a mournful, skeletal version of Randy Newman's little-known early tune "Snow" that's among Longet's finest interpretations of her career. Even better is Longet's take on the Bee Gees standard "Holiday"; Longet's endearingly pitch-poor, lispy vocals are tailor-made for this spooky, unconventional song, which arranger Nick DeCaro gives a suitably off-kilter arrangement featuring a chorus of wordless Longets between the strings and the increasingly florid piano accompaniment. Longet's next album, the masterful Colours, would benefit from even more of this gently psychedelic experimentation.
(EXCERPT FROM AN ONLINE REVIEW BY STEWART MASON, ALL MUSIC GUIDE /ALLMUSIC.COM/)
THE WHITE LABEL PROMO, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed to the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals": the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record. In this case, though, this is a rather moot point, since this rare promo-only MONO version of the album was never commercially released to begin with.
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· CONDITION:
· THE RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.
(b) The record comes in the original stock inner sleeve.
(c) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(d) WHITE LABEL PROMO-ONLY MONO White Promo Label version of this title is much rarer that a regular, commercially released, stereo version of this title. We estimate that stock stereo copies of this album outnumber mono promo copies by a ratio of at least 200:1.
(e) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· THE COVER
THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- Cover has a partially split top seam (between 4 and 6 inches / 10 to 15 centimeters)
- Cover has a partially split spine (between 2 and 4 inches / 5 to 10 centimeters)
- Cover has some visible fraying/tattering on the top seam and spine.
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 3 (front side) and 2 (back side)
- Front cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
- Cover shows some light yellowing on both sides, apparently from aging (nothing significant).
- Cover has two corners slightly worn / dinged (nothing significant)
NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE COVER
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POSTAGE & SHIPPING:
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