COLOSSEUM COLOSSEUM LIVE RARE ORIGINAL '71 UK BRONZE 2-LP SET NEAR MINT
$
150
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Description
WE CURRENTLY HAVE MORE THAN 600 LISTED ITEMS
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· COLOSSEUM – COLOSSEUM LIVE – ORIGINAL BRITISH PRESSING - ORIGINAL 1971 BRONZE/ISLAND (BRONZE RECORDS DISTRIBUTED BY ISLAND) STEREO DOUBLE LIVE ALBUM (2-LP SET) ICD1/2
· ORIGINAL U.K. PRESSING
· ORIGINAL BEIGE BRONZE LABEL WITH THE "EVOLUTION OF MAN" MOTIF ALONG THE LABEL'S EDGE (MAN EVOLVING FROM NEOCON TO HOMO SAPIENS)
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.K. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL GATEFOLD COVER (UNCONVENTIONAL TYPE: THE GATEFOLD DOES NOT HAVE TRADITIONAL "POUCHES)
· THE COVER COMES WITH (WHOLE AND INTACT) ONE OF THE MOST AMAZINGLY IDIOTIC, UNMITTIGATINGLY DISASTEROUS , TRICKY PACKAGING IN THE HISTORY OF RECORD-PACKAGING, WHICH IS DIFFICULT TO EVEN ADEQUATELY DESCRIBE WITHOUT A SLEW OF FOUR-LETTERED ADJECTIVES THAT WOULD MAKE HOWARD STERN AND JOAN RIVERS SOUND LIKE SERIOUS CANDIDATES FOR BEATIFICATION; IT ACTUALLY HAS TO BE SEEN TO BE BELIEVED AND TO APPRECIATE IT'S STUPENDOUS STUPIDITY: IT INVOLVES, INTER ALIA, TWO ROSEY-COLORED INNER CELLOPHANE POUCHES RUBBING AGAINST EACH OTHER, AND AGAINST THE RECORD SURFACE (APPARENTLY, WITHOUT ANY INNER SLEEVES INSIDE TO PROTECT THE VINYL AND WITHOUT ANY KIND OF SUPPORTING MECHANISM), EACH WITH A FOLDABLE FLIP ON ONE END GLUED TO THE INNER SLEEVE IN OPPOSITE DIRECTION (TO THE MAXIMUM INCONVENIENCE AND ANNOYANCE OF THE OWNER), LEAVING AN UGLY TRAIL OF WHITISH DRIED GLUE RESIDUE IN THE FOLDING OF THE INSIDE GATEFOLD; AND WITH SPONGE PADDING AT THE MOUTH OF EACH POUCH (WHICH, PRESUMABLY, SERVES TO PREVENT THE RECORDS FROM BEING TAKEN OUT, IN A HIGHLY UNLIKELY CASE THAT - HEAVENS FORBID - THE OWNER SHOULD DECIDE TO TAKE THE DISCS OUT AND PLAY THEM) AND OTHERWISE ENTIRELY UNNECESSARY, DIFFICULT TO PRESERVE AND MAINTAIN AND SERVING ABSOLUTELY NO DISCERNIBLE PURPOSE. THANKFULLY, WE HAVE REMOVED THE RECORDS FROM THE CRINGE-INDUCING DREAD-AND-HORROR PACKAGING (TOO BAD WE COULD NOT AND DID NOT EXTRACT THE TWO UGLY ROSEY-COLORED DEMONS THEMSELVES, WHICH WE ASSURE YOU WE WERE SERIOUSLY TEMPTED TO) AND SAVED THEM FOR POSTERITY BY PLACING THEM IN SEPARATE INNER SLEEVES. WE DO NOT RECOMMEND THAT THE WINNING BIDDER EVER USE THE ORIGINAL POUCHES, EXCEPT - PERHAPS - AS AN EXHIBIT "A" IN SHOWING OTHERS HOW UNREPENTANTLY DUMB RECORD COMPANIES MARKETING DEPARTMENTS CAN GET. URGH!!!
· THICK, HEAVY VINYL PRESSING
· CLEAN, WEAR-FREE LABELS
· MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD
· MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-1U/-1U/-1U/-1U'. ON SOME LABELS, SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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This was recorded towards the end of Colosseum I's existence, and according to drummer Jon Hiseman, almost NEVER got released (something about planning to erase the original master tape in a fit of perfectionisitic pique). But fate intervened and thankfully, this ferocious classic performance of the mighty Colosseum was preserved intact.
Under Jon Hiseman's leadership, Colosseum created a heady and ferocious brew of progressive rock blues and jazz like nothing else. Capped off with Chris Farlowe's dramatic (sometimes overly so) blues drenched vocals, the band would leave one breathless on a good night.
1. Rope Ladder to the Moon - An ingenious cover of a Jack Bruce song that's actually BETTER than the original! Starting of with apreggiated guitar and vibes, Chris Farlowe then roars in and takes it to the moon, the intensity builds with a great mid-sction where Dave Greenslade makes his Hammond organ snarl and growl like a hungry lion as Hiseman eggs him on, the full band comes back in for a fiery conclusion, great way to start off!
2. Walking in the Park - A cranked up blues that dates back to The Graham Bond Organization (of which Dick Heckstall-Smith was a member), taken at such an unsafe tempo it nearly threatens to blow apart but our heroes keep it together and land on their feet.
3. Skellington - Continuing in a bluesy mode but at a slower (relatively speaking)tempo, however, it goes a bit off course betweena pointlessly long psychedelic guitar noise freakout and Chris Farlowe's vocal histrionics. Not a bad song but it could've done without all the excess.
4. Tanglewood. - A serious tour de force! Take one Michael Gibbs composition, rearrange it for these feisty Brits and stand back! What results is a dense, complex yet oddly memorable instrumental with the band combining its vocal resources powerfully (wordless singing no less!), and the late saxophonist Dick Heckstall Smith getting the spotlight with his double-sax solo (a'la Roland Kirk), he was simply amazing, no gimmicks, no devices (they didn't have digital harmonizers back then) just pure musicianship. One of the major highlights of this set!
5. Encore...Stormy Monday Blues - The old T-Bone Walker song given the Colosseum treatment, this was their fun tune and you can hear it clearly!
6. Lost Angeles - The other major reason to own this disc. This epic piece starts with Dave Greenslade showing his Hammond organ artistry leading the band into a dense fiery epic of life in the Smog Belt. Tight ensemble passages intertwine with heartfelt and concise soloing as Chris Farlowe spins the tale of woe. The band winds down and Dave Greenslade switches to vibes, as guitarist Dave Clemson builds a plaintive and heart-wrenching bluesy solo. The momentum builds and builds, almost to the point of blowing the song to pieces but just as you think that is inevitable, the band pulls off a rousing conclusion and leaves the crowd amazed!
This is a very exhilirating set by a band that really relied on its raw talent and musicianship and played from its heart, no gimmicks, no fakery, no overdubs. If only more people took that to heart.
For additional historical information on this album, including track listing ►click here
TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ► CLICK HERE
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new [NOTE: a few minor scuffs noted on side B (side 2/4), not expected to be audible).
(b) The records are pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(c) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS NEAR MINT !
The following flaws or imperfections are noted on the cover:
- Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 1.
- Cover has a few tiny wrinkles along the spine (nothing significant)
- Minor shelf wear noted on the seams (nothing significant)
- Minor dried glue residue noted (VISIBLE ON THE INSIDE ONLY)
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No yellowing from aging
- No writing
- No stamps
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.
INTERNATIONAL POSTAGE rates vary from country to country. For SPECIFIC international and domestic postage rates ►click here. While you can be rest assured that ►our packaging is careful, sturdy and impact-proof, please note that damage, loss or theft in transit is always possible, and in the case of some countries even PROBABLE. To discuss this potential problem and ensure flawless delivery, please contact us thru eBay BEFORE placing a bid.
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OUR REFUND POLICY :
WE OFFER UNCONDITIONAL MONEY-BACK GUARANTEE WITHIN 14 DAYS FROM THE RECEIPT OF THE MERCHANDISE, NO QUESTIONS ASKED (THE BUYER PAYS FOR THE RETURN POSTAGE); Still sealed items MUST be returned sealed in order to be eligible for a refund Some restrictions apply. Please read our complete refund policy before placing a bid. ►Click here for the full text of our policy
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