Carole King TAPESTRY Ode Records ODE SP 77009 (1971 1st Ed. pressing) NM
$
22
$ 22
Sold For
May 24, 2020
Sold Date
May 14, 2020
Start Date
$ 7
Start price
8
Number Of Bids
USA
Country Of Seller
eBay
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Description
Carole King TAPESTRY Ode Records ODE SP 77009 (1971 1st Ed. pressing)
Tracklist
A1 I Feel The Earth Move Drums – Joel O'BrienElectric Bass – Charles LarkeyElectric Guitar – Danny Kootch*Keyboards, Vocals – Carole KingWords By, Music By – Carole King 2:57 A2 So Far Away Acoustic Guitar – James Taylor (2)Drums – Russ KunkelElectric Bass – Charles LarkeyFlute – Curtis AmyPiano, Vocals – Carole KingWords By, Music By – Carole King 3:55 A3 It's Too Late Congas, Electric Guitar – Danny Kootch*Drums – Joel O'BrienElectric Bass – Charles LarkeyElectric Piano – Ralph SchuckettPiano, Vocals – Carole KingSoprano Saxophone – Curtis AmyWords By, Music By – Carole King, Toni Stern 3:51 A4 Home Again Acoustic Bass [String Bass] – Charles LarkeyAcoustic Guitar – James Taylor (2)Drums – Russ KunkelPiano, Vocals – Carole KingWords By, Music By – Carole King 2:27 A5 Beautiful Congas – Danny Kootch*Drums – Joel O'BrienElectric Bass – Charles LarkeyKeyboards, Vocals – Carole KingWords By, Music By – Carole King 3:05 A6 Way Over Yonder Acoustic Guitar – James Taylor (2)Backing Vocals – Merry ClaytonDrums – Joel O'BrienElectric Bass – Charles LarkeyElectric Guitar – Danny Kootch*Piano, Vocals – Carole KingStrings [String Quartet], Acoustic Bass [String Bass] – Perry SteinbergStrings [String Quartet], Cello – Terry King (4)Strings [String Quartet], Viola – David CampbellStrings [String Quartet], Violin – Barry SocherTenor Saxophone – Curtis AmyWords By, Music By – Carole King4:42 B1 You've Got A Friend Acoustic Guitar – James Taylor (2)Congas – Danny Kootch*Piano, Vocals – Carole KingStrings [String Quartet], Acoustic Bass [String Bass] – Charles LarkeyStrings [String Quartet], Cello – Terry King (4)Strings [String Quartet], Viola – David CampbellStrings [String Quartet], Violin – Barry SocherWords By, Music By – Carole King 5:07 B2 Where You Lead Backing Vocals – Carole King, Julia Tillman*, Merry ClaytonDrums – Russ KunkelElectric Bass – Charles LarkeyElectric Guitar – Danny Kootch*Electric Piano – Ralph SchuckettPiano, Vocals – Carole KingWords By, Music By – Carole King, Toni Stern 3:18 B3 Will You Love Me Tomorrow? Acoustic Bass [String Bass] – Charles LarkeyAcoustic Guitar – Danny Kootch*Acoustic Guitar [Acoustic Guitar And Granfalloon] – James Taylor (2)Backing Vocals – The Mitchell / Taylor Boy-And-Girl Choir*Drums – Russ KunkelPiano, Vocals – Carole KingWords By, Music By – Carole King, Gerry Goffin 4:10 B4 Smackwater Jack Backing Vocals – Carole King, Julia Tillman, Merry ClaytonBaritone Saxophone – Curtis AmyDrums – Joel O'BrienElectric Bass – Charles LarkeyElectric Guitar – Danny Kootch*Electric Piano – Ralph SchuckettPiano, Vocals – Carole KingWords By, Music By – Carole King, Gerry Goffin 3:39 B5 Tapestry Keyboards, Vocals – Carole KingWords By, Music By – Carole King 3:11 B6 (You Make Me Feel Like) A Natural Woman Acoustic Bass [String Bass] – Charles LarkeyKeyboards, Vocals – Carole KingWords By, Music By – Carole King, Gerry Goffin, Jerry Wexler 3:47
*(all photos are of the actual item)
- Recorded At – A&M Studios
- Published By – Screen Gems-Columbia Music, Inc.
- Artwork [Handstitched Tapestry] – Carole King
- Producer – Lou Adler
Notes
Recorded at A&M Recording Studios. Pressing variation, LP housed in company logo paper sleeve.Gatefold cover.
Monarch Pressing, same as Carole King - Tapestry but later label without the 7 in front of the Ode logo and 3 vs 2 white stripes in large silver logo
- Matrix / Runout (Label A Matrix): SP-77017
- Matrix / Runout (Label B Matrix): SP-77018
- Matrix / Runout (Variant 1 Side A runout etched): ODE 77017-M5 MR ?16071
- Matrix / Runout (Variant 1 Side B runout etched): ODE 77018-M5 MR ?16071-?
- Matrix / Runout (Variant 2 Side A runout etched): ODE SP-77017-M6 -REPL. ? 16909 (6)
- Matrix / Runout (Variant 2 Side B runout etched): ODE SP-77018-M6 -REPL. ? 16909-X (16)
- Matrix / Runout (Variant 3 Side A runout etched): ODE 77017-M4 [MR logo] ?16071 (1X)
- Matrix / Runout (Variant 3 Side B runout etched): ODE 77018-M4 [MR logo] ?16071-X (10)
- Matrix / Runout (Variant 4 Side A runout etched): ODE 77017-M5 [MR logo] ?16071
- Matrix / Runout (Variant 4 Side B runout etched): ODE 77017-M7 -REPL. [MR logo] ?16071-X (1)
- Matrix / Runout (Variant 5 Side A runout etched): ODE 77017-M4 (MR) TP ?16071 (13)
- Matrix / Runout (Variant 5 Side B runout etched): ODE 77018-M5 (MR) ??16071-X
- Pressing Plant ID (Variants 1, 2, 3, 4 Sides A & B stamped): Circle MR Logo
Tapestry is the second studio album by American singer-songwriter Carole King, released in 1971 on Ode Records and produced by Lou Adler. It is one of the best-selling albums of all time, with over 25 million copies sold worldwide. In the United States, it has been certified Diamond by the RIAA with more than 10 million copies sold. It received four Grammy Awards in 1972, including Album of the Year. The lead singles from the album—"It's Too Late"/"I Feel the Earth Move"—spent five weeks at number one on both the Billboard Hot 100 and Easy Listening charts. In 2000 it was voted number 74 in Colin Larkin's All Time Top 1000 Albums. In 2003, Tapestry was ranked number 36 on Rolling Stone list of the 500 greatest albums of all time. (from Wikipedia, the free encyclopedia)
AllMusic Review by Jason Ankeny
Carole King brought the fledgling singer/songwriter phenomenon to the masses with Tapestry, one of the most successful albums in pop music history. A remarkably expressive and intimate record, it's a work of consummate craftsmanship. Always a superior pop composer, King reaches even greater heights as a performer; new songs like the hits "It's Too Late" and "I Feel the Earth Move" rank solidly with past glories, while songs like "Will You Still Love Me Tomorrow," and "(You Make Me Feel Like) A Natural Woman" take on added resonance when delivered in her own warm, compelling voice. With its reliance on pianos and gentle drumming, Tapestry is a light and airy work on its surface, occasionally skirting the boundaries of jazz, but it's also an intensely emotional record, the songs confessional and direct; in its time it connected with listeners like few records before it, and it remains an illuminating experience decades later.
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