BobTheMusicMan  Vinyl, Music & Other Media Auctions

Discogs information:

Centipede (3) ?– Septober Energy

Tracklist

Companies, etc.

• Recorded At – Wessex Sound Studios
• Copyright (c) – RCA Ltd.
• Printed By – Howards Printers (Slough) Ltd.
• Published By – Louvigny-Marquee
• Published By – Pop Gun Music Ltd.
• Produced For – Ronnie Scott Directions Ltd.
• Manufactured By – RCA Ltd.

Credits

• Alto Saxophone – Dudu Pukwana, Ian McDonald, Jan Steel
• Alto Saxophone, Saxello [Saxcello] – Elton Dean
• Baritone Saxophone, Clarinet – Dave White
• Baritone Saxophone, Oboe – Karl Jenkins
• Bass – Brian Belshaw, Dave Markee, Harry Miller, Jeff Clyne, Jill Lyons
• Bass Saxophone, Soprano Saxophone – John Williams (9)
• Bass, Bass Guitar – Roy Babbington
• Cello – Catherine Finnis, John Rees-Jones, Katherine Thulborn, Mike Hurwitz, Suki Towd, Tim Kramer (3)
• Composed By – Julie Tippett*, Keith Tippett
• Cornet – Marc Charig
• Cornet [Pocket] – Mongezi Feza
• Drums – Robert Wyatt, Tony Fennell
• Drums, Percussion [All] – John Marshall
• Engineer – Mike Thompson (4)
• Executive-Producer – Pete King
• Guitar – Brian Godding
• Photography By [Centre Photograph] – Ken Ley, Ley, Dower & Associates Ltd*
• Piano, Music Director [M.D.] – Keith Tippett
• Producer – Robert Fripp
• Tenor Saxophone – Alan Skidmore, Brian Smith, Gary Windo, Larry Stabbins
• Trombone – Dave Amis, Dave Perrottet, Nick Evans, Paul Rutherford (2)
• Trumpet – Mick Collins (2), Peter Parkes
• Trumpet, Flugelhorn – Ian Carr
• Violin – Carol Slater, Channa Salononson, Colin Kitching, Esther Burgi, Garth Morton, John Trussler*,Louise Jopling, Mica Gomberti*, Philip Saudek, Rod Skeaping*, Steve Rowlandson, Wendy Treacher
• Violin [Lead] – Wilf Gibson
• Vocals – Boz*, Julie Tippett*, Maggie Nichols*, Mike Patto (2), Zoot Money

Notes

Barcode and Other Identifiers

• Matrix / Runout (variant 1, side A, stamped, "AIAA" etched): AGBS 0604-2E AIAA
• Matrix / Runout (variant 1, side B, stamped, "AIM" etched): AGBS 0605-2E AIM
• Matrix / Runout (variant 1, side C, stamped, "AIN" etched): AGBS 0606-2E AIN
• Matrix / Runout (variant 1, side D, stamped, "AIR" etched): AGBS 0607-4E AIR
• Matrix / Runout (variant 2, side A, stamped): AGBS 0604-2E
• Matrix / Runout (variant 2, side B, stamped): AGBS 0605-2E
• Matrix / Runout (variant 2, side C, stamped): AGBS 0606-2E
• Matrix / Runout (variant 2, side D, stamped): AGBS 0607-2E

Our grading in condition section above.

Records graded to Record Collector guidelines.

Mint (M)

The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet. booklet or poster are in perfect condition. Records marked as Sealed or Unplayed should be Mint.

Excellent (EX)

The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.

Very Good (VG)

The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects is acceptable

Good (G)

The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc

Fair (F)

The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.

Poor (P)

The record will not play properly due to scratched, bad surface noise, etc. The cover and contents will be badly damaged or partly missing

Bad (B)

The record is unplayable or might even be broken, and is only of use as a collection-filler

CD?s and CASSETTES

As a general rule CD?s and Cassettes either play perfectly ? in which case they are in Mint condition ? or they don?t, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CD?s are difficult to grade visually; they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaced if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves.

Records sent in purpose made mailers. We're collectors who are serious about our stock and endeavour to get our records to you in the best condition possible. Please contact before paying if you?ve won or are interested in multiple items.

For more information, or queries regarding postage, packaging, insurance etc. please get in contact.

Please note that international items sold through the Global Shipping Program are priced & invoiced by eBay and as such pricing and combined shipping are out of our control.