Classic Records LSC 2183 Reiner Sound CSO CLARITY 200G LP NEW SEALED Audiophile
  $   37

 


$ 37 Sold For
Mar 1, 2024 Sold Date
Feb 2, 2024 Start Date
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Description

Fritz Reiner, Chicago Symphony* – The Reiner Sound


Label: Classic Records – LSC 2183, RCA Victor – LSC-2183 Series: Living Stereo Format: Vinyl, LP, Reissue, Remastered, Stereo, 200g, Clarity Vinyl Country: US Released: 2005 Genre: Classical Style: Impressionist, Modern, Romantic

  • Conductor – Fritz Reiner
  • Lacquer Cut By – Bernie Grundman
  • Liner Notes – Irving Kolodin
  • Orchestra – Chicago Symphony Orchestra*

LSC 2183 – “The Reiner Sound” Fritz Reiner conducts the Chicago Symphony Orchestra in Rapsodie Espagnole and Pavan for a Dead Princess by Ravel, and Isle of the Dead by Rachmaninov. Producer: Richard Mohr. Engineer: Lewis Layton. Recorded in Orchestra Hall, Chicago.

Fritz Reiner includes three very interesting pieces on LSC-2183. He chose well. The pieces highlight the greatness that is Fritz Reiner and his amazing Chicago Symphony Orchestra. As represented here, the “Reiner Sound” – rich, detailed and incredibly dynamic – is married unswervingly to honest interpretations of the highest musical caliber. Reiner is rarely surpassed in his RCA repertoire.

This quality brings me directly to Rapsodie Espagnole. Even when compared to the great Ansermet recording or Monteux’s exalted version (respectively, London’s CS 6024 and CS 6248), Reiner still reigns supreme – his Rapsodie is the most luscious and overtly romantic performance I know, executed with a surgeon’s precision and a swagger worthy of Bernstein at his best. All this elevated emotion is even more amazing when considering Reiner’s glowering yet somnolent demeanor. Still waters must run very deep.

The fabulous sonics are more than a match for the musical conception(s). The Isle of the Dead is given a beautifully spacious recording allowing the tension Reiner builds to flow over the listener in wave after wave of powerful orchestral sonority. The Ravel pieces showcase real transparency; in Prélude de la Nuit of Rapsodie Espagnole, inner voices orchestrated so masterfully by Ravel are heard with x-ray clarity while retaining their texture and natural timbre. I could imagine the second clarinetist hoping (praying) for a clear beat in order to match Clark Brody’s lead in the clarinet cadenzas. The same can be said for the lower strings at the opening Malagueña – no worries, though, as the microdynamics of the recording tell the tale of amazing ensemble playing. So it goes, ad infinitum, on this great LP. Certainly, another must have in this series.


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