Conlon Nancarrow: Complete Studies For Player Piano V.1 experimental avant noise
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Description
Conlon Nancarrow: Complete Studies For Player Piano Volume One-- Study Nos. 3a, 3b, 3c, 3d, 3e, 20, 41a, 41b, 41c (1949-1976) label & cat. no.:1750 Arch S-1768 pressed in:USA date:1977 format:LP Vinyl: ex (couple faint unfeelable scuffs, looks barely if ever played)
Cover: vg+ (minor wear)
description:
First volume of this definitive series of the work of one of the most unique outsider avant garde composers of the 20th century. As a forefather of MIDI and computer music, Nancarrow created his amazing studies by composing directly onto player piano rolls by hand; they range from atonal deconstructions of ragtime, boogie-woogie, and blues to intricate tempo experiments to abstract patterned soundscapes, all highly rhythmic and most impossible to perform by human hands. Includes insert, with notes by James Tenney and series producer Charles Amirkhanian. Highly recommended.
artist info from album notes etc.:
Nancarrow lived a somewhat secluded life in Mexico City, creating his experimental compositions by hand on player piano rolls, and was introduced to the world by Merce Cunningham and John Cage, who selected and arranged his pieces for use in a dance work; Nancarrow studied under Nicolas Slonimsky, Walter Piston, and Roger Sessions, worked with James Tenney, was Gyorgy Ligeti's favorite American composer, is commonly paired with Harry Partch as a pioneer of American 'homemade' music, and is increasingly acknowledged as an important forebear of modern electronic, computer programmed, electroacoustic, and even hip-hop music, especially with his incorporation/proto-sampling of jazz/piano and use of unplayable rhythms and multiple tempi.
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