DAVE BRUBECK / TIME OUT orig mono 6 Eye VG++ (plays NM)
$
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DAVE BRUBECK
TIME OUT 1959 Columbia CL1397 Mono ORG MATRIX 1BE/1BE
VINYL: VG++ (plays NM) (Play graded) COVER: VG++ I believe the loose plastic sleeve it is in is what it was released in
BEST SOUNDING COPY OF THIS I'VE FOUND IN YEARS. ALOT OF THEM I FIND LOOK PRETTY GOOD BUT DON'T PLAY NEAR AS GOOD AS THEY LOOK. THE VINYL ON THIS ONE BOTH LOOKS & PLAYS GREAT. THIS LOOKS A VERY NICE VG++ WITH NOTHING THAT LOOKED LIKE IT WOULD CAUSE SOUND DEFECTS. I PLAY GRADED IT & IT SOUNDED NM!
OF COURSE I COMBINE AUCTIONS FOR THE CHEAPEST POSSIBLE SHIPPING
To see my other Jazz please click this link Jazz To see my record store click: pocketfullofmiracles Or click one of the links at left. Info on TIME OUT below is from WIKIPEDIA
The album was intended as an experiment using musical styles Brubeck discovered abroad while on a United States Department of State sponsored tour of Eurasia, such as when he observed in Turkey a group of street musicians performing a traditional Turkish folk song that was played in 9/8 time, a rare meter for Western music.[10]
On the condition that Brubeck's group first record a conventional album of traditional songs of the American South, Gone with the Wind,[11] Columbia president Goddard Lieberson took a chance to underwrite and release Time Out, and it received negative reviews by critics upon its release.[12] Despite this, it became one of the best-known and biggest-selling jazz albums, charting highly on the popular albums chart when 50,000 units sold for a jazz album was impressive.[citation needed] It produced a Top 40 hit single in "Take Five", composed by Paul Desmond, and the one track not written by Dave Brubeck.
Although the theme of Time Out is non-common-time signatures, things are not quite so simple. "Blue Rondo à la Turk" starts in 9/8, with a typically Balkan 2+2+2+3 subdivision into short and long beats (the rhythm of the Turkish zeybek, equivalent of the Greekzeibekiko) as opposed to the more Western 3+3+3 pattern, but the saxophone and piano solos are in 4/4. The title is a play onMozart's "Rondo alla Turca" from his Piano Sonata No. 11, and reflects the fact that the band heard the rhythm while traveling in Turkey.[8][13] Contrary to popular belief, Brubeck did not base the piece on the Mozart sonata musically; he stated in a 2003 interview, "I should've just called it 'Blue Rondo', because the title just seemed to confuse people."[citation needed]
"Strange Meadow Lark" begins with a piano solo that exhibits no clear time signature, but then settles into a fairly ordinary 4/4 swing once the rest of the group joins. "Take Five" is in 5/4 throughout. According to Desmond, "It was never supposed to be a hit. It was supposed to be a Joe Morello drum solo."[12] "Three to Get Ready" begins in waltz-time, after which it begins to alternate between two measures of 3/4 and two of 4/4. "Kathy's Waltz", named after Brubeck's daughter Cathy but misspelled, starts in 4/4, and only later switches to double-waltz time before merging the two. "Everybody's Jumpin'" is mainly in a very flexible 6/4, while "Pick Up Sticks" firms that up into a clear and steady 6/4.
It has been speculated that "Kathy's Waltz" inspired the song "All My Loving", written by Paul McCartney and performed by The Beatles, as they share similar rhythmic endings to the last phrases of their melodies.[14]
Legacy[edit source | editbeta]
In 1997, the album was remastered for compact disc by Legacy Records. In 2005, it was one of 50 recordings chosen that year by the Library of Congress to be added to theNational Recording Registry. It was also listed in the book 1001 Albums You Must Hear Before You Die.
In 2009 Legacy Recordings released a special three-disc 50th Anniversary Edition of Time Out. This edition offers a much higher dynamic range than the 1997 remaster. In addition to the complete album, the Legacy Edition includes a bonus disc featuring previously unreleased concert recordings of the same Brubeck Quartet from the 1961, 1963, and 1964 gatherings of Newport Jazz Festival. The Legacy Edition's third disc is a DVD featuring a 30-minute interview with Brubeck in 2003, and an interactive "piano lesson" where the viewer can toggle through four different camera angles of Brubeck performing a solo version of "Three to Get Ready".[15]
Time Out was included among a group of 15 DualDisc releases that were test marketed in two cities: Boston and Seattle. Due to "rights issues", the DualDisc issue was recalled within days of being shipped to just a handful of stores in these two cities. As a result, fewer than 50 copies of this album are known to exist in DualDisc format, and it is one of the rarest commercially released CDs of all time.[citation needed] A handful of copies of the DualDisc version of this album have traded hands in the collectors' market since its release, some for several hundred dollars.
Track listing[edit source | editbeta]
All compositions by Dave Brubeck, except "Take Five" by Paul Desmond.[16]
Side one[edit source | editbeta]
No. Title Length 1. "Blue Rondo à la Turk" 6:44 2. "Strange Meadow Lark" 7:22 3. "Take Five" 5:24Side two[edit source | editbeta]
No. Title Length 1. "Three to Get Ready" 5:24 2. "Kathy's Waltz" 4:48 3. "Everybody's Jumpin'" 4:23 4. "Pick Up Sticks" 4:16Personnel[edit source | editbeta]
The Dave Brubeck Quartet[edit source | editbeta]
- Dave Brubeck – piano
- Paul Desmond – alto saxophone
- Eugene Wright – bass
- Joe Morello – drums
Grading
NM: virtually no signs of use. Should play like new. / Cover is still undamaged & in shrink.
VG++ a couple small only surface marks that should have only minor if any affect sound. /Cover almost perfect.
VG+ Used but not abused. Some mostly surface lines. If any audible imperfections they should be relatively minimal.
The cover will be in good shape but there will be some signs of use.
VG Might have a number of only surface lines or may have a small scratch. Some background sound but still enjoyable.
In this condition any significant defects will be noted.
VG- It will have significant background sound from various defects but music always be quite audible above it. Or it may have a scratch.
In this condition any significant defects will be noted.
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HOW I PACK FOR LPs FOR INTERNATIONAL SHIPPING
To keep the price of international shipping of 1 LP at $15.00 I don’t charge for packaging costs but I need to keep the weight within 1lb. I use professional Lp mailers & in addition I usually use a light but hard foam stiffener. Sometimes I will use 1 piece of cardbord. I take the record out of the jacket if there is a possibility it might split. I don't recall ever having any problems shipping this way. If you would like me to ship differently you must contact me before you pay so I can invoice you for any extras costs.
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