DAVE EVANS The Words In Between LP VILLAGE THING 1971 UK orig IAN A. ANDERSON
  £   20
  $   27

 


£ 20 Sold For
Mar 19, 2016 Sold Date
Mar 9, 2016 Start Date
1 Number Of Bids
  Italy Country Of Seller
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Description

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DAVE EVANS

 with PETE AIREY, ADRIENNE, KEITH WARMINGTON

 An important part of the Bristol folk scene Dave Evans was on a par with Steve Tilston

"THE WORDS IN BETWEEN"

Produced by Ian A. Anderson

1971     LP     THE VILLAGE THING RECORDS       VTS 6   STEREO

MADE IN ENGLAND    ORIGINAL FIRST PRESSING

Barcode and Other Identifiers

Barcode: none

LABEL:  THE VILLAGE THING -  BLACK TEXT

Catalog on cover: (rear & spine): VTS 6

Catalog on labels: VTS 6 (Side A / Side B) 

Matrix / Runout (Side A, Stamped): VTS 6A-1U

Matrix / Runout (Side B, Stamped): VTS 6B-1U

On labels: lower rim text reads "Made in England"

all titles Dave Evans   Village Things Music

?1971 on both labels (on the labels the release year appears at 6 o'clock)

Rights Society: MCPS

On Back Sleeve: Produced & Recorded by Ian A. Anderson, July 1971

Graphics by Plastic Dog

Printed in England by Senol Printing Ltd.

from my records collection

tracklisting

Side A: THE WORD IN BETWEEN - ROSIE

GREY LADY MORNING - INSANITY RAG - MAGIC MAN

Side B: NOW IS THE TIME - DOORWAY

CITY ROAD - CIRCULAR LINE - SAILOR

THAT'S ALRIGHT - BABY BYE YOU BYE

  grading

RECORD VG+ but (please, read above description) 

SLEEVE VG(-) but (please, see pictures and read above description)

The British guitarist Dave Evans, a real dazzler of a fingerpicker, has been recording since the early '70s. 

His great instrumental talents -- including techniques involving alternate tunings and percussion-like sound effects -- 

have continued to be an obsession among guitarists from the new age crowd to free improv noise guitar deviates; 

this fact tends to overshadow Evans' work as a singer/songwriter. It was in this mode that he first presented himself 

to the listening public on the 1971 album entitled The Words in Between. It has been correctly pointed out by several critics

 that those were the days when a songwriter armed with a guitar was expected to really be able to play, 

not just to be a strum and humbum. It was Evans' picking, not his singing, that attracted fellow guitarist

 and record label manager Stefan Grossman who, in the late '70s, began documenting 

a variety of guitarists including Evans on the Kicking Mule label...(AllMusic)

 


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