DAVID BOWIE Hours... LP MUSIC ON VINYL 2015 EU re+inner+180g+booklet MOVLP1400

	€		60
	$		70

THIS IS THE 2015 EUROPEAN REPRESSING on MUSIC ON VINYL label. SINGLE COVER + INNER + 180gr + HYPE STICKER + BOOKLET.  The cover is in EX condition: normal wear & without any major deterioration, BUT mild creases on corners,  left spine is fully readable; INNER +BOOK also in great condition; for details see photos. The vinyl is in EX condition [barely played] .

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DAVID BOWIE

The mercurial music icon widely considered the original pop chameleon and figurehead for countless musical movements.

 "HOURS..."

<reissue, originally published as CD only in 1999>

LP       MUSIC ON VINYL     MOVLP1400

MADE IN EUROPE    2015 REPRESSING

SINGLE COVER + INNER SLEEVE + HYPE STICKER + BOOKLET + 180GR

NOTES: sticker reads: "Available On Vinyl For The First Time  Includes 20 Page Booklet

180 gram audiophile vinyl  ....musiconvinyl.....".

Barcode and Other Identifiers

Barcode: 8 718469 538898

Label: ISO/COLUMBIA/MUSIC ON VINYL - WHITE LABEL w/GRAY & GREEN CIRCLES - MULTICOLOR TEXT

Catalog on cover & sticker:  MOVLP1400

Catalog on labels: MOVLP1400

Matrix / Runout (Side A, Etched): 12452 1A MOVLP 1400

Matrix / Runout (Side B, Etched): 12452 1B MOVLP 1400

On labels: rim text "All rights....Originally released ℗ & © 1999.........Made in the EU.......BIEM/STEMRA"

On Back Cover: Tracklist

Produced by David Bowie and Reeves Gabrels

Originally released ℗ & © 1999 ISO Records............

This Release  ℗ & © 1999 ISO......Manufactured & distributed by Music On Vinyl B.V.........Made in the EU....

ISO RECORDS, COLUMBIA, MUSIC ON VINYL logos

tracklisting: please, for tracklist see pictures

grading

RECORD EX but (please, read above description)

SLEEVE EX but (please, see pictures and read above description)

Since David Bowie spent the '90s jumping from style to style, it comes as a shock that Hours, his final album of the decade, is a relatively straightforward affair. Not only that, but it feels unlike anything else in his catalog. Bowie's music has always been a product of artifice, intelligence, and synthesis. Hours is a relaxed, natural departure from this method. Arriving after two labored albums, the shift in tone is quite refreshing. "Thursday's Child," the album's engaging mid-tempo opener, is a good indication of what lays ahead. It feels like classic Bowie, yet recalls no specific era of his career. For the first time, Bowie has absorbed all the disparate strands of his music, from Hunky Dory through Earthling. That doesn't mean Hours is on par with his earlier masterworks; it never attempts to be that bold. What it does mean is that it's the first album where he has accepted his past and is willing to use it as a foundation for new music. That's the reason why Hours feels open, even organic -- he's no longer self-conscious, either about living up to his past or creating a new future. It's a welcome change, and it produces some fine music, particularly on the first half of the record, which is filled with such subdued, subtly winning songs as "Something in the Air," "Survive," and "Seven." Toward the end of the album, Bowie branches into harder material, which isn't quite as successful as the first half of the album, yet shares a similar sensibility. And that's what's appealing about Hours -- it may not be one of Bowie's classics, but it's the work of a masterful musician who has begun to enjoy his craft again and isn't afraid to let things develop naturally...(AllMusic)