DAVID BOWIE Low RARER ORIG UK 1977 EX++ LP. 2 STICKER COVER + ALL RARE INSERTS.
£
81
$
107
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Description
ONEADAYRECORDS – Serving-up a Christmas & New Year Feast of Entertainment
I would like to wish all my customers, regulars and newcomers, a VERY MERRY CHRISTMAS and HAPPY NEW YEAR
Over the Holiday Period, I am offering some interesting Christmas ‘Crackers’ – lovely albums – some rare – ENJOY!
Postage: UK £4.75 (£1 per extra record). Europe (including Russia) £12.50 (£2 per extra record). Rest of World (including ALL parts of the USA) £16.50 (£3 per extra record). All boxes signed for in quality, safe packaging – I NEVER use mailing envelopes that offer virtually no protection at all, and records WILL arrive damaged in them at some time as most record buyers will already know. Here, you get what you pay for – SAFE PACKING in BOXES using 7mm DOUBLE-WALL STIFFENERS including full side protection and bubble wrap, the records removed from the covers of course. All this very safe packing means I lose money on every box I post, but safe delivery is, and will always be paramount. You WILL see the difference when my packet arrives. Also, I will pay for insurance on any record that sells for over £100 at NO extra cost – that is UK and abroad. Also I aim to post the very same day after payment is received if possible. PLEASE NOTE: I will NOT send any item, no matter what its value without a Royal Mail or courier tracking number. ALL my items must be signed and traceable to comply with Ebay delivery rules. Please do NOT ask me to make any exceptions to this rule as no country offers 100% reliable service without it.
Posting to Russia: Yes, I do post to Russia. But delivery can take up to 4 to 6 weeks from the UK. So please be patient. I will submit a tracking number to the winning bidder, and when the packet arrives there it can be followed online using the Russian post website.
ALSO: I now apply the Ebay ‘2-day’ rule for non-payment to keep things moving – cash-flow is important for any small business.
FINALLY: Late payers, non-payers and ‘0’ bidders will now be blocked or cancelled at my discretion. As will any bidder who cancels a bid. I do not like this practice as it is most often used to phish out the price to beat. Ebay does not approve and neither do I – so only bid on my items if you want them.
Artist or Band: DAVID BOWIE
Album Title: Low
Producer(s): David Bowie & Tony Visconti
TRACK LIST:
Side 1: Speed of Life; Breaking Glass; What in the World; Sound and Vision; Always Crashing in the Same Car; Be My Wife; A New Career in a New Town.
Side 2: Warszawa; Art Decade; Weeping Wall; Subterraneans.
Label/Format: RCA Victor with matt surfaces that have a gentle hint of texturing.
Label Conditions: Both almost as-made, ultra clean, fresh and attractive with no spindle marks. Any crinkle purely within manufacture and quite common on matt RCA labels. Another gem from a collection of hardly played records and cover-protected.
Catalogue Number: PL 12030
Mode / Speed: Stereo / 33.3 rpm.
Warps: Assume all records I offer have no warping of any significance and all tracking is easy and effortless and should play on all turntables and even ‘budget’ decks.
Weight of this Record: 122 grams.
Country of Manufacture: England
Rarity: Moderate, less easy fully complete with in high visual and playing conditions. As many fans and collectors know, this is another challenging album for clean sounding vinyl. Many have considerable crackle and even pressing noises/distortion. This copy plays very well indeed with little unwanted and includes the full original packaging.
Original Year of Release: 1977
Matrix Nos: PL 12030-A-1 / PL 12030-B-2 [there are two struck-through error matrixes on both sides]
Run-Out Groove Etchings: ‘STERLING’ [on both sides]
Musicians: David Bowie – vocals, saxophones, guitar, pump bass, harmonica, vibraphone, xylophone, pre-arranged percussion, keyboards, ARP synthesiser, tape horn, brass, synthetic strings, tape cellos, tape sax section, piano; Brian Eno – keyboards, splinter Mini-moog, report ARP, rimmer E.M.I., piano, Chamberlin, other synthesisers, vocals, guitar treatments, synthetics; Carlos Alomar – rhythm guitars, guitar; Dennis Davis – percussion; George Murray – bass; Ricky Gardiner – rhythm guitar, guitar; Roy Young – pianos, Farfisa organ; Iggy Pop – backing vocals; Mary Visconti – backing vocals; Eduard Meyer – cellos.
Brief Info: The eleventh studio album and regarded as one of Bowie’s most influential ever. It was the first of the famed ‘Berlin Trilogy’ recorded with Brian Eno. Far more experimental, even avant-garde with inspiration from the Krautrock scene of the early 1970s. This sound was developed still further on ‘Heroes’ and then ‘Lodger’. There were hints of this on his previous album ‘Station to Station’. Initially opinion was smewhat divided on this new direction, many found the music difficult, even bleak. Some were disappointed by the lack of vocals on side two and felt dissatisfied. But as the shock of this new sound subsided, this album is now regarded as a true classic and a brave issue. Personally, I regard it as one of his finest ever, being less commercial and dark. A wonderful work as were the next two in the series. This is a lovely copy as well, it includes the stickered front and rear cover in very impressive condition, this never easy and prone to all forms of wear. Also included is the song credit sheet insert plus the rare David Bowie official international fan club folded sheet. Most importantly, the record appears hardly played and plays impressively well with little unwanted. That never to be dismissed lightly, my play-grade for this was very enjoyable.
Cover Grade and Format: EXCELLENT(++): a single unlaminated format with the large rectangular sticker on the back listing the song titles, also the hit single ‘Sound & Vision’ promotional sticker on the front. This was omitted from later versions. The back also has the original ‘ZZ’ price code that was utilised at time of issue. Printed and made in England by Garrodprint Ltd, includes the December 1976 date-coded RCA white inner sleeve, also the song credits insert sheet and prized fan club folded sheet – all elements of this set are guaranteed original.
Cover Front: The aspect of this cover is the lack of fading to the front and back, the orange colour is massively prone to light issues which, apart from a hint on the spine fold, it has avoided. This front is superb, cover-protection has again played its part and this surface has little to fault at all. No creasing, rubbing, clean and fresh with deep rich vibrant colour. The single promotional sticker, which is scarce, hardly aged, still mainly clean and certainly never picked at or removed. One of the very best fronts I have seen to date for this first issue cover.
Cover Back: Firstly the sticker that again only came with early copies, this one is pristine mint. The lack of rubbing, picking or edge grubbiness around it are all major pluses. The solid orange surface has minimal blemishes and no creasing, there is hardly a rim trace to be seen, let alone ring wear which this often suffers. Blemishes?, well one tiny chip near the bottom edge, one tiny pressing ‘spot’ and light, very patchy traces of adhesive smearing also near the bottom that has gently touched the RCA credit near the centre. This blemish purely within manufacture and quite common on many covers, I do not really count this in my grading as it was like this from new. Quickly manufactured covers for an expected high-selling album seldom are pristine. Finding this back or front with nothing to fault whatsoever will prove close to impossible being honest and few will be found better.
Top Edge: Perfectly straight and unworn, exceptional and mint with no fading.
Bottom Edge: As above, storage edges on unlaminated covers seldom survive like this.
Right Edge(s), and Type: Clean, mostly very sharp with any thickening minuscule as seen viewed end-on. Record enters on this edge that is guaranteed untrimmed or enhanced.
Spine and Text: A very impressive spine as seen, being ultra critical, the bottom may have faded on the actual crease line, but that is not certain as it’s so straight and clinical. The actual surface is immaculate and retains impressive totally natural deep colour to match the cover’s front. Solid, straight with barely any hint of compression, all text and graphic in supreme condition. Finding the spine surface without natural light fading is actually difficult.
Corners: All corners are practically mint with barely any trace of tip rubbing. Perfect crisp mint shape retained with no knocks or dinks. Again rarely seen as such.
Cover Summary: Knowing this cover well, I know this rarely survives without ring wear, rubbing and often major fading, this one has largely avoided all with any blemishes purely in manufacture. Fresh with deep colour and hardly worn, this should please many, if not most collectors.
The Inner Sleeve: MINT(–): an RCA imprinted white inner sleeve, these were not lined. Two pristine window circles, uncreased and all edges unsplit with no repairs. Only marked down from full Mint as there is a gentle hint of discolouration to the white paper to politely remind of age – this being very critical. This is date-coded and was manufactured in December 1976, the code being 12-76.
The Song Credits Insert Sheet: EXCELLENT(++): printed on both sides. One light top corner crease and a faint trace opposite, minimal traces elsewhere, then practically as-made, this is guaranteed original and often missing. The paper clean and very fresh as-seen.
The Insert Sheet: EXCELLENT: printed on both sides. One top corner crease only with little else to fault, this is guaranteed original and often missing. There are no other inserts included with this copy.
The Fan Club Insert: MINT: printed on both sides with the G&L imprint. A small single fold sheet with Bowie merchandise promotions and a form to become a member of the international fan club. This is totally as-made and again guaranteed original. This the rarest part of this album, limited and seldom seen.
Vinyl Condition/Visual Grading: EXCELLENT(++): a superb visual copy that is very clean with equally fine shine and solidly pressed. A copy hardly even played on all the evidence and typical from the collection it came from. Any surface traces minuscule, even as viewed critically under bright light. Visually a lovely record without pressing impurities and flaws, it should please most collectors.
Album Played For Grading: Yes. [I play ALL records I offer before submitting to Ebay, also the record is played in its entirety unless clearly stated otherwise. I do NOT play snippets or joining grooves to check for sound quality and quietness – I play from the beginning to end via clinically revealing equipment, all listed further down.]
Sound Quality and Audio Grading: This classic album plays mostly up to it’s high visual grading with little to fault. Offering strong, distortion-free sound, all frequencies are sharp and clear – sound quality is very high with a wide dynamic range and very detailed sound. Any surface sounds/static are minimal, light and infrequent – silence on those very quiet instrumentals on side two is near impossible without the odd contact sound or sporadic tick – that is just a fact, and most fans and collectors will know this. This a very fine and mostly impressive clean pressing with no tracking issues*, inherent flaws, noises, surface bumps or pits. Few available copies will outperform this first issue significantly I feel sure. Both channels are clean and sharp, I am certain this record has been played very lightly, and actually wondering at all prior to my play-grade, clearly very well stored and carefully handled within a non-smoking environment. Little of any real note spoilt my pleasure when play-grading this wonderful record – like other Bowie albums, I have heard some really poor pressings, and rarely expect perfection. But this gave a very fine account of itself with any reminders of age and format polite and light. This copy will prove very difficult to find significantly better and can be strongly recommended unless total ‘silence’ is mandatory, and good luck with that on this quite challenging set.
* As played-graded on a high-end Linn LP12 Sondek turntable with Ittok Mk II arm and Ortofon Quintet Black moving coil cartridge tracking at 2.2 grams. Records are a ‘contact’ format, and few will avoid the odd minor sound blemish.
Now one of the most established sellers on Ebay and still offering the finest and most accurately described and graded records I can find. I pride myself on offering a variety of genres to keep my site as interesting as possible. I will rarely offer any record that falls below a true Excellent grading, unless its of a certain rarity which will justify offering a lesser grade. I try, to the best of my ability to describe as accurately and as honesty as I can all items I offer for sale with all the relevant information I can think of to help any potential bidder and collector. You may notice I only submit records sparingly on Ebay as I Play-Grade every record I offer in their entirety – also on higher-end equipment – not just bits to guess a grade – visuals alone do not always tell a true or full story. I will mention any defects or flaws no matter how small that I notice to be fair as possible to any interested collector – I am very fussy and my buyers have the right to be too. Every record I offer, whether it be a common or rare item deserves the same respect as far as I am concerned and will be treated the same - just because an item is rare does not always mean it’s good. I get just as much pleasure offering a relatively common record in stunning near mint condition as the real rare items. All the pictures I use for your guidance are the item being offered with no digital enhancements. Room light factors can make things vary sometimes, that is hard to control, especially in winter. If any picture I take looks more flattering than the actual item for any reason, I will clearly state the fact in the advert and vice-versa. I hope the item below is to your liking – any questions can be emailed and I will do my very best to answer you. I am enthusiastic, and have a fair degree of knowledge about many genres and I promise quality items. Please assume all records I offer have NO jumps, sticks, warps or writing on covers or labels unless clearly stated to the contrary. Thanks for your interest and Good luck – MIKE.
Equipment Used for Play-Grading: I now play-grade ALL the records I offer (unless clearly stated to the contrary) on the following equipment:Deck: Linn LP12/Hercules/Cirkus with Ittok Mk II arm and Ortofon Quintet Black moving coil cartridge (tracks at 2.2 grams). Amps: Naim Supernait 2 with Project USB phono stage and Tellerium Black interconnects. Speakers: B&W 805 Nautilus (bi-wired with Tellurium Black terminated cable) with REL subwoofer. All records I offer on Ebay are cleaned on a professional Nessie vacuum machine before play-grading for the cleanest and best possible sound and will include a brand new lined inner and protective cover too. Pictures taken with a Nikon D5000 SLR Digital Camera.
PACKING - THIS IS WHAT YOU GET.
What You Get: To confirm to the strict Ebay rules on shipping, I must now send ALL my packets ‘Signed-For’ with NO exceptions. Both buyers and sellers want their packets to have a safer journey and this is not a bad thing.
I now offer the fastest possible posting, often the very next day after payment is received or within two to three days maximum (unless on holiday). I only use FIRST-CLASS Mail. The record’s cover will be placed within a BRAND NEW soft protective sleeve and the actual record will be professionally cleaned on my new Nessie Pro vacuum system to give ultimate clean grooves and playing surfaces and the best possible looks and ultimate sound quality. You will NOT get tired, dull looking, dust infested records inside worn and foggy covers with tatty inners from this seller and that’s a promise and guarantee. All records are posted in professional boxes (NOT Mailers, these do not offer any real protection). The record(s) are REMOVED from their main cover to avoid edge splits and placed within a brand new polylined inner. The record’s original inner will be included if available. The boxes are then reinforced with at least TWO, ULTRA THICK stiffeners for maximum extra protection – these are FOUR TIMES thicker than commercial stiffeners and are custom-made for oneadayrecords. Really rare and expensive albums will even be Double Boxed if deemed necessary and possible. When larger boxes are used, the thick record and stiffener ‘sandwich’ is then thickly embedded into bubble-wrap to bulk out the record inside the box to centre the item inside to reduce the risk of damage still further. Printed address labels are used for clarity as well as a sender label. Customers requests or special needs for P&P will be respected if at all possible but ‘Signed-For’ posting is NOT an option anymore. I do not profit on posting, better quality packaging costs, I offer probably the best-value and safest shipping possible for ultimate confidence. The boxes and ultra thick double-wall stiffeners make a near impregnable fortress for safe shipping and this is used inland and overseas for ALL my records, not just the rare and expensive. I will invoice any winning bidder as soon as possible after the auction ends. My ‘loss’ or ‘damage rate’ is minuscule in over 17 years of Ebay trading and I consider that pretty exceptional. The only damage rate acceptable for this seller is ZERO and I think my packets will offer just that. It would take a vicious postman or postal service to damage these for sure. Oneadayrecords is a MAILER-FREE ZONE. I discount of course for multiple purchases with a maximum of FIVE records per box (one double can sometimes be included subject to total weight). All postage costs are below and at the top of the listing.
NOTE: First Time Bidders: Please ask me first.
PLEASE NOTE: I now exercise my right to open a dispute after the Ebay rule of TWO days if no payment is received. I will then cancel the dispute to end the bid, again after the mandatory FOUR days and then offer the item to the runner-up or relist. The non-payer will also be blocked from my Ebay site as will any suspicious bids or bid withdrawals. Small businesses need prompt payment to trade and these strict rules WILL be applied.
SHIPPING COSTS & CONDITIONS – THESE comply with EBAY’S RULES - PLEASE READ CAREFULLY:
Posting & Packing: UK & CHANNEL ISLANDS all now sent via Recorded Delivery:
1 LP (FIRST-CLASS Recorded Delivery with Standard Royal Mail Insurance) [Signed For] = £4.75
1 LP (Special Delivery with Standard £500 Maximum Insurance) [Signed For, Next Day] = £7.50. (this includes insurance of £500). Add £1 per extra LP.
Posting & Packing: EUROPE & SCANDINAVIA. (Airmail Only):
1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£50 maximum]) = £12.50 (enhanced Royal Mail insurance is an optional extra £3). Add £2 per extra LP.
Posting & Packing: ALL OVERSEAS (non-European) e.g. USA (ANY PART OF); South America; New Zealand; Australia; Canada; Japan and other Far East; (Airmail Only: I NEVER use Surface Mail):
1 LP (Small Packet ‘Signed For’ with Standard Royal Mail Insurance [£50 maximum]) = £16.50 (£17.50 for double sets). Add £3 per extra LP. (enhanced Royal Mail insurance is an optional extra £3)
Payment Conditions:
I prefer PayPal or cheque from UK winning bidders. I can accept PayPal from overseas bidders or direct payment into my bank account.
Potential Bidders: I will cancel any bids I feel are time-wasters. A maximum 3 days for communication and 7 days for payment to arrive - if not I will relist the item or offer to the runner-up. Fast deals get great feedback from me. Any questions - please ask and thanks for looking.
My Guarantee: If any winning bidder is not satisfied with their purchase I will offer a complete refund. I will not refund if any defect detail is clearly stated on the advert and missed by the buyer, so read the item description carefully. If any overseas collector does not understand anything in my listing, please email and ask me to help. Thank You.
SOME GENERAL GUIDES TO WEAR AND CONDITIONS TO HELP YOU DECIDE
My Use of Description Terminology: Surface Marks = Superficial, usually light marks, hairlines or light scuffs that rarely sound. Scratch = a needle mark that goes below the record’s surface, some will sound, some will not, my play-grade will inform. Original = a record that has been pressed with the first label design which does NOT necessarily mean a very first pressed record. First Pressing = A record that I believe or know to be a genuine very first pressed record. I do not claim to always know for sure, and that’s why I state the stamper and matrix numbers if at all possible, for those who claim to know what they all mean, the information is there for the collector to decide. I prefer to use terms like ‘Early Copy’ rather than ‘First Pressing’ if I am not totally sure. Surface Sound = Mild, light sound, usually light crackle or similar. Distortion = Break up of the actual sound caused by groove wear or damage from a chipped stylus – the most undesirable form of unwanted sound, vintage mono records were the most prone to this happening but not exclusively so. The symptoms of distortion are high frequency clipping, moderate constant crackle or an echo type sound quality. Violin, piano and vocals are most prone to groove-wear distortion. Feathering = Fraying or softening of the entry edge of a cover. Covers with feathered entrance edges are more likely to have had the actual record inserted and removed more than a non-feathered, sharp-edged cover which are always far more attractive. Set Off, actually a printer’s term for dark ink leaving mild residue on pale or white ink when rested upon. e.g. when a gatefold cover has black ink closed against white, this can leave some black residue on the pale area – this is mostly unavoidable or course.
The Argument for Vinyl Original sound and mix (mono mixes are rarely available on CD), high quality sound on clean copies (played on a hi-end dedicated analogue system – breathtaking sound!), beautiful, large format covers, artwork, inserts and even full size posters etc; huge investment potential, and the pleasure of owning ‘the real thing’.
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