DAVY GRAHAM & HOLLY Godington Boundry LP PRESIDENT 1970 UK orig+stereo PTLS 1039
£
99
$
131
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Description
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DAVY GRAHAM & HOLLY
with EDDIE TRIPP, TONY KINSEY, KESHAW SATHE
Davy Graham was one of the most eclectic guitarists of the 1960s, and his mixture of folk, blues, jazz,
Middle Eastern sounds, and Indian ragas was an important catalyst of the British folk scene.
Like Sandy Bull and John Fahey -- two folk-based guitarists with a similar taste
for genre-bending experimentation -- Graham could not be said to be a rock musician.
But like Bull and Fahey, he shared the eagerness of the '60s psychedelic rockers to stretch out
and incorporate unpredictable influences into his music
"GODINGTON BOUNDRY"
Arranged and Produced by Frank Lee
1970 LP PRESIDENT RECORDS PTLS 1039
MADE IN ENGLAND ORIGINAL PRESSING
UNLAMINATED SINGLE SLEEVE
Barcode and Other Identifiers
Barcode: none
LABEL: PRESIDENT - YELLOW LABEL - BLACK TEXT
Catalog on cover: PTLS 1039
Catalog on labels: PTLS 1039 (PTLS 1039A / PTLS 1039B)
Matrix / Runout (Side A): PR PTLS 1039 A
Matrix / Runout (Side B): PR PTLS 1039 B
On labels: ?1970 STEREO
Arranged and Produced by Frank Lee
top rim text reads "Made in England"
On back cover: Recording Engineer: Gerald Kitchingham
Studios: R.G. JoneS Ltd.
Printed and made by Garrod & Lofthouse Ltd.
tracklisting
Side A: I'M A FREEBORN MAN (Of The Travelling People) - THE PREACHER - ALL OF ME - AFTA
ON GREEN DOLPHIN STREET - DALLAS RAG - ROUND MIDNIGHT
Side B: WORKSONG - JOE JOE THE CANNIBAL KID
EVERYTHING'S FINE RIGHT NOW - A MIGHTY FORTRESS IS OUR GOD (Eine Feste Burg Ist Unser Gott)
MOTHER NATURE'S SON - GROOVEYARD - FORTY TON PARACHUTE - NADU SILMA
grading
RECORD from VG(+) to VG+ but (please, read above description)
SLEEVE VG(+) but (please, see pictures and read above description)
This album is basically in the same league as most of his early catalog. It's more jazz-oriented than most of his work;
he sings rather less than usual and occasionally goes into lengthy improvisations (as on his cover of "The Work Song").
Graham's wife, Holly, gets co-billed, as she did on his previous album, Kaleidoscope, but actually she contributes
only to a few numbers; she's more of a guest artist than a true collaborator. Indian/raga influences come into
play once in a while, and on the whole it's somewhat quirkier than his previous string of albums.
It would also be the last the public would hear from Graham on record for quite some time,
as he found himself without a contract for most of the 1970s...(AllMusic)
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