DAVY GRAHAM & HOLLY Godington Boundry LP PRESIDENT 1970 UK orig+stereo PTLS 1039
  £   99
  $   131

 


£ 99 Sold For
Apr 26, 2016 Sold Date
Apr 16, 2016 Start Date
2   Number Of Bids
  Italy Country Of Seller
eBay Auctioned at
 
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Description

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DAVY GRAHAM & HOLLY

 with EDDIE TRIPP, TONY KINSEY, KESHAW SATHE

Davy Graham was one of the most eclectic guitarists of the 1960s, and his mixture of folk, blues, jazz, 

Middle Eastern sounds, and Indian ragas was an important catalyst of the British folk scene. 

Like Sandy Bull and John Fahey -- two folk-based guitarists with a similar taste 

for genre-bending experimentation -- Graham could not be said to be a rock musician. 

But like Bull and Fahey, he shared the eagerness of the '60s psychedelic rockers to stretch out 

and incorporate unpredictable influences into his music 

 "GODINGTON BOUNDRY"

Arranged and Produced by Frank Lee

1970      LP      PRESIDENT RECORDS       PTLS 1039

MADE IN ENGLAND    ORIGINAL PRESSING

UNLAMINATED SINGLE SLEEVE

Barcode and Other Identifiers

Barcode: none

LABEL:  PRESIDENT - YELLOW LABEL - BLACK TEXT 

Catalog on cover: PTLS 1039

Catalog on labels: PTLS 1039 (PTLS 1039A / PTLS 1039B)

Matrix / Runout (Side A): PR PTLS 1039 A

Matrix / Runout (Side B): PR PTLS 1039 B

 On labels: ?1970     STEREO

Arranged and Produced by Frank Lee

top rim text reads "Made in England"

On back cover: Recording Engineer: Gerald Kitchingham

Studios: R.G. JoneS Ltd.

Printed and made by Garrod & Lofthouse Ltd.

tracklisting

Side A: I'M A FREEBORN MAN (Of The Travelling People) - THE PREACHER - ALL OF ME  - AFTA

ON GREEN DOLPHIN STREET - DALLAS RAG - ROUND MIDNIGHT

Side B: WORKSONG - JOE JOE THE CANNIBAL KID

EVERYTHING'S FINE RIGHT NOW - A MIGHTY FORTRESS IS OUR GOD (Eine Feste Burg Ist Unser Gott)

MOTHER NATURE'S SON - GROOVEYARD - FORTY TON PARACHUTE - NADU SILMA

  grading

RECORD from VG(+) to VG+ but (please, read above description)

SLEEVE VG(+) but (please, see pictures and read above description)

This album is basically in the same league as most of his early catalog. It's more jazz-oriented than most of his work; 

he sings rather less than usual and occasionally goes into lengthy improvisations (as on his cover of "The Work Song"). 

Graham's wife, Holly, gets co-billed, as she did on his previous album, Kaleidoscope, but actually she contributes 

only to a few numbers; she's more of a guest artist than a true collaborator. Indian/raga influences come into 

play once in a while, and on the whole it's somewhat quirkier than his previous string of albums. 

It would also be the last the public would hear from Graham on record for quite some time, 

as he found himself without a contract for most of the 1970s...(AllMusic)

 

 


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