DAVY GRAHAM LARGE AS LIFE RARE ORIGINAL '68 LONDON GUITAR FOLK PSYCH PROMO LP

$

68

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·       DAVY GRAHAM – LARGE AS LIFE AND TWICE AS NATURAL– ORIGINAL 1968 LONDON RECORDS STEREO LP PS-552

·       ORIGINAL U.S. PRESSING

·       *** PROMOTIONAL COPY; THE RECORDS HAS STOCK LABELS; HOWEVER, THE PROMOTIONAL STAMP ON THE COVER ("DJ") CLEARLY IDENTIFIES THE ITEM AS PROMOTIONAL ***

·       ORIGINAL DARK-BLUE LONDON STEREO LABEL WITH WITH “BOXED” (FRAMED) LONDON LOGO, SILVER PRINT AND “STEREOPHONIC” BANNER ACROSS THE LABEL’S CENTER (MID-TO-LATE 60’s STYLE).

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       THICK CARDBOARD COVER, AMERICAN STYLE.

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       THE RECORD HAS 'BELL SOUND' STAMPS IN THE TRAIL-OFF VINYL (DEAD WAX) AREA, WHICH IS GENERALLY CONSIDERED A PROOF OF AUTHENTICITY OF THE FIRST PRESSING.

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

(?PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)

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Davy Graham is the father of the modern Brit folk movement..he 's been idolized by the likes of Bert Jansch, John Renbourn, Wizz Jones, Martin Carthy, Jimmy Page, Jeff Beck etc etc..made iconic lp with Shirley Collins in 1963...he was the first guitarist to merge traditional continental folk themes..ie Dowland..with more modern strains and then superimpose middle-eastern scales and rhythmic elements with american blues and modern jazz..ie Mingus, Messengers etc...he is a virtuoso non-pariel who plays in service to the song so is tasteful and suspenseful because he picks his spots to let loose and when he does it is usually quite interesting..ie not just fast runs but interesting modes patterns and broken or assymetrical melodic cells...a true master whose name should be called with the finest string slingers of any genre..  

With the exception of 1964's Folk, Blues & Beyond, this is Graham's finest non-compilation album. It's also his most fully arranged and rock-influenced effort, with backing by a meaty ensemble featuring Danny Thompson (of Pentangle) on bass and British blues stalwarts Jon Hiseman and Dick Heckstall-Smith (Graham Bond, Colosseum) on drums and sax respectively. Even Graham's singing sounds better than usual. Graham offers some decent blues, but more interesting are his frequent excursions into raga folk-rock of sorts, especially on "Blue Raga" (learned from Ravi Shankar and Ali Akbar Khan). The raga-jazz interpretation of Joni Mitchell's "Both Sides Now," which moves from meditative opening drones into a freewheeling explosion of modal folk-rock is one of the highlights of Graham's career on record and one of the best expressions of his ability to make a standard his own.

(EXCERPT FROM AN ONLINE REVIEW BY RICHIE UNTERBERGER, ALL MUSIC GUIDE /ALLMUSIC.COM/)

The PROMOTIONAL, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed among the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals", which is to say the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.

For additional historical or discography information on this album, including track listing ?click here

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS (WEAK) NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record comes in the original stock inner sleeve.

(c)           The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(d)          US Mono copies of this album are NOT known to exist.

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 3 (front side) and 4 (back side)

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover shows some light yellowing on back side, apparently from aging (nothing significant).

-         Minor shelf wear noted on the seams (nothing significant)

-         Cover has a few tiny wrinkles along the spine and the top seam

-         Cover has a light "wrinkle" (crease) in one of the corners.

-         Cover has two corners slightly worn / dinged (nothing significant)

-         A few tiny drop-like stains noted on the back panel

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams (yet, but the spine is close)

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No writing

-        No stamps (except for the promo stamp)

-        No peel-off marks

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers.

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