DAY BLINDNESS Day Blindness LP STUDIO 10 1969 US orig+stereo DBX 101 w/GARY PIHL
  £   38
  $   50

 


£ 38 Sold For
Dec 2, 2015 Sold Date
Nov 22, 2015 Start Date
1 Number Of Bids
  Italy Country Of Seller
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Description

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 DAY BLINDNESS

FELIX BRIA, GARY PIHL, DAVE MITCHELL 

Day Blindness came together in 1968 from a pair of competing bands at Jefferson High School 

in California's San Mateo county. The band started to come apart almost immediately after 

the album's release. Producer and engineer Tom Press used some of his proceeds from the album 

to buy a Harley-Davidson motorcycle and disappear into the '70s. Tabucci became an automobile 

repairman for the Jefferson Airplane. Drummer Mitchell went on to produce and engineer for other acts,

 including Emerson, Lake & Palmer. Pihl later turned up in platinum-selling rock band Boston, 

then went on to play with Sammy Hagar in the 1990s

"DAY BLINDNESS"

Produced by Tom Preuss

1969     LP     STUDIO 10 RECORDS     STEREO    DBX 101

PRINTED IN USA    ORIGINAL PRESSING

THICK CARDBOARD COVER (AMERICAN STYLE)

Barcode and Other Identifiers

LABEL:  STUDIO 10 -  WHITE LABEL - BLACK/RED TEXT

Catalog on cover: DBX 101   

Catalog on labels: none

Matrix / Runout (Side A, Etched): R-2474-A   Re 1

Matrix / Runout (Side B, Etched): R-2474-B    Re 1

On labels: Produced by Tom Preuss

rim text reads "Studio 10, 10 Claude lane, San Francisco, Calif. (415) 986-9949""

On back cover: Recorded at Studio 10 San Francisco, Calif.

Record Order Number DBX 101

Art Work   Roy Garcia

Photography   Mike Piper, Gary Pihl, Mark Tabucchi

from my records collection

tracklisting

Side A: STILL LIFE - JAZZ SONG

MIDDLE CLASS LAMENT - I GOT MONEY - HOUSE AND A DOG

Side B: LOVE DEEP - YOUNG GIRL BLUES - HOLY LAND

  grading

RECORD VG but (please, read above description)

SLEEVE VG(-) but (please, see pictures and read above description)

A typical description of Day Blindness involves references to the theoretically similar but inherently 

antithetical West Coast bands the Doors and Iron Butterfly, and it does in fact play something 

like a cross between those two groups.  What it does have in common with the Doors is its organ-heavy, 

acid-touched moodiness and its dense blues underpinning; and like Iron Butterfly, 

Day Blindness draped their music in a sometimes smothering, cerebrum-numbing blanket 

of quasi-metal guitar. The band, indeed, took their hard rock very seriously, 

and that leads to a good number of earnestly overblown moments...(AllMusic)




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