DIDJITS Full Nelson Reilly LP TOUCH & GO 1991 US orig+insert T&GLP#71
€
25
$
29
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Description
THIS IS THE 1991 USORIGINAL PRESSING on TOUCH AND GO Records. IN SHRINK SINGLE COVER + INSERT. The cover is in EX condition, normal wear and without any major deterioration but light discolouration/wear/wrinkles on right corners/right edge (where missing shrink), left spine is fully readable; for details see photos. The Vinyl is in EX/NM condition (looks unplayed or barely played).
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DIDJITS
"FULL NELSON REILLY"
1991 LP TOUCH AND GO RECORDS T&GLP#71
PRINTED IN U.S.A. ORIGINAL PRESSING
STILL IN SHRINK SINGLE SLEEVE + INSERT
NOTES: All songs ©1991 Didjits ℗1991 Touch And Go Records except Mr. DNA ©1979 Gerald V. Casale/Mark Mothersbaugh ℗1979 Devo Music/Virgin Music Includes insert with photo, lyrics and credits.Barcode and Other Identifiers
Barcode: none
Label Code: none
LABEL: TOUCH AND GO - BLACK(A) & WHITE w/ARTWORK(B) LABEL - WHITE/RED TEXT
Catalog on cover: T&GLP#71
Catalog on labels: (Side A only) T&GLP#71
Matrix / Runout (Side A, Etched): ((T) T+G 71 A1 L-37174 S-24850
Matrix / Runout (Side B, Etched): (T) T+G 71 B1 L-37174X S-24851
On labels: (Side A) All songs © 1991 Didjits...........Touch And Go.......
(Side B) rim text "Didjits Fan Info.......61825-2795"
On Back Cover: Tracklist + some Credits
Touch And Go..............Chicago......
Jacket Made in Canada
tracklisting: please, for tracklist see pictures
grading
RECORD EX/NM but (please, read above description)
SLEEVE EX but (please, see pictures and read above description)
There's almost no way the Didjits could have repeated the genius of Hey Judester without divine intervention, and sure enough, on Full Nelson Reilly they don't quite top their own high-water mark. But they do come closer than they ever would again, and this album finds the Didjits in gloriously manic form. Short of a 3-D virtual reality hologram, no recording can capture the full rock spectacle of Rick Sims in performance mode (a man destined from birth to be one of God's own rock stars, regardless of his sales figures), but the best cuts here preserve his Nugent-on-speed guitar moves, his manic vocal presence, and his weird-ass sense of humor with remarkable accuracy, and his rhythm section is so good they can actually keep up with him. And two-minute bursts of genius like "Top Fuel," "Who's Ready to Get High," "Eat the Roach," and "Promise Not to Kill Anybody" merge punk fury, hard rock pomp, and post-adolescent snigger as well as anyone before or since; if Urge Overkill had the formula down this well, they really could have taken over the world (and Sims' fashion sense was at least the equal of Nash Kato). Great stuff from a band whose great moment didn't receive the notice it richly deserved...(AllMusic)price rating
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