DIRE STRAITS*, Love Over Gold MASTERDISK USA 1st pressing EXCELLENT- LP
  $   30

 


$ 30 Sold For
Jan 10, 2018 Sold Date
Jan 7, 2018 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description

Dire Straits ?– Love Over Gold Label: Warner Bros. Records ?– 9 23728-1, Warner Bros. Records ?– 1-23728 Format: Vinyl, LP, Album, Jacksonville Pressing  Country: US Released: 1982 Genre: Rock Style:   Tracklist A1 Telegraph Road 14:20 A2 Private Investigations 7:00 B1 Industrial Disease 5:50 B2 Love Over Gold 6:15 B3 It Never Rains 7:55 Companies, etc. Phonographic Copyright (p) – Phonogram Ltd. Copyright (c) – Phonogram Ltd. Mastered At – Masterdisk Mastered At – Sheffield Lab Matrix – ?2142 Pressed By – Capitol Records Pressing Plant, Jacksonville Published By – Chariscourt Ltd. Published By – Almo Music Corp. Credits Artwork – Michael Rowe (3) Bass – John Illsley Composed By, Producer – Mark Knopfler Drums – Pick Withers Engineer – Neil Dorfsman Engineer [Assistant] – Barry Bongiovi Guitar – Hal Lindes Keyboards – Alan Clark Mastered By – BK*, Bob Ludwig Photography By – Alan Lobel, Peter Cunningham (2) Synthesizer [Program] – Ed Walsh Vibraphone, Marimba – Mike Mainieri (tracks: A2, B2) Vocals, Guitar – Mark Knopfler Notes Capitol, Jacksonville pressing denoted by etched "0" in runouts. Distinctively darker, more "golden" label color than comparable WB labels of the era. Issued with lyric inner sleeve 9 23728-1 on sleeve, 1-23728 on labels. "SLM ?" in the runout etching indicates that the lacquer disc was processed at, and the metal parts used to manufacture the record were made at Sheffield Lab Matrix. Large "+" symbols in runouts with dots in the quadrants indicate mastering / metalwork from Record Technology, Incorporated. 
Matrix Side 1: 0  ? 2142 1-2-3728-A-SH15 #1 SLM MASTERDISK BK +; Side 2: O ? 2142-X 1-23728-B-SH5#1  SLM  MASTERDISK +.  

USA FIRST PRESSING VINYL ALBUM WITH ORIGINAL PRINTED INNER SLEEVE.

SLEEVE: VERY GOOD+, JUST LIGHT SHELF, CORNER, EDGE AND RING WEAR.   INNER SLEEVE HAS MIDDLE BOTTOM SEAM SPLIT.

DISC[S]: EXCELLENT MINUS. NO SCRATCHES, JUST A FEW LIGHT HAIRLINES. CLEAN LABELS.

Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?

First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.

First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.

On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.  



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