Condition: 

Dizzy Gillespie ?– Groovin' High

Tracklist

Credits

• Alto Saxophone – Charlie Parker (tracks: A2 to A6), Sonny Stitt (tracks: B1, B2)
• Bass – Curly Russell (tracks: A5, A6), Murray Shipinsky (tracks: A1), Ray Brown (tracks: B1 to B7),Slam Stewart (tracks: A2 to A4)
• Drums – Cozy Cole (tracks: A2 to A4), Joe Harris (3) (tracks: B7), Kenny Clarke (tracks: B1 to B6),Shelly Manne (tracks: A1), Sid Catlett* (tracks: A5, A6)
• Guitar – Chuck Wayne (tracks: A1), Remo Palmieri (tracks: A2 to A4)
• Piano – Al Haig (tracks: A5, A6, B1, B2), Clyde Hart (tracks: A2 to A4), Frank Paparelli (tracks: A1),John Lewis (2) (tracks: B3 to B7)
• Saxophone – Billy Frazier (tracks: B7), Howard Johnson (3) (tracks: B1 to B6), James Moody, John Brown (3) (tracks: B1 to B7), Ray Abrams (tracks: B1 to B6), Saul Moore (tracks: B1 to B7), Scoops Carey (tracks: B7), Lucky Warren* (tracks: B1 to B7)
• Tenor Saxophone – Dexter Gordon (tracks: A1)
• Trombone – Alton Moore (tracks: B1 to B7), Gordon Thomas (tracks: B1 to B7), Leon Cormenge* (tracks: B1 to B6), Taswell Baird (tracks: B7)
• Trumpet – Dave Burns (tracks: B1 to B7), Dizzy Gillespie, Elman Wright* (tracks: B7), John Lynch (4)(tracks: B1 to B7), Matthew McKay (tracks: B7), Raymond Orr (tracks: B1 to B6), Talib Daawud (tracks: B1 to B6)
• Vibraphone – Milt Jackson (tracks: B1 to B7)

Barcode and Other Identifiers

• Matrix / Runout (Runout Side A etched): RVG MG - 12020 - A ?
• Matrix / Runout (Runout Side B stamped): MG - 12020 - B
• Matrix / Runout (Dead Wax A & B stamped): Bestway

Ferndale, Michigan 48220

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GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.