DIZZY GILLESPIE [Modern Trumpets] DIAL 10" [Miles Davis

$

48

1950 DIAL Records DIAL 212
DEEP GROOVE * MONO ORIGINAL 10"

side -1 Lucky Thompson * Milt Jackson * Al Haig Ray Brown * Stan Levey
side -2 Fats Navarro [with band] Dizzy Gillespie [with band] Howard McGhee [with band] Miles Davis [with band]
'EAR' or "P" for Plastylite in dead wax
*

VINYL is VG(+) nice copy! light hairlines wol
 COVER is VG+ light surface/edge wear,  bottom seam 2" split wobc



The following message is NOT necessarily specific to this particular item:
**** Those of you who are not familiar with 10" collecting, should be made aware that though the vinyl quality is  generally heavier & can withstand more handling, most 10" Lps were issued without inner sleeves & can have more surface wear than 12" lps. Additionally, the sound quality in some recordings  may be lacking due to "live" recordings & microphone placement. Most collectors seek out these records for their historical importance or completists who are looking to fill out an entire discography.  Please keep this in mind when bidding & remember that all of our products are 100% guaranteed & may be returned for a no-questions-asked refund if dissatisfied.
****

Please check out our other rare 10" auctions on Blue Note, Prestige, Pacific Jazz, Savoy, Clef and more!


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Dizzy Gillespie's contributions to jazz were huge. One of the greatest jazz trumpeters of all time (some would say the best), Gillespie was such a complex player that his contemporaries ended up copyingMiles Davis and Fats Navarro instead, and it was not until Jon Faddis' emergence in the 1970s that Dizzy's style was successfully recreated. Somehow, Gillespie could make any "wrong" note fit, and harmonically he was ahead of everyone in the 1940s, includingCharlie Parker. Unlike Bird, Dizzy was an enthusiastic teacher who wrote down his musical innovations and was eager to explain them to the next generation, thereby insuring that bebop would eventually become the foundation of jazz. 

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