DOORS The Soft Parade LP ELEKTRA 1969 US red+foc+inner EKS-75005 JIM MORRISON
€
30
$
35
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Description
IN ORDER TO AVOID MISUNDERSTANDING WE ADVISE YOU TO ENQUIRE
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THE DOORS
RAY MANZAREK, ROBBY KRIEGER, JIM MORRISON, JOHN DENSMORE,
plus HARVEY BROOKS, DOUG LUBAHN, CURTIS AMY, GEORGE BOHANAN, CHAMP WEBB, JESSE McREYNOLDS, JIMMY BUCHANAN, REINOL ANDINOThe Doors, one of the most influential and controversial rock bands of the 1960s,
were formed in Los Angeles in 1965 by UCLA film students Ray Manzarek, keyboards,
and Jim Morrison, vocals; with drummer John Densmore and guitarist Robby Krieger.
The group never added a bass player, and their sound was dominated by Manzarek's electric organ work
and Morrison's deep, sonorous voice, with which he sang and intoned his highly poetic lyrics
"THE SOFT PARADE"
Produced by Paul A. Rothchild
1969 LP ELEKTRA RECORDS EKS-75005 STEREO
PRINTED IN U.S.A. RED LABEL with RIM
GATEFOLD COVER + INNER SLEEVE
THICK CARDBOARD COVER (AMERICAN STYLE)
NOTES: also released on ELEKTRA 'Tan/Gold' label; with or without rim text
Barcode and Other Identifiers
Barcode: none
Label: ELEKTRA - RED LABEL w/LARGE WHITE "E" LOGO on TOP - BLACK TEXT(White on rim)
Catalog on cover: EKS-75005
Catalog on labels: EKS-75005-A / EKS-75005-B
Matrix / Runout (Side A, Etched, 'o'Stamped): T l o EKS-75005-A-2 CTH
Matrix / Runout (Side B, Etched, 'o'Stamped): o T l EKS-75005-B-2 CTH
On labels: rim text reads "elektra records ? 1855 broadway ? new york city"
Production: Paul A. Rothchild
All songs copyright © Bby Nipper Music/Doors Music ASCAP
On Inner Sleeve: Photos & Lyrics
On Back Sleeve: Tracklist & Credits
Printed in U.S.A.
Elektra Records, 1855 Broadway, New York, N.Y. 10023
tracklisting
Side A: TELL ALL THE PEOPLE - TOUCH ME - SHAMAN'S BLUES - DO IT - EASY RIDE
Side B: WILD CHILD - RUNNIN' BLUE - WISHFUL SINFUL - THE SOFT PARADE
grading
RECORD EX but (please, read above description)
SLEEVE VG+ but (please, see pictures and read above description)
The weakest studio album recorded with Jim Morrison in the group, partially because their experiments with brass and strings on about half the tracks weren't entirely successful. On the other hand, about half the record is quite good, especially the huge hit "Touch Me" (their most successful integration of orchestration), the vicious hard rock riffs of "Wild Child," the overlooked "Shaman's Blues," and the lengthy title track, a multi-part suite that was one of the band's best attempts to mix rock with poetry...(AllMusic)
price rating
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