DOUG DILLARD w/GENE CLARK BANJO ALBUM ORIG '69 PROMO LP ON GARY USHER'S LABEL

$

25

WE CURRENTLY HAVE  MORE THAN 200  LISTED ITEMS

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·       DILLARD AND CLARK (DOUG DILLARD WITH GENE CLARK) – THE BANJO ALBUM – VERY RARE ORIGINAL 1968 TOGETHER RECORDS STEREO LP ST-T-1003

·       ORIGINAL U.S. PRESSING

·       *** PROMOTIONAL COPY; THE RECORDS HAS STOCK LABELS; HOWEVER, THE PROMOTIONAL STAMP ON THE COVER (DJ) CLEARLY IDENTIFIES THE ITEM AS PROMOTIONAL ***

·       ORIGINAL 'PSYCHEDELIC' TOGETHER RECORDS LABEL WITH 'FOUR FACES' MOTIF

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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One of the most important pieces in the entire Doug Dillard and Gene Clark discography, this obscure release appeared on the even more obscure "Together" label which only lived long enough to issue 2 or 3 West Coast psych and folk titles, this one included.

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The Banjo Album is first and foremost an album of traditional bluegrass played by musicians firmly rooted in the work of pioneers like Flatt & Scruggs, the Stanley Brothers, and Bill Monroe. These same musicians, however, are all top-notch, second-generation players influenced by the rock scene. Consequently, Doug Dillard and crew manage to breathe genuine new life into many standards without sacrificing the integrity of the originals. In fact, the musicians not only play ferociously, but often completely reinterpret the old chestnuts, occasionally making them sound even better. In many cases, Dillard employs droning harmonic tonalities characteristic of Indian music and Indian-influenced psychedelic rock guitar. The record also features atypical bluegrass instruments such as harpsichord, harmonica, drums, dembek, and tablas. Rather than coming off as gimmicky, though, the use of exotic instrumentation serves to add exciting new textures and moods to music which, during this pre-"newgrass" period, rarely deviated from very strict stylistic guidelines. Plus, nearly every performance here is simply an all-out jam, with Dillard playing particularly explosively. Special mention should be made of his fantastic version of "Clinch Mountain Backstep," which shows a confidence, boldness, and energy that rivals even the definitive version by Clarence White's Kentucky Colonels.

(EXCERPT FROM AN ONLINE REVIEW BY PEMBERTON ROACH,  ALL MUSIC GUIDE  /ALLMUSIC.COM/)

The PROMOTIONAL, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed among the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals", which is to say the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.

For additional historical information on this album, including track listing ►click here

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VERY GOOD++ . CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 2 inches (1 inch = 2.5 centimeters)

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-         Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3

-         Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-         Cover shows some light yellowing on both sides, apparently from aging   (nothing significant).

-         Cover has a visible wrinkle (crease) in the cardboard base on the back panel

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No writing

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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