Darkness On The Edge Of Town by Bruce Springsteen (180g Vinyl, 2014, LP) *NEW*

$

38

Darkness On The Edge Of Town by Bruce Springsteen [180-gram Vinyl LP]

Track Listing:
- Side A -

• 1 Badlands
  
• 2 Adam Raised A Cain
• 3 Something In The Night
• 4 Candy's Room
• 5 Racing In The Street 

- Side B -

• 1 The Promised Land 
• 2 Factory 
• 3 Streets Of Fire 
• 4 Prove It All Night 
• 5 Darkness On The Edge Of Town

Heavyweight 180gm vinyl LP repressing of this album from the rock superstar housed in a faithfully recreated LP sleeve containing all the elements of the original release. Darkness on the Edge of Town is the fourth studio album by Bruce Springsteen, released in the late spring of 1978. The album marked the end of a three-year gap between albums brought on by contractual obligations and legal battling with former manager Mike Appel. Although the album did not produce high-charting singles it nevertheless remained on the charts for 97 weeks. A steady seller in Springsteen's catalogue, it has been certified triple-platinum by the RIAA. Although slightly less enthusiastic than those for Springsteen's previous album Born to Run, reviews for Darkness on the Edge of Town were unanimously positive. Critics notably praised the maturity of the album's themes and lyrics. It remains one of Springsteen's most highly regarded records by both fans and critics and several of its songs have become staples of the singer's live performances. In September 2010 a documentary film chronicling the making of Darkness was first shown at the Toronto International Film Festival. Quoting Springsteen as saying "More than rich, more than famous, more than happy - I wanted to be great", reviewer Stephen Whitty of the Newark Star-Ledger commented: "For many fans, that long journey pulled onto the Turnpike here." Rolling Stone Magazine ranked it at 150 on their list of the greatest albums of all time.
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Coming three years, and one extended court battle, after the commercial breakthrough of Born to Run, Darkness on the Edge of Town was highly anticipated. Some attributed the album's embattled tone to Springsteen's legal troubles, but it carried on from Born to Run, in which Springsteen had first begun to view his colorful cast of characters as "losers." On Darkness, he began to see them as the working class. One song was called "Factory," and in another, "Badlands," "you" work "'neath the wheel / Till you get your facts learned." Those "facts" are that "Poor man wanna be rich / Rich man wanna be king / And a king ain't satisfied / Till he rules everything." But Springsteen's characters, some of whom he inhabited and sang for in the first person, had little and were in danger of losing even that. Their only hope for redemption lay in working harder -- "You gotta live it everyday," he sang in "Badlands," but you also, as another song noted, have to "Prove It All Night." And their only escape lay in driving. Springsteen presented these hard truths in hard rock settings, the tracks paced by powerful drumming and searing guitar solos. Though not as heavily produced as Born to Run, Darkness was given a full-bodied sound, with prominent keyboards and double-tracked vocals. Springsteen's stories were becoming less heroic, but his musical style remained grand. Yet the sound, and the conviction in his singing, added weight to songs like "Racing in the Street" and the title track, transforming the pathetic into the tragic. But despite the rock & roll fervor, Darkness was no easy listen, and it served notice that Springsteen was already willing to risk his popularity for his principles. Indeed, Darkness was not as big a seller as Born to Run. And it presaged even starker efforts, such as Nebraska and The Ghost of Tom Joad. ~ William Ruhlmann, AllMusic

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