Don Patterson - The Return Of Don Patterson LP 1974 Muse MR 5005 1st Pressing
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Don Patterson - The Return Of Don Patterson LP 1974 Muse MR 5005 1st Pressing Don Patterson started the Acid Jazz movement without knowing it. Medeski Martin Wood John Scofield and many others learned from his work
The Return of Don Patterson (also released as The Genius of the B-3) is an album by organist Don Patterson recorded in 1972 and released on the Muse label. Allmusic awarded the album 4½ stars with a review stating, "Any Don Patterson album is worthwhile"
Recorded 51 years ago yesterday, this is one of Patterson's last albums, and one of his very best. Leading a quartet featuring Eddie Daniels on sax, they tear through five songs, including extended jams on "Theme from The Odd Couple" and "Theme from Love Story" both of which turn out splendidly. Opening track and Patterson original "Jesse Jackson" is also a standout. This pressing sounds good, there's nice depth to the low end, the percussion is crisp, and Patterson's organ sounds full and rich. My copy plays nice and clean, with virtually no surface noise.
Don Patterson In the early 1960s, he began playing regularly with Sonny Stitt, and he began releasing material as a leader on Prestige Recordsfrom 1964 (with Pat Martino and Billy James as sidemen). His most commercially successful album was 1964's Holiday Soul, which reached #85 on the Billboard 200 in 1967. Eddie Daniels (born October 19, 1941) is an American musician and composer. Although he is best known as a jazz clarinetist, he has also played saxophone and flute as well as classical music on clarinet. Earl Theodore Dunbar (January 17, 1937 – May 29, 1998) was an American jazz guitarist, composer, and educator. During the 1960s, he worked as a substitute for Wes Montgomery. Dunbar collaborated with Gil Evans, Roy Haynes, Jimmy Heath, Sonny Rollins, McCoy Tyner, and Tony Williams. In 1972 he became one of the first jazz professors at Rutgers University and taught Kevin Eubanks, Vernon Reid, and Peter Bernstein. At one point he received accolades from Ebony and Down Beat
Frederick "Freddie" Douglas Waits (April 27, 1943 – November 18, 1989) was a hard bop and post-bop drummer.
Waits never officially recorded as leader, but was a prominent member and composer in Max Roach's M'Boom percussion ensemble. He worked as sideman with such pianists as McCoy Tyner, Kenny Barron, Andrew Hill, Gene Harris, Billy Taylor and Joe Zawinul. In 1967, Waits recorded with Freddie Hubbard. He was a member of the last Lee Morgan Quintet, an association ended by Morgan's murder in 1972.
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