EARL HOOKER DO YOU REMEMBER RARE ORIG '73 ABC-BLUESWAY WHITE LABEL PROMO LP MINT
$
88
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· EARL HOOKER – DO YOU REMEMBER THE GREAT EARL HOOKER – ORIGINAL 1973 ABC-BLUESWAY RECORDS STEREO LP BLS-6072
· ORIGINAL U.S. PRESSING
· *** WHITE LABEL PROMO ***
· *** IN ADDITION, THE PROMOTIONAL STICKER ON THE COVER CLEARLY IDENTIFIES THE ITEM AS PROMOTIONAL ***
· ORIGINAL BLUESWAY LABEL, EARLY '70s STYLE, WHITE PROMOTIONAL VERSION.
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· CLEAN, WEAR-FREE LABELS
· This album has NEVER been available on legitimate Compact Disc or in any other way, manner or format.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get. GUARANTEED!)
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Heavy boogaloo grooves, organ slathered riffs, fatback bass and backbeat drums all lock together to form an undercurrent for Hooker’s spotlight guitar. On the tenacious funk of the title track he unrolls an ethereal web of tremolo-soaked slide patterns as the enigmatic drummer knocks out a syncopated rhythm on a cowbell and the bass bubbles along with a hip shaking ostinato. Dipping into the Stax songbook the band raises up a rousing rendition of “Hold On” again hinging on Hooker’s greasy slide work. Elmore James’ seminal slide classic “Dust My Broom” receives an organ friendly reworking replete with honking sax that is surprisingly sparse on bottleneck. Chitlin’ circuit funk opens side two in the guise of “Bertha” with vamping Junior Parker style sax and chicken-scratch guitar laying a thick coat of soul on the slippery theme. With “The Foxtrot” the band veers weirdly into teenage ballad territory winding through a syrupy series of changes drenched in heavy amplification. The effect on “End of the Blues” conjures what the Ventures might sound like if they could craft a convincing blues record, while “Hooker Special” finds the guitarist showing off his affection for Country roots by crafting some convincing lap steel style slide. Two mystery tracks append the disc, presumably cut from the same session, the second and final meshing wah-wah and reverb-laden guitar in a rocking amalgam with over-amplified harp.
(EXCERPT FROM AN ANONYMOUS ONLINE REVIEW)
If there was a more immaculate slide guitarist residing in Chicago during the 1950s and '60s than Earl Hooker, his name has yet to surface. Boasting a fretboard touch so smooth and clean that every note rang as clear and precise as a bell, Hooker was an endlessly inventive axeman who would likely have been a star had his modest vocal abilities matched his instrumental prowess and had he not been dogged by tuberculosis (it killed him at age 41).
(EXCERPT FROM AN ONLINE BIO BY BILL DAHL, ALL MUSIC GUIDE /ALLMUSIC.COM/)
THE WHITE LABEL PROMO, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed to the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals": the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS (WEAK) NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) The record comes in the original stock inner sleeve.
(c) White Promo Label version of this title is much rarer that a regular, commercially released, version of this title. We estimate that stock copies of this album outnumber promo copies by a ratio of at least 10:1.
(d) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD+++.
The following flaws or imperfections are noted on the cover:
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 3 (front side) and 2 (back side)
- Cover shows some light yellowing on both sides, apparently from aging (nothing significant).
- Cover has some writing on its front side (name of the previous owner written in blue ballpoint pen, about ½ x 4 inches in size) (NOTE: the writing appears on the promo sticker, NOT on the cover itself)
- Minor shelf wear noted on the seams (nothing significant)
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No wrinkles or creases
- No stamps
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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