EARTH WIND & FIRE SELF TITLED DEBUT ORIG. LP POSTER/LYRICS INSERT NICE 1971
$
26
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Description
Here is a VERY GOOD PLUS! DEBUT! SELF TITLED LP by EARTH, WIND & FIRE. It is an ORIGINAL! US pressing on the WB “GREEN” label, catalog #WS 1905 in STEREO sound and released in 1971. The vinyl is in VERY GOOD PLUS! condition, shiny and black, with marks, nothing deep, no skips and should have decent playback. It has ITS’ UNIQUE POSTER/LYRICS INSERT! The cover is in EXCELLENT! condition with very light surface/ring wear, some corner bumps, mild wear to edges and corners. It is your opportunity to purchase this DEBUT! LP by EARTH, WIND & FIRE in this condition. It’s a true gem for the FUNK / PSYCHEDELIC SOUL / SOUL / R&B collector!! Email me with any questions and be sure to look at the pics. I DO NOT ACCEPT BIDS FROM OR MAIL TO SOUTH AMERICA, SOUTH AFRICA, ITALY & OTHER COUNTRIES. IF YOU ARE NOT FROM THE USA CONTACT ME BEFORE BIDDING! International bidders can email me for shipping rates. SHIPPING IN THE US IS $4.00 for MEDIA MAIL. I COMBINE SHIPPING SO US BUYERS PLEASE WAIT FOR INVOICE! Thanks for Looking & Good Luck!
Music Review from AllMusic.com by John Bush
The debut for the nine-member Earth, Wind & Fire was as assured as that of any rock band from the '60s and early '70s. Already fluent with the close harmonies of the classiest soul groups, the deep funk of James Brown, and the progressive social concerns and multiple vocal features of Sly & the Family Stone, the group added (courtesy of auteur Maurice White) a set of freewheeling arrangements, heavy on the horns, that made Earth Wind and Fire one of their finest albums -- the artistic equal of their later hits, if not on the same level commercially. Unlike the work of most early funk bands, the songwriting was as strong and focused as the musicianship; the record boasts a set of unerringly positive compositions, reflecting the influence of the civil rights movement with nearly every song urging love, community, and knowledge as alternatives to the increasing hopelessness plaguing American society. The stop-start opener "Help Somebody," the deep funk extravaganza "Moment of Truth," and the sweet ballad "Love Is Life" were unified in their pursuit of positivity, while even the potentially incendiary title "Fan the Fire" was revealed in a peaceful context: "The flame of love is about to die/Somebody fan the fire." And the instrumental closer, "Bad Tune," is hardly a cast-off; the furious kalimba work of Maurice White and wordless backing vocals combine to create an excellent piece of impressionist funk.
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