EDDIE CLEANHEAD VINSON BACK DOOR BLUES RARE ORIG'62 MONO WHITE LBL PROMO LP MINT
$
33
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Description
WE CURRENTLY HAVE MORE THAN 500 LISTED ITEMS
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· EDDIE 'CLEANHEAD' VINSON with CANNONBALL ADDERLEY QUARTET (CANNONBALL AND NAT ADDERLEY, SAM JONES AND LOUIS HAYES) – BACK DOOR BLUES – RARE ORIGINAL 1962 RIVERSIDE MONO LP RLP-3502
· ORIGINAL U.S. PRESSING
· *** WHITE LABEL PROMO ***
· *** IN ADDITION, THE PROMOTIONAL STAMP ON THE COVER CLEARLY IDENTIFIES THE ITEM AS PROMOTIONAL ***
· ORIGINAL RIVERSIDE MONO LABEL WITH MICROPHONE AND TAPE REEL LOGO AND SILVER PRINT, LATE 50’s STYLE, WHITE PROMOTIONAL VERSION
· DEEP GROOVE PRESSING
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· ORIGINAL GLOSSY, LIGHTLY LAMINATED COVER
· THICK, HEAVY VINYL PRESSING
· CLEAN, WEAR-FREE LABELS (MINOR YELLOWING NOTED ON BOTH LABELS)
· MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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One of the most exciting of the blues shouters ever was Texas-born Eddie 'Cleanhead' Vinson (1917-1988) whose declamatory style and big, virile voice had the intensity and impact of such other greats as Joe Turner and Jimmy Rushing.
But Vinson was also a musician of much wider scope; he was one of the first altoists outside the bebop inner circle to absorb the innovations of Charlie Parker, while Coltrane worked in his band in 1952-1953. After a spell off the scene, he was signed by altoist Cannonball Adderley to record for Riverside Records, the label for which Adderley himself worked.
Back Door Blues is the result of two successful sessions in 1961-2, on which the Cannonball Adderley Quintet offered Cleanhead a solid, spirited, blues-rooted foundation for his earthy singing and basic, pure-lined, lyrical alto. With both Cannonball and Nat Adderley also in prime form, Joe Zawinul delivering funk without triteness, and Sam Jones and Louis Hayes completing an idiomatically flexible rhythm section that combined sophistication with implacable swing, it was a reminder of just how good Vinson was at both aspects of his art.
***
THE WHITE LABEL PROMO, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed to the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals": the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.
For additional historical information on this album, including track listing ►CLICK HERE
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).
(c) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(d) White Promo Label version of this title is much rarer that a regular, commercially released, version of this title. We estimate that stock copies of this album outnumber promo copies by a ratio of at least 100:1.
(e) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
THE COVER IS NEAR MINT !
The following flaws or imperfections are noted on the cover:
- Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 1 (front side) and 2 (back side)
- Minor shelf wear noted on the bottom seam (nothing significant)
- Cover has a few tiny wrinkles along the opening side (nothing significant)
NO OTHER IMPERFECTIONS ON THE COVER:
- No split seams
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No yellowing from aging
- No writing
- No stamps (except for the promo stamp)
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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POSTAGE & SHIPPING:
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